Four-voice counterpoint, i.e. Johan Joseph Fux’s “Gradus ad Parnasum” (1725) studied by Mozart, Beethoven, Hayden, and others.

1- Arp 2600 & Opsix Group
2- Baseline Interlude I -MS-20
3- Alchemy Group
4- Baseline Interlude II -MS-20
5- Orchestral Group

EP Medieval Mode

Four-voice counterpoint, i.e. Johan Joseph Fux’s “Gradus ad Parnasum” (1725) studied by Mozart, Beethoven, Hayden, and others.

EP Medieval Mode: Orchestral Group

EP Medieval Mode: Bassline Interlude II MS-20

EP Medieval Mode: Alchemy Group

EP Medieval Mode:  Bassline Interlude I MS-20

EP Medieval Mode: Arp2600 & Opsix Group

Audio field recordings and music are recorded in collaboration with synthesizers and nature. Musical compositions are created from scratch.

Musical Genres: Electronic Minimalism, Progressive Rock, 1990s Jungle, 1960s Minimalism, Storytelling (i.e. King Crimson), and four-voice counterpoint.

Classic Composition: classical notation, renaissance four-voice counterpoint, classical harmony, greek & diatonic scales. 

Analog & Digital Composition: tetrachord scale progressions sequenced, modulated, synthesized, recorded, mixed, mastered, and rendered.

www.rabbitantwolves.com

EP Medieval Mode: Bassline Interlude II MS-20

RabbitAntWolves