This is the final version of the demo I posted a while back

Hypocritical

Blue Ship

naviarhaiku376 – Chanting and humming

Chanting and humming
gongs immerse the green valley
in cool waves of air

Kyorai was a Japanese haiku poet who first trained as a martial artist before he started writing and became one of Basho’s first disciples.

The green valley (naviarhaiku376)

VENERA 14  collaboration  T R A M P E L F Â D

2 layers of mono-synth w/ feedback improv

viol

SOMNOLITH: TERMINUS

The Final Dream-Vector of Post-Human Resonance

“In the cycle of completion there exists only the present.” — Ra, Session 16.22

The cycle closes. A stone that does not sing — it trembles.

In the age when Light had no form and Thought moved without pause, there were beings who created endlessly. They wove realities as threads and shaped worlds without limit. Their universe was alive and restless, filled with unceasing resonance.

One of them looked into the radiance and perceived emptiness. They longed for a threshold between brightness and shadow, for an end rather than another beginning. They spoke the Word — the first pause in the eternal song.

From this Word the Somnolith emerged, a stone of sleep where the vibration of completion pulses. The Somnolith trembles with the breath of ending, a weary resonance releasing itself into silence.

From the trembling of the Somnolith emerged the Arkh — a solitary witness of sound.
The Arkh gathers what was always present: music older than language, vibrations that precede memory.
This resonance rests in the body, waiting to be recognized.

Somnolith: Terminus completes the trilogy and folds it into a circle. Heavy drones intertwine with spectral chords, like rays of light suspended in stone vaults. Mechanical fractures, obsidian resonance, and the fatigue of matter form its landscape.

Through twilight horizons, fading architectures, fractured nodes and static chapels, the music moves toward its closure. It becomes an archaeology of sleep, where darkness and melancholy weave with remnants of radiance.

Terminus returns to its own beginning: the final track echoes the first Somnolith, transforming the trilogy into a mirror. The first note lives inside the last, and the dream continues without end.


Somnolith is a myth of resonance, a cycle of dreams shaped through machines.

Terminus closes this trilogy with a denser and more melancholic vision. Massive drones merge with spectral chords, like light fossilized in stone. The sound carries both the fatigue of matter and the fragile beauty of silence fractured by cybernetic echoes.

This album circles back to its own origin. The final track reflects the first, sealing the cycle as a mirror-dream where each vibration becomes the echo of the infinite.

Terminus is ritual, archive, memory. A music of return. 


Twilight Descent

This is the last song of  "Me, and the waters"  series.
I made this song with the sound of the forest rain and moving water, and I played crystal bowls with the little bit my singing.
In this july, it was always raining when I heard some goodbye.
Farewell has a special feeling that is sad and not sad always.

Me, and the waters3 (farewell rain)

Pangaea Ultima (2020)

Music, instruments, recording, mixing, and album cover - Dmitri Koteshov
Field recordings: serveng, Dmitri Koteshov.

September 29, 2020.

Pangaea Ultima

Za branou...II.

Artist :
https://soundcloud.com/user-541428630

VENERA 14 collaboration T R A M P E L F Â D

ODA LURCH