Sam Divine 

Bookings (excl. North & South America: andy.raeside@entityma.com
North & South America Bookings: chad.cohen@unitedtalent.com 
Management: tom.shea@act.management

facebook.com/djsamdivine
twitter.com/djsamdivine
Instagram - samdivinedj

*All mixes are for promotional use only*

With her years in the game, a multitude of awards, accolades and achievements, global tours and widespread influence, Sam Divine is a powerhouse artist. Renowned selector, producer, label owner and all round inspiration to countless women worldwide, she has established herself as a formidable presence. With 25 years under her belt, Sam’s vision and determination remain as staunch as ever. Driven by the finite nature of life, she is instigating a pivotal shift in her lifestyle. What we might call ‘Sam 2.0’ is the next phase of her evolutionary path, utilising her knowledge and experience to reveal more of her truest self.
 
Working on her personal growth, focusing on her wellbeing and exploring sobriety, while also pushing the boundaries of her creativity are key pillars of this internal, and external, development. As she reflects on the past couple of decades, Sam Divine is poised to push forward with the same energy and vibrancy that launched her onto the global circuit. This time with a fresh outlook and healthy.

DJ and radio presenter for over three decades. Did my first Dance show on Radio in 1988! Still playing music in clubs and on the radio even now. 
Also part of the remix team Triple Dee (remixes include tracks by Cevin Fisher, Duke, Dennis Christopher, Timmy Vegas, Solu Music  and Simply Red).  

Might I suggest that seeing as Soundcloud's stupidly outmoded copyright policy makes it very hard to upload ANY mixes, you should go to some of these pages to find mixes that I daren't try to post here:

https://hearthis.at/hz9XQGwb/
 www.mixcloud.com/daviddunne
 www.mixcloud.com/tripledee .

You will find quite a few downloadable mixes there that aren't on Soundcloud!

Loads more mixes available at www.mixcloud.com/adamdaniels

Based in Ibiza, and resident DJ at the wondrous Pikes Hotel for the last 3 summers. I've been fortunate enough to warm-up for the likes of Artwork, Nightmares on Wax, Crazy P, Danny Rampling, Waze & Odyssey, Ben Pearce, Maribou State, Bushwacka, and 2 Bears throughout this amazing residency.
I was bunked up in Leeds for the best part of my twenties, spinning dusty vinyl & scratched CDs in various buildings, backrooms, and broom cupboards across the North. During this time I had the chance to play alongside a lot of my favourite DJ's and producers, including Maurice Fulton, Hot Toddy, The Revenge, Aeroplane, PBR Streetgang, and Death On The Balcony.
I've been DJing for 15 years, promoted loads of nights, played alongside loads of dead good DJ's, and ran a pretty cool radio show for 3 years. My parents didn't bring me up in a camper van listening to Pink Floyd or buy me a set of decks for my 6th birthday, but they did like a bit of Fleetwood Mac and Michael Jackson. Does that make me cool?

Jon Sa Trinxa is an influential figure in the world of electronic music, renowned for his eclectic taste and deep connection with the Balearic sound—a kaleidoscope of genres that include Disco, House, Funk, Indie Dance, Down Tempo, Ambient, and more. His career, spanning over three decades, began in 1987, rooted in the early rave scene and expanding to clubs, festivals, beach parties, and special events worldwide, including Japan, Australia, South America, the USA, SE Asia, and across Europe.

One of Jon's most significant achievements is holding the longest DJ residency on Ibiza at Sa Trinxa, Salinas Beach, from 1993 to 2019. This spot became synonymous with his name, showcasing his ability to create a unique vibe that perfectly encapsulates the spirit of Ibiza. His talent also shone brightly at the legendary Manumission parties, where he played for ten years at Privilege and Space, and was a regular feature at We Love… Sundays at Space, Pacha for Made in Italy, and various nights at Amnesia.

During the winter months, Jon's musical journey takes him to Asia, where he holds a residency at Karma Beach Club in Bali and performs in Thailand, Cambodia, and Sri Lanka, spreading his unique blend of Balearic beats to a global audience.

Jon Sa Trinxa's contribution to the music world extends beyond his live sets. He has produced several compilation CDs for major labels such as Sony and Music for Dreams, and his work on the classic "Naked Ibiza" for Mixmag became one of the magazine's most popular CDs, further cementing his status as a pioneer of the Balearic sound.

For more updates and insights into Jon Sa Trinxa's musical adventures, fans can follow him on his Facebook page: [Jon Sa Trinxa's Facebook](https://www.facebook.com/pages/Jon-Sa-Trinxa/122414664609989?fref=ts).

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Current Single - 'Nobody But You' out now on Hot Creations, their 200th Release

Check it out here: https://www.beatport.com/release/nobody-but-you/3906383

Bookings: blackhawkseed@gmail.com


As the name states, BHOP was born during Danny’s time spent in Panama City and the surrounding rainforests. However Danny’s musical career started in the DJ booths of many of Ibiza’s finest clubs and bars back in the heady days of the 90s.
These days Danny finds himself more comfortably nestled in the studio with the Black Hawks of Panama project forged based on experiences and musical tales of the past and present. Whilst looking to the future, BHOP music tells the story of Danny’s intrepid journey

If you like what you hear here, please give it a like, maybe even a share, drop us a comment... would love to hear from you :-)

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

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