Ensemble NARTAA, Abkhazia's Centenarians' Choir | Abkhaz Folk Songs (1985). The Founder of Ensemble "Nartaa" is Ivan Kortua (1910-1969). (Melodiya 1985 - Vinyl, LP, Album)

Этнографический Хор Абхазских Долгожителей "Нартаа"* – Абхазские Народные Песни.

A1		Нартаа Рашэа (Песня о Нартах)	0:46
A2		Ачба Жана Иашэа (Песня о Жане Ачба)	2:07
A3		Анцва Рашэа (Песня о Молнии и Громе)	1:29
A4		Ахьзартэара (Шуточная)	3:52
A5		Ажвеипшьаа Рашэа (Охотничья Песня)	3:26
A6		Азар	2:22
A7		Ауасархвыгаа (Пастушья)	1:16
A8		Атахмада Габада (Старик Лодырь)	2:00
A9		Самахьхуаа Рашэа (Песня о Самахьхуаа)	1:19
B1		Куапыч-ипха Иашэа (Песня о Дочери Куарыча)	1:41
B2		Самахьхуаа Рашэа (Песня о Самахьнцая)	2:46
B3		Ажьыпхь Рашэа (Охотничья)	1:40
B4		Инапха Кьагуа Иашэа (Песня о Инапха Кягуа)	1:37
B5		Ахьаржеипшь (непереводимо)	1:33
B6		Инапха Кьагуа Иашэа (Песня о Инапха Кягуа)	2:38
B7		Ашба Данакаи Иашэа (Песня о Данакае Ашуба	1:44
B8		Атацаагара Иашэа (Песня Привода Невесты)	2:05
B9		Ачара Иашэа (Свадебно-Застольная Песня)	1:49

Abkhaz Folk Songs

A5 Azhveipshyaa Rashea (Hunting Song)

After Ramadan dinner, at home, for happy few, the day after my 25th birthday...
The GOD of Kora !

Sidiki Diabaté - home concert -  20.08.1977

Gnawa musicians have carved out a unique niche within Moroccan society, as people with revered spiritual power who use music and movement to heal the sick.  The Gnawas’ ancestors came to North Africa as slaves.  Today they are an elite class of musicians and spiritualists, celebrated in an annual festival that attracts some 400,000 fans, and invited to collaborate with such notable international artists as jazz legend Randy Weston.  In this program, originally produced in 2009, author and scholar Deborah Kapchan guides us through the history, practices, music, lore and unique contemporary stature of the Gnawa, both in Morocco and on the world stage. Interviews with Hassan Hakmoun, historian Mohammed Ennaji, and gnawa scholar Tim Abdella Fuson. Produced by Banning Eyre.

APWW #580

Spiritual Journeys: Traveling Spirit Masters, The Gnawa of Morocco

Omiya, Saitama City, (JP)
28/01/2024, 11:30 a.m.

A cold winter sunday morning, opening the window of our home studio in the city of Omiya, Japan. We can see our balcony terrace, Japanese pine tree in the garden and the music room of the city’s high school just next to our place.

We don't know how long this tradition has been going on, the sounds of high school brass bands echo through the street everyday and accompany some moments of our daily life in this neighborhood for around 60 years at least. The sounds of brass celebrate our ordinary life and add some pinch of dramatic or cinematic senses in our daily life.　


Microphones : Rode NTG-5 + ZOOM XYH-6 
Recorder : ZOOM H6

Omiya, Saitama City, (JP)  28/01/2024, 11:30 a.m.

This abstract and stately album of Korean court music with eerie sonorities, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2024/05/korea-south-korean-court-music.html

Korean Court Music –  Lyrichord LL 7206

Korean Court Music

لا ياهلي /محمد جواد اموري

"Ustad Munir Khan (born 1926) belongs to a family of distinguished courtmusicians from Rajasthan that goes back many generations. Ustad Munir Khan had his musical eductaion in sarangi and vocal music under the guidance of his father Ustad Nazir Khan (1882-1975) and also became a disciple of Ustad Amir Khan with whom he studied for over forty years. Starting at a young age he participated in concerts with many great masters and he has always been much sought after for sarangi accompaniment by vocalists like Ustad Ashiq Ali Khan, Ummeed Ali Khan and Bibe Khan of Punjab, Ustad Alladiya Khan, Vilayat Hussain Khan, Bade Ghulam Ali Khan, Amir Khan, Nissar Hussain Khan and Pandit Mallikarjun Mansur..."


Ustad Munir Khan - Raag Marwa

In 1970s Burma, a quietly innovative music scene emerged during a time of increasing political isolation and state censorship. Despite limitations, local artists found creative freedom through cassette culture, using tape as a tool to explore and share a rich blend of sounds—traditional Burmese melodies interwoven with the influences of Western rock, soul, and psychedelic music. Many musicians engaged in copy thachin, adapting foreign songs with new Burmese lyrics, creating something both familiar and entirely their own. My Final Answer to Life, compiled by Gary Sullivan (Bodega Pop) for Radio Is a Foreign Country, offers a glimpse into this era through a selection of tracks from 1970 to 1978—music that reflects a culture in motion, reshaping outside influences into something deeply personal and resonant. Selected & mixed by Gary Sullivan (Bodega Pop).  

TRACK LIST
Bobohan – I Love You (1970)
Sai Sai Maw – My Final Answer to Life (1977)
Sai Kham Thi – Victim of Ambiguity (1970)
Min Min Lat – Darleray Lone Aung Pone (1971)
Pearl – I Won’t Call Anymore (1975)
Sai Sai Maw – Don’t Want to Be Like You (1977)
Tin Min Tun – The Passe 20th Century
Sai Kham Thi – Don’t Say Hurtful Words (1970)
Phyu Thi – Not Looking to Get Hurt (1978)
Sai Htee Saing – Taste of Love (1975)
Twan Tay Thein – Preliminary Introduction (1970)
Cho Pyone – One-on-One Love
Saii Htee Saing – There Is One (1975)
Za Chi Lin – Very Shy Ballet Dancer (1970)
Pearl – My Love (1975)
Sai Htee Saing – Last Song (1970)



MY FINAL ANSWER TO LIFE: BURMESE ROCK, POP, PSYCHEDELIC, AND COPY THACHIN 1970-78 (RIAFC152)

This fascinating LP documenting the traditional way of life of the Amazon Wayampi indians of French Guiana, recorded between 1977 and 1979, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2019/07/french-guiana-wayapi-guyane-selaf.html

Wayapi Guyane – SELAF-ORSTOM CETO 792

Wayapi Indians Amazon Guiana - A5 The Anaconda Dance: The Toucan

Convex (2019-2020) 
for large ensemble of 13 players

Flute (Alto Flute, Piccolo)
Oboe (Cor Anglais)
Clarinet in Bb (Bass Clarinet)
Alto Saxophone (Baritone Saxophone) 
Horn in F
Harp
Percussion1
Percussion 2
Piano
Violin I 
Viol II 
Viola 
Violoncello

composed for Grossman Ensemble 

Program note:
The uncanny secret about the experience of falling apart is
 that one can—even if only for seconds—capture the image
 of the day just the way light is broken up into a hundred
 shattered shades and bended hues when it passes through
 a prism.

Grossman 20200312 vs 0501

Convex (2019-2020)

Clinton Fearon Official joins Devin and Roger for a wide-ranging discussion on the unique sound of Studio One, the first time he ever met Coxsone Dodd, recording tracks for The Ethiopians, his current The Boogie Brown Band in Seattle, WA, and sharing a laugh with his wife over dinner...

Tunes of the week:
The Willows - “Send Another Moses”
Toots & The Maytals - “Alidina”

https://podlink.to/RPC_Ep2
***
Man-Like-Devin and Roger Rivas talk all things reggae with original and modern artists in the scene, every Saturday at 6pm PT on http://Rootfire.net/tv

Devin and Roger have a passion for sharing and discussing Jamaican 45 records. Each week they are joined by original and modern guests in the genre to talk all things Reggae.

#ReggaePodclash #ClintonFearon #Rootfire

http://www.Rootfire.net
http://www.TheReggaePodClash.com

Follow us on Instagram @thereggaepodclash

Wayapi Indians Amazon Guiana - A5 The Anaconda Dance: The Toucan

MusicRepublic