Name: Bare Trær by jon spilde in Contemporary and Jazz Vol. 5 (starting 1/2022)
Duration: 5 min 28 s
Description: dwelling some chords, notes and sound into the tabla sample

my jamming off the tabla! notes floating above : )

Contemporary and Jazz Vol. 5 (starting 1/2022)

6 bars of a cappella followed by 2 bars of saxophone solo. This is the only work that was completed and later stretched back and forth with drums, bass, synths, and so on. I think that there is nothing that appeals to the finished work just by struggling to complete it if I make it like this. I think I couldn't come up with any ideas other than making it this way. When I listen to the songs of the artists who follow me on SoundCloud, I get more and more locked up in my shell.
Is it okay to compose music in a genre where the degree of freedom is much more guaranteed than pop music? It was completed while hesitating. Hmm.

Neither the theme nor the composition comes to mind (work 156) 2021 - 10 - 17 0113

Korg N364 Workstation
Yamaha Saxophone
Monterey Guitar
A bit of faffing.

Marmalade: Best Before 10-Nov-21

Track 5 of the Album https://soundcloud.com/user-461764443/sets/the-firm-dark-orchestral-suite
The Chief Executive Officer (CEO) at the Firm Ascaridida had in 2019 the smart idea to have one of his laboratories in the Republic of Nicha to leak a virus in order to enhance his pharmaceutical businesses with new vaccines. Not only did it generate billions of dollars of new revenue but it also killed millions of people. The smart idea just backfired at him. Indeed, all his board of director and his own family died because of this virus leak. He is now alone to run this billion dollar firm having a footprint everywhere on the world. Will he be able to get The Firm back on its evil tracks in 2022? 
We shall see.
“This is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.”
Music & Production: Syrel
Photography: Syrel (1988)
Music Note: French Horn line partially based on the French Christmas carol "The three shepherds".

The Firm

The CEO Lonely Christmas

The Swamp
Part of the Playlist Mystic Places https://soundcloud.com/bruce-klepper-1/sets/mystic-places
January 2022
Duration 3:00
Photo of a swamp in Madagascar at sunset
For bamboo flute, duduk, clarinets, marimba, digeridoo, field recordings from swamps and marshes in Africa and percussion

The Swamp

Chilled

BUY CD, Vinyl, Digital : https://ramdamfatal.bandcamp.com/album/ramdam-fatal

- Félix Gibert : direction, trombone
- François Arbon : saxophone basse, trombone basse
- Clémence Cognet : violon, trombone, voix
- Romain "Wilton" Maurel : violon, voix
- Benjamin Bardiaux : claviers, voix
- Rémi Faraut : batterie, voix
- Manu Siachoua : basse, voix.

- Théophane Bertuit : Enregistrement, mixage et mastering au studio POLYPHONE RECORDS
- Thierry Toth : Gravure sur bois "I bid you to burn"

Produit par
- L’Excentrale https://www.lexcentrale.com/
- L'Auvergne Imaginée https://www.lexcentrale.com/disques
- Dur&Doux https://duretdoux.com/
- Gnougn Record https://gnougn.bandcamp.com/

Distribué par Phonolithe www.phonolithe.fr

2023
PAG040

Ramdam Fatal

J'ai besoin d'une langue

BUY CD, LP, DIG.

Ramdam Fatal - J'ai besoin d'une langue

last upload of PAGE 13 now on PAGE 14!!!https://soundcloud.com/noxpox14

noxpox - nutbutsin

BUY CD, Digital : https://cleekschreywestonolencki.bandcamp.com/album/the-southern-harmony-and-musical-companion

Cleek Schrey: Estey pump organ, sine tones
Weston Olencki: Estey pump organ, electric reed organs, banjo

Recorded in New Jersey, July 2022.
Produced by Weston Olencki.

PAG047

The Southern Harmony and Musical Companion

Prelude: Montgomery (170)

BUY CD/DIGI.

Cleek Schrey & Weston Olencki - Montgomery (170), prelude

Composed, arranged, performed and produced by:
Leon Pajer

orlando51music © 2024

A Game With Frontiers

Taken from the 2003 album "Leave Nothing Untouched".
Recorded at Unity Gain studio's. 
Produced by Jay Dee
Mastered by Steve Smart at 301 studio's.
Christine McLean on vocals

Leave nothing untouched

Blown Away

Blown away

Prévente CD & numérique : https://denhaut.bandcamp.com/album/den-haut-2

Thomas Baudoin : voix, tambourins à cordes, shruti box, percussions
Romain Colautti : voix, contrebasse, tambourins à cordes, boîte à bourdons, boha, percussions

Enregistré et mixé en octobre 2023 par Alexis Toussaint à la Ferronnerie à Jurançon, sauf "Dans N'Haux" enregistré à la chapelle de N'Haux à Arthez-de-Béarn.
Masterisé par Martin Antiphon en avril 2024 à Music Unit à Montreuil.
Réalisation graphique par Thomas Baudoin, détails des fresques de l'église Saint-Mercurial de Vielle-Louron et de l'église Notre-Dame D'Anéran.
Merci à la Municipalité d'Arthez-de-Béarn et à Franck Morinière.

Disque produit par Pagans en partenariat avec Facette / La Nòvia et le soutien de la SCPP et du CNM.

https://facette.bandcamp.com
www.la-novia.fr

PAG045 | FCT003

D'En Haut

BUY CD & Digit.

D'En Haut - Dens la capèra

Fourth piece in a series of experiments to try other approaches:
'The Unpredictable'. You're welcome to listen if you like, if you can.

"Begin at the beginning and go on till you come to the end; then stop." 
(L. Carrol, 'Alice in Wonder​land')

more

Future IV: The Unpredictable

In The Times Of Yangquin

CD, vinyle, numérique : https://polypheme.bandcamp.com/album/le-r-ve-de-polyph-me

Wassim Halal : Darbuka & FX
Gamelan Puspawarna : Jérémie Abt, Antoine Chamballu, Sven Clerx, Théo Merigeau, Raúl Monsalve, Christophe Moure, Krishna Sutedja, Hsiao-Yun Tseng

Enregistré et mixé par Cyril Harrison
Masterisé par Harris Newman
Artwork et graphisme par Diego Verastegui et Benjamin Efrati

Coproduction Pagans & Pantcha Indra
http://pagansmusica.net
http://www.pantchaindra.com

PAG052

Le Rêve de Polyphème

L’heureux Loup

BUY CD, LP, Dig.

Polyphème - L'heureux Loup (extrait)

Instruments:
karimba, tin whistle, tenor guitar, tongue drum, mandolin, egg shaker, ghungroo bells, triangle, cymbal

Chicory

dwelling some chords, notes and sound into the tabla sample

Bare Trær

I should do more visual artworks but find myself playing the guitar instead .... basic influence and reason to buy a guitar many decades ago was english folk baroque style of Renbourn/Jansch. Actually met John Renbourn some years ago and he asked me why I didnt pick up my own folk tradition? ... yes why not... apart from that music is music.

Since 1984 I am composing and recording electronic instrumental music of different styles like ambient, soundtracks, pop, new classics, or noise improvisations. "Studio Lupus Polaris" is the pseudonym of my home studio and of my musical non-profit activities.

Thanks to all for listening!

Bare Trær

jon spilde

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