Vol 15: Intergalactic Artefacts Collected by Admiral Krank During His Travels

Original score inspired by the Scott Hawkins novel The Library at Mount Char

Original Music Score inspired by the Scott Hawkins novel The Library at Mount Char

a day in the life of a jazzy mayfly

Re-worked Soundpiece from recordings taken in Florence that became part of La morte mi troverà vivo which investigates how noise can be a catalyst for communicating with the supernatural.
https://nomatesensemble.bandcamp.com/album/la-morte-mi-trover-vivo

Florence Nightscape

Original composition, mix and mastering by Teth Sin @teth-sin : guitars,
bass, bağlama, samplers, lyrics, vocals, final vocal arrangement/mix

Mariam Zohra D / Myrh : Lyrics, vocals & their pre-mix, cover design

Photo by My Ti

On the musical side, this is basically the summary of a funky nightmare.
Teth Sin's lyrics represent an attempt of applying
electronic poetry to digitally crafted music: its starting point
consisted in extrapolating a few random sentences from an English
translation of the novel "Morel's Invention" by the Argentinian novelist
Adolfo Bioy Casares, subsequently randomizing the words order with an
old, discontinued software for Mac OS9. The resulting untidy text has
been eventually reorganized in sentences and verses, partially
influenced by a rational effort. This ostensible delirium possibly
conceals some hazy remarks on contemporary lifetime and/or today's
so-called "music industry". Of course, multiple interpretations are
allowed and encouraged.

As Teth's process of producing lyrics 'cuts through it all' you might say, 
Myrh highlights that strategy, singing "I'm just gonna walk right through"
coupled with attitudinal lines of "well, well now, ooooo well now!" :D

LYRICS:

walk right through
hey
walk right through
i’m just gonna walk right through
oh well
hey

In this hole of suffering our crushed flowers (to the left)
sound like sleeping deserts made out of steel. (to the right)
Your round, intense phonograph (- let me just walk - of me)
cannot believe in my constant insomnia. (oh well)

We control the resounding island from our blatant spot,
until the ground will open its greedy mouth.

Why does time speak louder than my nerves? (oh well)
An intruder sun kneels on the mud of repetition. (oh)
Pain parties continue as my monologue flows, (oh)
sparkling inside your amazing asylum.

A hard travel we had in our dead dream,
listening to your infernal gong.

Partly insane peers, polluted with lethargy,
chose to be heard in their childish garden.
Recalling a chance of immortality, I slowly noticed
an improper capacity of perceiving the last trembling sunrise. (easy, easy!)

well well well
oh! hey!
mm hmm, well now!
well, well

Is my unjustified air replying already? (well well now)
My second sky is constantly scared.

Strange trampled waters repeat their swaying escape (oh, to the left)
and speak of things happening in my mutilated nightmare. (to the right)
An invisible madness kept vocalizing (oh oh oh well)
and made our distress larger than reality.

iamma just walk right through
well well now!
walk right through
now!
i’m just gonna walk right through
well well now!
ooo well!

Larger Than Reality

Teth Sin f. Myrh | Larger Than Reality

Onyx-7-5-12-3-3-7 - The Font of perfect memory

Houses of the dead - Gahn ayrial

Heart Coal - Mrs McGillicutty

You are Pelapi now - Asha and Isha

October - The moon of black lament

Highway 78 - Obsidian Knife

my buddy Stu, aka One Blind Mouse over in Scotland.  - https://www.oneblindmouse.com/

 a bluesy, funky, rockin good time called Grit 'n' Shit.


vidya : https://youtu.be/mjO3WBFjC0M

lyrix:
Oohhhh yeah
Get Down
Get Down 
Get Down Down

Grit 'n' Shit

TMS and One Blind Mouse - Grit’n’Shit

Tried playing back in the room through speakers for drum and bass loud into a room. An external sampler allows you to track simultaneously while laying down bass. I think there is something about knowing the track you are playing to is being tracked at the same moment ensures that they always fit together. I used a beat up SP-202 for the beat that I resoldered in a crazy way, the board was cracked and I can't believe it still works. Cant remember where I got the drum sample might have been Max? I sat on this basic track for a long time, then imported phrases to Ableton ,which I have never really used, and hashed out a rough arrangement, Then did a bunch of overdubs which I ended up erasing. I think I enjoyed the more stripped down sound then the crazy sounds I was throwing on top. Its been a wild year. I didn't get much music done, probably my worst output for a year. Its a tough fight finding the time an energy and then keeping your head on what your doing. Sometimes it works to just re-work the whole thing from another angle and cut harshly. Hope all you future people reading this are taking care of this world. We all wanted to be the generation that did it, but the greedy pricks slipped into power, and corruption seems to only work in one direction, rarely are people corrupted into being more compassionate.

Broken Windshield Shopping

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

Onyx-7-5-12-3-3-7 - The Font of perfect memory

Electric Supply Station