Birds sing and the valley cries
A vaguely blurry peach dream
Grasses get wet after the spring rain

鳥が囀り谷が鳴く
ぼんやりとした桃の夢
雨立ち上り草濡れる

Congrats to the 10th Anniversary of Naviar ! 
Thanks for the inspirations from the Naviar Haiku Fest.. and now come to this place again for naviarhaiku530 

An another experimental hypnotic track inspired from the poem of spring rain by kobayashi issa - mixed with the humbled profound Taiko drums from the liveset at Naviar Haiku Fest in Tokyo 2024- a kind of tribute track for the 10th anniversary of Naviar's long journey :) 

taking it easy
the mouse sleeps too...
spring rain

Haiku : Kobayashi Issa
Music : Nukumori Eugene / Nx  https://a-tale-of.bandcamp.com/
IG: www.instagram.com/jinsei_books

Spring Rain - 春雨  [naviarhaiku530]

Liquefaction - extended live version of „In The Heat“ (Liquid Bones) - is an electroacoustic study of form and structure, shaped by their impermanence and transience. Over 11 minutes, layers of electronics, orchestral textures, and digital elements dissolve and reform, creating a highly dynamic and immersive listening experience that is as delicate as it is forceful, where moments of tension and release continuously reshape the listening space.

Liquefaction is a music that takes its time — because time in music is not what we think we know.

credits: 
Music composed and produced by Noémi Büchi 
Mixing & mastering by Suoni Speziali
Cover photo by Jean-Marc Avila

Download | Buy

LIQUEFACTION

Sonance

Brief excerpt from a recording actually made during dawn on Friday 2nd May 2025, because the weather was perfect, and because I could get out there; whereas the forecast for Sunday 4th May wasn't as good, and I couldn't get out there that day. Raw recording. Just a friendly postcard from the other pole, where it's not spring, but on the way to winter. (They say 'Down Under': but, of course, there is no 'up' or 'down' in Space.)

2025.05.02 For the Northern Hemisphere's 'Dawn Chorus Day', from the Southern Hemisphere.

Yek (Single Edit)

This is my submission to this week's Disquiet Junto assignment.

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

250601 [disquiet0700]

# Audio Processing Rules

## Overview
This code processes 30 sound files from a specified folder and combines them into a single WAV file according to the following algorithmic composition rules.

## Processing Rules

### 1. Source Material
- **Input**: Up to 30 audio files from a designated folder
- **Supported formats**: WAV, MP3, M4A, FLAC, AAC, OGG
- Files are randomly selected if more than 30 are present in the folder

### 2. Fragment Extraction
- **Fragments per file**: 3-5 segments are extracted from each audio file
- **Fragment duration**: Random length, with a maximum of 5 seconds per fragment
- **Selection method**: Random start points are chosen within each source file
- **Minimum fragment length**: 0.5 seconds

### 3. Randomization Process
- **Shuffling**: All extracted fragments are randomly reordered
- **No preservation**: Original file sequence and internal fragment order are completely randomized

### 4. Silence Insertion
- **Probability**: 1/7 chance (approximately 14.3%) after each fragment
- **Duration**: Random silence between 0.5-2.0 seconds
- **Placement**: Silence is inserted between fragments, not at the beginning or end

### 5. Output Generation
- **Format**: Single WAV file
- **Combination method**: Linear concatenation of randomized fragments with occasional silence
- **Quality**: Maintains original audio quality of source materials

## Algorithmic Composition Characteristics

This process creates an **aleatoric** (chance-based) musical composition where:
- The final arrangement is determined by random algorithms rather than compositional intent
- Each execution produces a unique result due to randomization
- The work explores the relationship between **sound, silence, and time**
- Multiple source materials are democratically combined without hierarchical preference

## Technical Implementation
- Built using Python with `pydub` library for audio processing
- Designed for Jupyter Notebook environment
- Includes error handling for various audio file formats and edge cases

Fragments of Memory

Æther #009 by Tim Six
Dronarivm Guest Mixes Series

We recently released a beautiful two-track EP by Paris-based ambient/drone artist Tim Six - https://dronarivm.bandcamp.com/album/alpine-valley - and asked him to share some recordings that he's been enjoying lately, so he came up with this mix.

You can also read about Tim's preferences in music, synthesizers, and hairstyle in a short interview we did with him: https://dronarivm.com/2025/06/28/interview-with-tim-six/

Tracklist:

00:00. Ariel Kalma ~ Water Echoes [Self-released]
03:23. Shine Grooves ~ Ambience 113 [Not Not Fun]
06:27. Lamina ~ Eclipse [Mappa]
09:57. Amkarahoi ~ Arrhythmic Wave [Biardo Records]
14:27. v a n i t a s 命死 ~ 緑のHorizon [Self-released]
17:47. TEGU ~ 2x3 [Not Not Fun]
22:20. Light Blending In ~ Entities [The Tidal Charm]
25:52. Bålsam ~ Dream Particles Forming [Global Pattern]
31:33. Evelyn Greene ~ TOUCH [Dream Journal Institute]
38:38. Mychael Danna & Tim Clément ~ Under August Sun [Chacra Alternative Music]
43:32. Jean-Paul L'Heureux ~ Rilassamento Subliminale [Demetra]
48:09. Tim Six ~ Park in the evening [Aural Canyon]

Explore more...

Æther #009 by Tim Six

From A Danger to Ourselves
Listen / Buy: https://lnk.to/rvngnl118

Follow Lucrecia Dalt
INSTAGRAM: https://www.instagram.com/lucreciadalt/

Follow RVNG Intl.
INSTAGRAM: https://www.instagram.com/rvngintl/
TIKTOK: https://www.tiktok.com/@rvngintl
X / TWITTER: https://twitter.com/rvngintl
YOUTUBE: https://www.youtube.com/user/RVNGintl

Lyrics

you are the only one
i can fool death with
in this world
your ketamine tears
where light disappears
keep fooling, bullying, pulling
my tongue
until i’m ‘you’ 

y en el espejo es lo mismo
y en el espejo es lo mismo y tú
tan tan divina
y ves la acumulación
y ves la acumulación de tu vida, mi vida
y en él, te dejas llevar 
te el espejo te dejas llevar
tan fragmentada 
¡tanto!
en sus lágrimas
en sus lágrimas
de mercurio
juntos
juntos
juntos

i circle you
in cerulean blue
in this underworld 
underworld
a ritualised fire
a plume of desire
hugging and burning
flesh blended
dying as ‘you’ 

Credits

Featuring Lucrecia Dalt and Lucia Maher-Tatar
Directed by Tony Lowe
Music by Lucrecia Dalt
Video concept by Lucrecia Dalt
Edited by Tony Lowe
Cinematography by Sayer Danforth
Art Direction by Lucia Maher-Tatar
Creative direction by Lucrecia Dalt
Produced by RVNG Intl. and Lucrecia Dalt
Kissers: Cyrus Cambell and Anna Motyl
Shot at the Institute of Contemporary Art of Santa Fé @icasantafe, except for the tear licking scene shot at Cocoon Santa Fé 
Special Thanks: David Sylvian, Chiara Giovando, Mike Bachers, Cyrus Campbell, Lucy Maher-Tatar, Anna Motyl, Alex Lazaro, Matt Werth, Camille Mandoki, Sammy Oortman Gerlings, Louie Perea, Squeegee

©2025 RVNG Intl. // https://www.rvng.com

A Danger to Ourselves

divina

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This is the first single from Yara Asmar's new album. This track features John Murchison and Gideon Forbes.

3 wooden giants and mechanical birds

This performance by the outstanding sarod master, accompanied here by Sabir Khan on tabla, is an absolute tour de force. This Exquisite music is available in Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2018/01/india-inde-amjad-ali-khan-raga-darbari.html

Amjad Ali Khan - B Raga Darbari Part 2

MusicRepublic

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