Pedro is a composer, sound artist and performer working primarily in chamber music, improvisation and installation with new technologies. In 2002, he was awarded a PhD by the University of Edinburgh where he conducted research in both music and architecture.

His music has been presented in venues such as the Melbourne Recital Hall,  National Concert Hall Dublin, Queen Elizabeth Hall,  Ars Electronica, Casa da Música, and in events such as Weimarer Frühjahrstage fur zeitgenössische Musik, Wien Modern Festival, Cynetart and Música Viva. His work as a pianist and improvisor has been released by Creative Source Recordings and he has collaborated with musicians such as Chris Brown, Mark Applebaum, Carlos Zingaro, Evan Parker and Pauline Oliveros.

His writings reflect his approach to design and creative practice in a wider understanding of contemporary culture and emerging technologies. Pedro has been Visiting Professor at Stanford University (2007) and has been Music Chair for international conferences such as ICMC 2008, SMC 2009, ISMIR 2012. At Queen's University Belfast, he has held posts as Director of Education and Acting Head of School in the School of Music and Sonic Arts and is currently Director of Research for the School of Creative Arts, including the Sonic Arts Research Centre. In 2012 he was appointed Professor at Queen's and awarded the Northern Bank's "Building Tomorrow's Belfast" prize.

Other:
https://soundcloud.com/that-which-is-not
https://soundcloud.com/rathrobin
https://www.youtube.com/watch?v=knhmHH9Robo
http://moroseismorose.blogspot.it/
https://soundcloud.com/morose-italy

"Where is everybody else?"
https://triplemoonrecords.bandcamp.com/album/belaqua-shua-where-is-everybody-else

"Less is more"

Electronic music compositions mixed with
field recording, tape loops & found sound.
Also a member of zensor.
Thanks for listening and your support.
For more content go to : 
https://c-shape.bandcamp.com
#Ambient, #Art, #Electronic, #Music

Miguel Azguime was born in 1960 in Lisbon. Distinguished for originality and diversity, his musical world reflects an approach that relies on his multifaceted capabilities as composer, performer and poet. This threefold activity closely reflects an almost mystical vision of music and art.

In 1985, together with Paula Azguime, he founded the Miso Ensemble, a duo recognized by the public and by critics alike, as one of the most important Portuguese contemporary music ensembles. Besides giving numerous concerts in Portugal, the Miso Ensemble has been regularly performing abroad, with several hundred of concerts given up until now.

Miguel Azguime has composed music for diverse formations – instrumental and/or vocal with or without electronics, tape music, sound poetry, and also music for exhibitions, sound installations, electroacoustic theatre, dance and cinema. His compositional style enrols in a language of structural rigor, on the one hand, and formal liberty, on the other. “Mosaic” and “radiant” expressivity obtained by timbric richness as well as clarity in the development of ideas are assumed, in his music, as constant and unifying factors.  

Miguel Azguime’s works have been performed by renowned soloists, ensembles  ( Ensemble Recherche, Norrbotten NEO, Ensemble Ensemble Musikfabrik, Remix Ensemble, BBC Singers, Quarteto de Matosinhos, Sond’Ar-te Electric Ensemble,  Smith Quartet, California EAR Unit, etc.), and conductors ( Laurent Cuniot, Petter Sundkvist, Franck Ollu, Guillaume Bourgogne, Renato Rivolta, Johannes Kalitzke, Pedro Neves, Pedro Carneiro, Pedro Amaral) and  presented at major festivals of contemporary music around the world (Huddersfield Contemporary Music Festival, MaerzMusik, Warsaw Autumn Festival, Nordic Music Days and Festival Synthèse, among others). The composer also regularly receives commissions from Portuguese and international music institutions.

The connections between "Azguime" the composer and "Azguime" the poet and performer, gave birth to a unique text and music relationship, developed in the Electroacoustic Theatre and New Op-Era concept. The multimedia opera “Salt Itinerary” (2003/06) is the materialization of this idea. It is a work, which transcends theatrical and music conventions. Reflecting on art and madness it revolves around languages, words as sources of meaning and words as sources of sound. Both are used as an extension of the body and melted in the construction of the staging – a tangible projection of the words’ resonance through sound and image.

Henrik Meierkord is a musician who experiments with different genres. His main instrument is the cello, but he also plays other instruments. Through his ambient music he tries to let the listener find his/her own emotion and contemplate.
For Henrik Meierkord, music is therapy and balsam for the soul and he will keep making music in his unique way.

And please! Mail me at :
henkemeierkord@gmail.com
 Not via sc.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

PT 
O Centro de Investigação & Informação da Música Portuguesa é um projecto de serviço público para a divulgação nacional e internacional do património musical português. O nosso portal, MIC.PT, é regularmente actualizado com informações sobre compositores, compositoras e intérpretes residentes em Portugal, destacando a música dos séculos XX e XXI.

EN 
The Portuguese Music Research & Information Centre is a public service project by the Miso Music Portugal, dedicated to the national and international dissemination of the Portuguese music patrimony. Our website, MIC.PT, is regularly updated with information on composers and performers residing in Portugal, with focus on the music creation from the 20th and 21st centuries.

–

www.mic.pt

MIC.PT – YouTube: www.youtube.com/channel/UCFZk51Alk6mYG2jmrVAT9Uw

composer and sound artist ｜ electronicmusic/ experimental / ambient

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