Tapes and Topographies is US based artist Todd Gautreau, who has had music releases on labels such as Past Inside the Present, Dronarivm, Shimmering Moods and his own imprint, Simulacra. His project has been active since 2014 following his previous alias Tear Ceremony and he also produces a downtempo as Sonogram.

With each new album, Todd follows a different workflow to achieve new details and results in his sound. Increasingly, his work has been aided by the use of hardware and outboard effects.
In his latest album Amplitudes, he has taken a set of sounds and fed these through a looper, experimenting with altered loop speeds. He used FM synthesis for the first time in this body of work, alongside some of his tried and tested methods, joined by field recordings.

These nine compositions clock in at almost 50 minutes; a compelling listen through dreamy, organic textures. Todd has created a lot of music in the last 18 months and Amplitudes is the latest in his continuous process of distilling his sounds and ideas down to their essence.
The album’s artwork is a macro-photograph of a stone, as the fine details are ‘amplified’ by the magnification effect of the camera’s lens. There is not a clear concept but inspiration is drawn from film and literature, as well as self-reflection, memory, loss and dreams. As these compositions play out, you’ll find yourself concentrating on fine details, whilst at other times, in a blissful state, zooming out to absorb the bigger picture.

Amplitudes

wlr104 Tapes and Topographies - Amplitudes

Andréa Stanislav's "Surmatants - Mars Rising"
Original music by Jesse Gelaznik

Musicians
Jesse Gelaznik - guitar, piano, synthesizer, electronics
Heather Green - soprano
Benjamin Louise Brody - French horn
H. Loen Harris - autoharp
Mark Broschinsky - trombone
Christopher Johnson - bass

Vinyl LP and catalog available at the Mattress Factory online store.

Cover by William Magdzriaz
Engineered by Jesse Gelaznik
Mastered by Eric Elterman at boomtown Studios

Buy LP

White Room

Erika dreams on the cellular level, or perhaps of transdimensional intelligences moving through strange patterns on celestial objects, working towards a mysterious goal. Her connection to the dreamworld becomes concrete in her approach to music, simultaneously so solid and yet so ethereal. Erika still finds time to accomplish many things in her waking hours, such as being a member of Ectomorph and Circle of Live, co-conspirator of Detroit's Interdimensional Transmissions record label, DJing and making music with her pet machines, and giving mentorships about making live music on In Bloom. Her freeform streaming radio station erika.net was one of the very first iTunes presets, running 24x7 for 17 years from 1999 to 2016. Prior to that, Erika was very involved in WCBN-FM Ann Arbor, as a freeform and jazz DJ, and Program Director.

The daughter of a famed scientist and already running a well known BBS from her bedroom by the time she was 13, Erika is no stranger to expressing her ideas through technology. In 1997 she was handed a TR-606 and asked to join Ectomorph, and has since become an electronic musician of the highest order, focusing on analog synthesis, with live hardware sequencing that allows transformation over time and a deep depth of tone.

Facebook : https://www.facebook.com/schnitzelmeow
Instagram : https://instagram.com/erikadotnet?utm_medium=copy_link
Soundcloud : https://soundcloud.com/erikadotnet
RA : https://ra.co/dj/erika


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Erika

121822004 Buchla 208c

TipTop Audio Buchla Modules with Pittsburgh Modular Double Helix Complex Oscillator.   Processed through Strymon Magneto and Starlab

WhenIWasWater

Adaptive

a brief study in aleatoric atmospheres using the Buchla 265 Quad S&H Module.

Clusters One

Embroidery  | Robert Rich

Putting a prototype Synthtech E950 through its paces, trying to get as unrecognizable as I can.

E950 BlatherBox RRich

Basic Brain Relaxes Subpatterns Session

Third lockdown track. A comforting sound bath for my partner, when we’re separated by lockdown rules.
iPad apps only, late 2020. First use of Mononoke and Gauss.

Adaptive

WhenIWasWater

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