June 24

👣

Saddle Up III

LOOKING FOR A TRANCE ANYWHERE IN ANDALUSIA

Soundcloud

20240824 MIX

Sweet Riff Bro (draft)

Summer Meet

Laus über Leber

Three-headed

WALTHER & OliO team up with guitarist Jonas Krag aka Santino Surfers for this genre-blending house cut. Grooves don’t come much fiercer than this one.
 
You can catch WALTHER behind the decks in Tulum for the current season.

'Get It' →https://linktr.ee/musicfordreams

Supported by Koda’s Cultural Funds and Musik Forlæggerne.

Connect with WALTHER
FB: https://facebook.com/DJDIVO98/
IG: https://instagram.com/djdivo_/
SC: https://soundcloud.com/walther-skytte
MC: https://mixcloud.com/DJDIVO98/

Connect with OliO
FB: https://facebook.com/thatguyolio
IG: https://instagram.com/thatguyolio/
SC: https://soundcloud.com/oliomusic
MC: https://mixcloud.com/oliomusic/

Connect with Music For Dreams
Spotify: https://open.spotify.com/user/musicfordreams
FB : https://www.facebook.com/musicfordreams
SC : https://soundcloud.com/music-for-dreams
YT : https://www.youtube.com/channel/UCo8HNI0C0QGdOoHWrTqhVWA 
IG : https://www.instagram.com/musicfordreams/
X : https://twitter.com/musicfordreams
BC : https://musicfordreams.bandcamp.com/
Home : https://musicfordreams.dk/

WALHTER & OliO - Get It (ft. Be.Lanuit & Santino Surfers) - s0730

Vueltas carnero

Gusty Cat Stomp

Recording from a Live Event hosted on Insight Timer. For more free live events, please visit my profile: https://insighttimer.com/marsigmusic

A soulful voyage into tranquility, delicately woven at a serene 60 beats per minute. Crafted to accompany inner reflection and relaxation, this ethereal soundscape beckons listeners to unwind and explore the depths of their consciousness.

From the onset, the composition envelops listeners in a serene embrace, as ethereal tones cascade like gentle waves. Guided by the harmonious resonance of 432 Hz tuning, each note seems to resonate in perfect alignment with the universe, fostering a profound sense of connection and peace.

As the music unfolds, soft synths and live percussive instruments  create an expansive sonic canvas for the listener to journey inward, effortlessly drifting into a state of deep relaxation.

432 Hz Ceremony

The Three Design are Andrea Wienck aka Mme Bing, Heiko Gogolin (both Pingipung) and Sebastian Kokus (Cloud Management, Love-Songs, TEOTH). They share a love for silly wordplay and bass-heavy grooves. This is their second mix for the Pingipung podcast series. You'll hear dub, dub and dub, with everything in it and in between. And it might sound a little different than you imagine. If you happen to be at the Fusion Festival this year drop by at Dub Station on Friday at 1pm and say hi!
@mme-bing
@sebastian-kokus
@heiko-h-gogolin

Collage by Sebastian Kokus.

For track list requests please send us a private message.
Coming up next month: Ada

Pingipung Podcast 165: The Three Design – You be You and I'll be Dub

download & tracklist: patreon.com/buttechno

NTS 03.06.2024

Solpara’s debut album, Melancholy Sabotage, marks his return to Other People. While it was recorded over Covid lockdowns, Jaar had been talking about wanting to back a Solpara full-length since he put out Swing. The album came to life while Solpara was living alone in a Brooklyn loft, collecting unemployment checks and viewing ample free time as the artist residency he’d dreamed of; he’d previously been forced to make music in odd windows between numerous jobs and the unmerciful pace of city life. Free from obligations, he would wake up early to take Arabic lessons, read Tracey Thorn’s autobiography, and skateboard the deserted streets, then come home and design sounds until he had a track that felt like it needed to be released. While this easy going lifestyle was peaceful in many ways, Solpara found more complex inspiration in the emotion that stemmed from participation in Black Lives Matter protests and the 2020 Beirut Port explosion which rocked all of his extended family members in Lebanon.

Melancholy Sabotage explores the theme of sabotaging melancholy. Echoing sounds from the post-punk, trip-hop, and ambient genres, it is about sabotaging the cycle of melancholy and looking at this process without ignoring the sources that put it into motion. It may be compared to a rattling breaking free from retention, reaching states of dreamy euphoria and transcendence while simultaneously acknowledging the sources of retention, viewed from above. “The melancholy is going and going. It’s both beautiful and painful and you can get engulfed by it, but you can sabotage it,” he muses on the album’s title.

Pre order here -otherpeople.bandcamp.com/album/melancholy-sabotage

Solpara - Melancholy Sabotage

A survey of some of my favorite songs from India, mostly 80s and 90s, many "classics," and some obscure gems to boot. xo, JAZ

JAZ mix

My Favorite Songs from India

Tijn Driessens’s second single from his new “In bloei” EP brings yearning chords under a layer of infectious grooves. “Verwelking” is out today on all platforms.

Bloei EP

Verwelking

stream/buy

Tijn Driessen - Verwelking

The mysterious knowledge of the Kundabuffer

Somewhere In Andalusia (For Four guitars)

ANYWHERE OUT OF THE WORLD

I don´t look the same. 512 ( 1992 ) Margareta Theorin - Eddy Mango ( Margareta )

Trance feat. Ryder
Vocals and Lyrics:
Ryderofficial:
https://www.looperman.com/acapellas/detail/22300/trance-travis-scott-type-vocal-160bpm-trap-acapella
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Trance feat. Ryder - Paploviante

[Chorus]
Nous sommes là et restons là.
[Verse]
Nous sommes ensembles aussi longtemps que c'est possible,
Chez nous l'amitié, la joie, la fidélité, l'humour, les blagues,voilà notre clé.
Autour d'un bon verre de vin, d'une petite bière,
Démarre la bonne ambiance pour oublier nos soucis.
Nous espérons que notre amitié reste pour l'éternité.

Chanson réalisée avec Udio ai v1.5 2024
Image réalisée avec Tengr ai

Nous Sommes Là Nous Restons Là

S'enflammer dans la nuit
Oh ïa do mér sén yo do.
Oh ïa do oun bliba yo do.
Traduction :
Oh Oui nous sommes là,
Oh Oui nous restons là.
Chanson réalisée avec Udio ai v1.5 2024
Image réalisée avec Tengr ai

S'enflammer Dans La Nuit

Believe

En instrumental cette chanson de mon petit camarade Xavier

Camarade Xavier

Baby You Got It

Trouble

Never My Love:  The Anthology

Lord Help Me (Mono Single Version)

First track of a new album where I'll try to be more eclectic, with closer approach to some genres. Experimented on this one over-editing vocal line on the left, and getting midi files out of organic guitar melodies, which I could play with virtual instruments. I hope you'll enjoy a different Ruizzoid shape.

Dedicated to Germán Coppini’s ‘Golpes Bajos’, one of my favorite groups of the Spanish ‘Nueva Ola’.

Pic: “Trapped in the past”, taken by me casually in the street.

Lyrics (original/translated):

NO TODO ACABA (JUGUETES ROTOS)  /  NOT EVERYTHING ENDS (BROKEN TOYS)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hay cosas en la vida que no cambian nada.  /  there are things in life which don’t change at all.
Hazme pensar que no estás gastada,  /  Make me think that you are not worn,
que el paso de los años no te cambió nada.  /  that the passing years didn’t change you at all.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Juguetes rotos, muñecas olvidadas,  /  Broken toys, forgotten dolls,
la imagen de mi espejo parece cansada.  /  the image from my mirror seems to be tired.
La voz de la noche ya no me llama,  /  The voice of the night doesn’t call me anymore,
me  resisto a pensar que todo se acaba.  /  I refuse to think that everything ends.

Hazme pensar que lo nuestro no acaba  /  Make me think that our thing doesn’t end
cuando despierte por la mañana.  /  when I wake up in the morning.
Hazme pensar en ti con calma,  /  Make me think about you calmly,
hazme creer que te tengo amarrada.  /  make me think that I get you tied up.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hazme creer que aún estoy en casa,  /  make me think that I’m still at home,
hazme pensar que duermo entre sábanas,   /  make me think that I sleep between sheets,
hazme pensar que nada cambia.  /  make me think that nothing changes.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

ER31FI01 RUIZZO©1996 – FRANCÉS RECORDS®2016

No todo acaba (Juguetes rotos)

Sun is shining and it is my pleasure to present to  you  'Kumo No Muko Volume 2'.  A stunning album of 80's Japanese ambient synth-op. This double vinyl affair is the second in the series, curated by the delightful Alixkun, featuring various artists on his Jazzy Couscous https://soundcloud.com/jazzy-couscous imprint.  The album ranges from mesmerizing ambient sounds, to the dreamiest of synth-pop in a twelve track project, packaged in some gorgeous artwork.

 This second volume  opens with Miwako Saito's "12 No Garnet", a soft and dreamy wonder of synth-pop blessed by Saito's ethereal voice. The perfect departure gate to a voyage into the exoticism and mysteries of 80's Japan. 

Following on are Yoshio Suzuki's "Touch of Rain" and Ayuo Takahashi's "Mizu Iro No Kagami", two compositions that flirt with Jazz, Ambient & New Age influences that take the listener to more spiritual and melancholic territories. 

 Yellow Magic Orchestra traces can be found within Tomoko Yasuno's "Sur La Terra" & Flat Face's "Hibi No Awa".   Haruomi Hosono, member of YMO, produced  "Sur La terra" in 1984 and you can without a doubt recognize the touch of the synth-pop master here.  Flat Face's track was released on Midi inc. a label created originally to welcome the release of Ryuichi Sakamoto's (YMO) works. His shadow flows completely throughout “Hibi No Awa”. While going through more dynamic vibes with Shi-Shonen's "Harvest (Long Size)", an unexpected crossover of reggae, new wave and traditional Japanese sounds.  

 Alixkun showcases more chilled out ambiances with Toru Hatano's "Kanki", a singular mind-trip led by a guitar solo that reminds you of deep Psyche-Rock & Pink Floyd.  “Kumo No Muko Volume 2” closes the curtain as softly as it opens with Mio Fou's "Picasso No Ao", a song rich in ambient vibes illustrated by a combination of acoustic guitar and solo piano, until the atmospheric voices and drums start rolling in, giving this track new layers of depth.

The mysterious knowledge of the Kundabuffer

Wiborg Bamford