Copy of Experimental Electronic & Ambient

THRONE OF BLOOD

Dripping On Everything

Paral·lel & François Fontaine - Glisten

Thousand Needles and Silkeater: three tracks from each artist, and two tracks from their collaborative project Mortalization of Being.

This release finds the Delaware Corporation seeking ventures further afield; sounds for the current cycle's 0-phase return.

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Thousand Needles - Violent Decisions On The Marble Floor

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AUTOMATED SURGICAL PROCEDURES

Third summary compilation Cultro Sub Costa released by Prague based industrial/noise/techno crew Wrong follows up the first two tapes Suspicion of Doubt (2017) and Occasions to Sin (2018) and now represents the 2019-2024 timeframe. Old tracks meet new ones, foreign names meet local artists and genres clash on this double tape. 

A side starting with dreamlike intro nervousness of Bernardino Femminielli setting up the tone, followed by feverish ASMR trap-trip of Okitap, Oil Thief’s groovy synth-noise, dirty punk-electro cuts of Kabal and HANGMAN, Swordsmith’s heavy cyber dancefloor mover and closing with Vein Data and his overdrive guitar electro ballad.

Side B is filled with abstraction and weirdness and opening with cinematic industrial ambient of Amethyst, then turning tides into more rhythmic territory with occult vibe of Espectra Negra, lo-fi hypnotic synth drama of Christophe Clébard, screwed rhythmic madness of Carrageenan and ambient melancholy of Kult Masek.

Side C starts by No Nation dealing power electronic blow, with following tight electro rumble of JNKR, Blush Response with his sharp and hasty broken techno, Filmmaker’s dirty grind, Ireen Amnes with her synth driven coldness, trancy tragic of Destruction Derby and EBM goes trance track by HKKPTR.

Compilation is closing on side D with last two guests: STATIQBLOOM and his apocalyptic techno monster and Zuzana Hakl with speed electro dizzyness. And apart from them the last side belongs to Wrong crew: HYΛEN, Trauma, C4AT and The Undertaker’s Tapes. 

This collection represents what is Wrong



A1 Bernardino Femminielli - Johnny's Blues
A2 Okitap – Tamam
A3 Oil Thief – Wayward Sentiment
A4 Kabal - I Paid 1000 To Play This On Your Showcase Festival
A5 HANGMAN – Hunger
A6 Swordsmith – Ramping
A7 Vein Data – Pantomime

B1 Amethyst – 5002.20141538
B2 Espectra Negra – Rubber Rituals For Industrial People
B3 Christophe Clébard - L'Enfer Est Mon Voisin
B4 Carrageenan – Disambiguation
B5 Kult Masek – Ornament

C1 No Nation – Mercy Blow (Version)
C2 JNKR – Tunnel
C3 Blush Response – Compulsion
C4 Filmmaker – Singularity
C5 Ireen Amnes – Daydream
C6 Destruction Derby – Sun Scream Vapors
C7 HKKPTR – Individuum

D1 HYΛEN – Paincake Catapult
D2 STATIQBLOOM – The Serpent's Tail
D3 Trauma – Bag Of Bones
D4 C4AT – Occupation
D5 The Undertaker's Tapes – W4EVA
D6 Zuzana Hakl – Wrong


Mastered by Wim Dehaen 
Pro-dubbed by Headless Duplicated Tapes 
Cover by KudlaWerkstatt & C4AT 
Print by KudlaWerkstatt 
Released by Wrong 
2024

HANGMAN - Hunger

snakeeyesgvcci – glory

Pista generada en pure data, en honor a la música generada por alva noto y ryoji ikeda.


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Energy Within

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Twilight Descent

From the 'Torn In Two' album. Out now.
https://fofmusic.lnk.to/TorninTwo

Torn In Two

Pyre

Ende eines Jahres

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Orbiting metal bodies that collapse in beautiful blue fire falls. 
Essential and complex at the same time.

Paral·lel & François Fontaine - Glisten

Paral·lel

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