Amazingly creative and oh so fun 👏👏

wow, this is mad, brilliant and so original...nice one

as always I admire your outstanding ability to draw pictures with music!

Hahah, How did i miss this??? Amazing jam. so many interesting moving parts!!

Crazy mood and….world..great work here.remind me French musician style in 🇫🇷.Bernard LUBAT

Some great songs from some Fantastic Artist's/Bands and a few of my own.

AB Playlist 085 Part 1

Hysterical TOKYO

THE RUSH
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2021

THE RUSH

Enter The Mask

ENTER THE MASK (Album)

🔥BOP🔥

Laminate flooring

amazon

Lonely Rain

J'AVAIS TOUT VU...

Just won’t burn

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

https://distrokid.com/hyperfollow/carameladora/follow-me 
"Good company in a journey makes the way seem shorter." 
Izaak Walton

Carameladora - FOLLOW

Flying Factory

I werd narrisch 🤬 ... Jean Reno is freaking out 🤪😏 !!!

"Extended😴FreakOut🧐2020" by Matini😲Oh!

"Original Version" performed by Matini😲Oh! (2018)

(INSANE) YOU MAKE ME🤬CRAZY [Extended🤪FreakOut]

Graeme says.....This started off as a vaguely pleasant but unremarkable little instrumental demo which I'd filed away wondering what, if anything could be done to bring it up to scratch....... Luckily, along came Gina who breathed some new life into it and it ended up becoming this chilled out little pop song....
Gina says....This song is a ramble about life going off into other directions than you had originally planned and then finding that you need to re-start with that original plan because the side-track ended up a dead end.....

I lost my reason for coming
While I was talking to you 
I didn't know that someone
Could be so real
I lost my reason for coming 
While I was talking to you 
Never dreamed that someone
Could give me that feel
mmmmm
And you were travelling right
In the same direction as me
And you were so real 
And you gave me that feel
So I went forward with you
Down along your streets
Anywhere with you
Perfect place to be mmmm

And now I'm trying 
And I won't stop
I got my heart set
On turning this around
Turning this around once again

But now I'm stepping on sparks
It's a one way game
There were always two sides to be sure
Oh you took care to only show me one
Until flipping
Lands the other side up 
And I'm down.
So down

So yeah I'm back at the front door
Trying to recall
My reason for coming
Yeah I'm back at the front door
Wish I could recall
My reason for coming

But there's that feel and so real
Just like when I was talking to you.

9000 Things To See

Keep me forever

Sidetracked Dream

Raising Hackles

Music, drums, keys : UK Man
Lead guitar PJ Project

Indias Sunset W/ UK Man

Mood Exhibit - Devout

Rainy Clouds

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Hysterical TOKYO

Far East Radio 2️⃣🟨🟧🟥🟦

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