MOONBOOTICA

"I can sell out Madison Square Garden masturbating." 
—Mike Tyson


MOONBOOTICA saves lives. MOONBOOTICA guarantees the fun of excess. A great gift to mankind. Without fun, this world would recede into clouds of grey. And who wants that? With MOONBOOTICA, everybody has the freedom to say no to grey. On one condition: fun has to be discovered and used to full effect, with every sinew stretched. Once you’ve got that far, things begin to relativize, delusions of grandeur seem as easy as ABC, thanks to MOONBOOTICA. The powers that be strive for greatness, growth, expansion? MOONBOOTICA rise up to the challenge twice over! Composure through relativization, at the end of the day, MOONBOOTICA always have more in the tank. This calming influence comes courtesy of the “bigger than life” mindset, the classic Funkadelic lesson succinctly stated: “Free your ass and your mind will follow.”

As a DJ and production team, MOONBOOTICA has represented maximum torsion since 1999. But endurance is merely one of the Hanseatic duo’s most distinguished qualities. Together they represent a bulwark against inconstancy and are nevertheless always ready to smash borders. Including their own. There are two of them, after all. A two-headed unity IS MOONBOOTICA, and that’s what it’s all about, IS: double-loaded, twice as focussed, twice as big. The double greatest. Even when Kowe Six or Tobi Tobsen should tread the boards alone,the format remains the same. Each of them is double MOONBOOTICA. And vice versa.

MOONBOOTICA’s unique lack of respect in the interests of wildstyle is both a virtue and a call to arms. If refinement of taste should run the risk of imploding, there’s no better tonic than a dose of MOONBOOTICA. The antithesis to light and minimal dictates. It couldn’t be any easier or more effective. A track, an album, a set – well-being is just a question of the right dose. In case of doubt: more is more. Whilst somehow, the love of a grand pose notwithstanding, remaining the same, in appearance and reality. Without resorting to trickery, ironic dissociation or in-jokes, MOONBOOTICA offer themselves up to the audience. As vulnerable as they are sure of victory, the duo has everything a good, open drama needs. Only that everything does not end up in pools of blood.   

When others reach for anabolics and pimp their track to the limiter with everything they can get their hands on, Kowe Six and Tobi Tobsen simply rely on where they came from. Style was laid in their cradle like a golden curb chain. Their musical trajectory, five albums and hundreds of shows prove as much. MOONBOOTICA is, by nature, greater than everything else. Greater than you or I. Greater than Tobi and Kowe even. At which point we finally come to the introductory quote from Mike Tyson -  but we don’t want to explain the fun of excess again. Take a look in the newspaper if you want to know how important it is. Or spend an evening with MOONBOOTICA.   



Official Moonbootica @ Soundcloud
For every request please contact:
info@moonbootique.com
Presscontact: bruno@freelastica.com



	I always liked Dr. Fat Cat’s $2 Boba & Pub.  It’s been known for over a decade for marking the last piece of privately owned land in Irvine.  Or at least it was until yesterday, when Dr. Fat Cat’s was purchased by the Irvine Company.  Within minutes of the purchase’s completion, the Irvine Company made covert use of its new HB 666 rights, which had recently been signed into effect by President Trump.  HB 666, also known as the Guantanamo Rights Expansion Act, grants private corporations the legal right to detain and torture anyone on their land for an unlimited period of time.
	Irvine Company Executives sent highly trained Swaglords to brainwash the youth of UCI, convincing thousands of Irvine students to devote their souls to producing whatever movement they were told to make flawlessly.  The Executives planted fraternities and sororities, which convinced over 10% of Irvine’s students to adjust their personalities to fit a prescribed template.  The UCI population fought to stop the Irvine Company’s corporate brainwashing protocol, but they were finally defeated when the Irvine Company introduced Adidas track pants and successfully brainwashed the entire UCI student body into adhering to a prescribed fashion sense.
	The Irvine Company thought they had every UCI student under their control, but five lone scums emerged unfazed by their attempts at brainwashing.  The scums joined together and hatched a plan to free UCI from the Irvine Company’s grasp and set off to free the campus by spreading the gospel of Progressive Beach Scum!
	The young heroes formed a band and named it The Alley Crabs, after an STD their autistic rhythm guitarist picked up in Reno.  They set off on their mission to free the Irivinians from their Irvine Company overlords.  Such is the story of the birth of The Alley Crabs, a group of revolutionaries whose mission continues to this day.

Once living amongst the aural fields of majestic eucalypts, suspended between low hanging branches and pungent buds, lay a dormant interstellar morphic field. Early one evening as the pendulum-like swing of its natural habitat came to rest; a spark fell from the sky. The field captured the spark and ignited a distinct acoustic sound-flavour, quickly spreading and taking hold of traditional rhythmic elements. As the night gathered intensity, the sound instinctively expanded outward with such ferocity that its warmth enticed neighbouring creatures to all gather in its presence. As the creatures gathered, they drew with them more dormant energy, preparing the field for its next inevitable expansion. It is not known what the field’s intentions are, but when exposed to its liveliness, a tremendous wash of aural colour brings a rejuvenating effect to its receiver, leaving only feelings of peace and tranquility…

…due to its ever-expanding nature, the field was dubbed ‘Suns of Solace’

Dave Cawse: Vocals, Guitar
Ryan Baker: Guitar
Aaron Beattie: Drums, Percussion
Jon Philips: Bass
Thoma Henbest: Keyboard

Discography : Mr.Rod & Audiomatik- Ascent ( Acid Night 30 )only vinyl
http://www.toolboxrecords.com/en/product/31282/tribe/acid-night-30/

Nztk Sound6tem\Records based on growth and expansion of the free party movement and musical self-production. Enjoy. Open your brain. 

Outboard - Machine and operator system: 
ABLETON LIVE SUITE
BIT WIG 
MAC PRO 2017 
ELEKTRON MACHINEDRUM SPS-1UW MKII
SOUNDCRAFT M8 DIGITAL OUT
MOTU 828MK2 FIREWIRE
FOCUSRITE SCARLET SOLO
LEXICON ALEX DIGITAL EFFECT PROCESSOR
ALESIS MIDIVERB 4 
DBX 266XL COMPRESSOR GATE
DCX2496 LOUDSPEAKER MANAGEMENT SYSTEM
AUTOCOM PRO XL 
VIRTUALIZER PRO DSP 2024P
DIGITECH ELEMENT XP
V AMP PRO 
V AMP PRO BASS
XENYN 1202 
AKAI APC 40 MK1
AKAI APC20
AKAI MPD24
KORG NANOPAD 1
BCR2000
NATIVE INSTRUMENT MASCHINE MK2
YAMAHA HS5 MONITOR STUDIO
BOSE L1 COMPACT - BOSE TONEMATCH MONITORING
FOCUSRITE SCARLET 2I2
KORG EMX 


Info & Booking 
nztkrecords@gmail.com (Info Booking)

Fb Page :
https://www.facebook.com/NztkRecords/

Friends Nztk Record:
Dissonanze Studio For Analog Mastering & Post Production                   
http://www.dissonanzestudios.it/
96 Creative Store For Merchandise 
https://www.facebook.com/96creativestore/

SynthMaster is an ‘all-around’ semi-modular software synthesizer and effect plug-in that features many different synthesis methods including VA, Additive, Wavetable, Wavescanning, Phase Modulation, Frequency Modulation, Pulse Width Modulation, Ring Modulation, Amplitude Modulation, Physical Modeling and SFZ Sample Playback synthesis. With its multi-synthesis oscillators, analog modelled/digital filters, flexible effects routing with 11 types of high quality effects and a massive modulation architecture with 95 separate modulation sources and 650+ modulation targets; SynthMaster is a ‘must-have’ for all synthesizer enthusiasts!

AWARDS AND RECOGNITIONS:

SynthMaster ranked #1 in MusicRadar's annual "Best VST/AU Synth In The World" poll: http://www.musicradar.com/news/tech/the-50-best-vst-au-plugin-synths-in-the-world-today-621799

SynthMaster received "Gold Award" in "Best Software Instrument" category from MusicTech Magazine.

SynthMaster was awarded "Best Software Instrument of 2012" by MusicRadar web site: http://www.musicradar.com/news/tech/the-best-music-tech-gear-of-2012-568175/11

SynthMaster received 10/10 and "Performance Award" from Computer Music magazine in their February 2012 review. Their verdict was: "If ever there was a desert island synth, SynthMaster is it, covering all sonic bases with authority and a superb tone"!

SynthMaster 2.8 is available for purchase as online download at KV331 Audio website. It's available in different variations:

1. 'Player FREE License (Free): 'Player FREE' version of SynthMaster only allows editing of easy parameters and effect bypass states of each presets. It comes with 350 factory presets

2. 'Player License ($29): 'Player' version of SynthMaster only allows editing of easy parameters and effect bypass states of each presets. It comes with 1250 factory presets.

3. 'Academic' License ($59) : Students can purchase SynthMaster 'Academic'. It only comes with the factory presets,  doesnt include any extra expansion presets.

4. 'Factory' License ($99) : The 'Factory' license only comes with the factory presets, doesnt include any extra expansion presets.

5. '1+2 Bundle' License ($129) : The '1+2 Bundle' license/bundle includes SynthMaster 2.8 and SynthMaster One.

6. 'Everything' License ($339) : The 'Everything' licence/bundle includes all released expansion presets (1400 currently).

A demo version of SynthMaster 2.6 is also available for download at KV331 Audio website. The demo version is identical to the standard version except 3 limitations:

1. Saving presets is disabled
2. Starts playing random notes after 10 minutes
3. Comes with 350 factory presets (demo users can check out the remaining factory presets from the online presets browser though)

Miss Butterfly aka Djane Nicoletta (music is my world and my life)

Miss Butterfly has, ever since early childhood, had a strong love for music and sees in it the perfect medium for expressing feelings and emotions.
She has also always had a strong connection with the beautiful, bright colourful nature of that incredible metamorphic animal, the butterfly.

We are all in various stages of metamorphosis and are going through personal cycles of (hopefully ☺ ) expansion and growth. The butterfly is a strong symbol of transformation and transience.
It is a symbol for the lightness of being and the colourful playfulness of life.

Miss Butterfly is the set and setting for the cosmic space needed for this transformation to unfold in the dance floor experience.

She is a refreshing ray of light in the Psytrance scene and has been illuminating our minds, hearts and souls on the dance floor since 2007.

Based in Vienna, she has often appeared internationally at clubs and festivals.

Her versatility of style and her ability to connect with the dance floor and spread that “feel-good” feeling, produce that ecstatic trance and create that special spirit, just comes naturally to her.

Her colourful style ranges all the way from chill-out, progressive psy to psychedelic full-on.
Rolling, pumping bass lines, colourful melodies, energising beats, bouncy grooves, mystical, uplifting butterflies…

Whatever style she plays, her cosmic trigger sets will provide you with many magnificent moments and her wisely selected outros will be sure to bring dancers back to the physical world, safe and sound.

Her compilation “Rise of the Butterflies” a double CD released in 2013 on Plusquam Records allowed newcomers and well-established artists to come together to create their own Butterfly Effect, letting loose the butterflies in our stomachs.

If you want to know where all this is heading…
Tune in, Turn on and SMI²LE pure.

Releases:
Double compilation: Rise of the Butterflies (Plusquam Records 2013)

Labels:
FLOW EV Records since 2017, BMSS Records 2014, Plusquam Records 2010-2013, Cosmicleaf Records since 2008,

Andres Dyer is a Peruvian DJ with over two decades of experience, whose journey in electronic music has been marked by a deep dedication to the search for authentic sonic experiences. He began his career in Lima, where he founded key projects for the local scene: 4Cuartos Records, one of the first record stores in Peru, and 4Beats Peru, a promoter that, for over 10 years, organized events focused on artistic quality and cultural content, stepping away from commercial pressures.

These initiatives positioned him as a key figure in the development of the Peruvian electronic scene, earning him a special place among those who see music as a language, not a product.

His sets, which he describes as a current snapshot of how he perceives the world, reflect his passion for the timeless and the sensory. They weave a narrative that flows between house, techno, 90s British tech-house, electro, breaks, and minimal — with strong basslines and hypnotic textures.

Now based in Berlin, Andres is experiencing a phase he describes as deeply enriching for his artistic growth. He spends his days between studio sessions and an insatiable search for music worth sharing.

For Andres, DJing is not an act of exhibition: it’s a way of speaking without words, where in every session, a piece of his story and inner world comes through.

I'm Snow White and I feed on apples that kill me. I'm Ariel out on the Mediterranean sea. I'm Pocahontas, as free as thee and Princess Jasmine on that royal family tree. I'm Belle whose standout is inner beauty and Mulan, brave and selfless of whom does her duty. I'm Rapunzel whose hair is lengthy, and Aurora whose fate was unlucky. I'm Minnie Mouse finding her Mickey and Cinderella who proved to be plucky. I'm a fairytale that starts with petty then grows into a sudden confetti. I am a mix and clash of Disney characters so silly, it's almost synonyms with infinity. ❤ Thirteen years of big dreams and twigged streams. Thirteen years of seeing coal-dark steams transform into white-bright gleams. Thirteen years of walking under the sun and it hasn't even begun. Sometimes, the light's too bright, sometimes, the grip's too tight, but everything will be alright, nobody will make it out. ❤❤❤

Victor’s Mob. came to this world through a parachute jump. Even more strangely, he was caught a meter off the ground by his grandfather, who was a pirate. Brought up in a pirate crew, Victor’s Mob. is a rebel against social norms and dogmas. He is a wavemaker producing high-end sounds and music in his sophisticated analog synthesiser studio. He is a vinyl DJ and live act performer. His style is a flash from Space. Victor’s Mob. says,”I come from Space. I am here to spread new sounds and vibrations. People feel it and that’s why they love me.”
His planetary journey started in Bulgaria, Sofia. A very controversial place on Earth. In the early 90’s, still in his teen years, he found out about the power of music. He launched Dve Kupeta formation for experimental dark ambient. These new sounds were immediately embraced by the audience and the band got many prizes even though its life span was short. Soon, he started a new electro acoustic band called A Band of Mad Women, which was equally accoladed. His following down tempo, ambient, IDM Vataff project got world recognition and he traveled to many countries in Europe, Asia and Africa to play the redeeming music. Vataff project is his love affair with conceptually new sounds and it is an ongoing project together with Dynamic Transition. DT project is an expansion into the invisible, spiritual realm echoing the ancient mantra meditation practices. Having successfully moved through different musical genres, in this number theatre and film music composing, Victor’s Mob eventually fell in love with Techno Music and more particularly Techno House. He founded his own Port One label. It’s the cream of his long musical journey. It’s a projection of his sophisticated and unmistakable music taste. The underpinning factor is his studio. A collection of analog synthesisers, effect processors and various software with distinguished vintage sound. And it is all about love.

www.portone-records.com

http://soundcloud.com/port-one-records

http://www.facebook.com/pages/Port-One-Records/360217584055527

Taking the art of jazz guitar to the frontier, Tao uses a variety of effect pedals and loop machines to build robust, droning soundscapes. All sounds are initiated by the guitar and tweaked in real time with electronic devices. No preprogramming or slick computer-tricks. An expansion of the guitar - the instrument and a showcase that “knobs tweaking” can be a very expressional instrument in its own right.

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