God damn this is good! Horn like Dj Krush.

admoto "paratum"

https://archive.org/details/IP-010
https://innerspaceprod.bandcamp.com/
https://soundcloud.com/innerspaceprod

1:28 (Segue)

.... just messing around with Synths ! enjoy !

retrofuture

unexpectorant

Disquiet Junto Project 0594: Threemix The Assignment: Remix an asynchronously produced trio.

I didn’t have a lot of time the past two weeks, so while I started a couple of things, I didn’t finish anything.
Going through these half developed sketches, to see if anything might be a good starting idea for this week’s remix challenge, I was drawn in by a loop I made using @Melondruie and @Fake-Genius piece Quietude Disturbed from week 2 (https://soundcloud.com/melondruie/quietude-disturbed-disquiet0592).
I thought the piece had a bit of a Burial feel to it, so as a sound design challenge, I tried to make a Burial kind of beat to go with it, using sounds I made tapping and scraping an old Zither I bought second hand (and that I mostly tend to use as a place to put my headphones, apparently).

Going through the playlist for week 3, I noticed that pieces based on @encym ’s week 2 contribution Tête à tête (https://soundcloud.com/encym/tete-a-tete-disquiet0592 built on the week 1 piece of @andreas-kitzmann) fit harmonically with Quietude Disturbed. Also, these pieces, and especially @RabMusicLab’s La tête éblouissante (https://soundcloud.com/rabmusiclab/la-tete-eblouissante) fit rather well stylistically. So, I wondered if I could mash these pieces up together in some way. At first, I intended not to use the Burial-esque beat, because… well… because it’s such a blatant ripoff. But by that time, I’d been hearing the loop for a while, and the sound had nested in my head: other rhythmic ideas didn’t cut it. Neither did doing away with a rhythmic element altogether.

So, there you have it. 

More on this 594th weekly Disquiet Junto project, Threemix (The Assignment: Remix an asynchronously produced trio), at: https://disquiet.com/0594/
About the Disquiet Junto: https://disquiet.com/junto/

Quietude Disturbed (campos Remix - disquiet0594)

LoopDiggers Sunday Roulette N°124 (2nd submission)
A beat made in 2hr 30mins
additional bass, drums, and percs by meorkat.

BAWDYXANTIBODY [LoopDiggers Sunday Roulette N°124]

online Kooperation mit Ansound / Thomas Sander 2023 https://on.soundcloud.com/9FxJB

FISH BOXES coop with Ansound

White Weather

Come On (JorDams x TPC 13)

Disquiet Junto Project 0624: Fresh Pair
The Assignment: Combine two influences, however disparate they may be.

This piece of music is a fusion of two opposing philosophical influences: Immanuel Kant and Friedrich Nietzsche. The Kant motif is structured and simple, reflecting his emphasis on rationality and moral imperatives. It has a friendly tone consistent with Kant's belief in ethics. His motif also has a preachy element that is meant to remind us of Kant's belief in universal laws and also that his writings are frankly quite boring. In contrast, the Nietzsche motif is darker and wilder, reflecting his challenging and often provocative and mostly interesting ideas. The more chaotic (and randomnized) nature of his motif reflects Nietzsche's commitment to individual will and his rejection of social norms (or even his own ideas). However, they also had some things in common, such as a great interest in the emerging natural sciences or the fact that they struggled with the idea of a God. Ultimately, the Kantian theme prevails and has the last word, as Nietzsche is frowned upon for influencing the difficult to understand and often misunderstood "Ubermensch" idea, whereas today we (some of us) actually try harder to act according to Kant's theory of reason, even if a glance at the news teaches us that we as humankind simply don't succeed in doing so.

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This was fun, even to make the cover image with Dall-E 3, which in no way was able to make both philosophers really recognizable. The prompt: "A 19th-century style painting, more abstract than realistic, featuring a recognizable Immanuel Kant on the left and an older, recognizable Friedrich Nietzsche with a beard on the right, engaged in a passionate debate. Kant, shown in his middle years, is in 18th-century attire, exuding a calm and refined aura. Nietzsche, depicted in his later years with an iconic beard, is dressed in typical 19th-century clothing, with an intense and expressive demeanor. The setting is a music studio library, filled with books and modular synthesizers, blending a deep intellectual atmosphere with the spirit of modular synthesis."

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More on this 624th weekly Disquiet Junto project, Fresh Pair (The Assignment: Combine two influences, however disparate they may be), at: https://disquiet.com/0624/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0624-fresh-pair/

Mystery Lady

The Sacrifice of Stephen 2

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