Synthesis of ambient and avant gard techniques is really interesting and works well

nice ambient. Perfect for rainy afternoons.

This is a awesome capture of everyday life. Lives intersecing here

https://www.youtube.com/watch?v=sts1UUOTAYM

Floating Mountain Insomnia

浮かれインソムニア Puzzling Chamber♯4 F＃100

West Beat

Hopefully some positive vibes radiate out from this track :)

Icumen Dub

instruments, composition, vocal mix & master . Monkey Blood Lowdown @monkeybloodlowdown
lyrics, vocals & their premix + cover design . Mariam Zohra D : Myrh
photo by Michael Louw layered with MBL's avatar

Rhulle
_______________

There are more oceans in you

Say we Love
Say we Love

(In)The End
(In)The End
How?

Say ah Thee Vay ah!
Say day Rollo!
Rollo! How? How?
Say Thee!
Say Thee!
How?

That in the end is Understanding
That in the end is Understanding

That in the end is Understanding

It's more about how
It's more about how...(then why)

There are more oceans in you

The End!

Say day va ara yaree,
Say Thee!
Say Thee!
Say Vie!
Say Thee!

Rollo!
Rollo!

Love!
Love!

* In Punjabi Rhulle, is to be lost, in literal and poetic or philosophical sense. Lost in one's philosophy as in committed to its path - thereby lost in the eyes of others, a fool. Rhule is more found then lost.

The Consolers

Rhulle | The Consolers

Voices from the Jean Cocteau's movie : Orphée

Remonter le temps

For the defenders of Ukraine.

Written, recorded and produced by K Gennery.
All instruments played by K Gennery except the wonderful main piano's and beautiful BV's by Alise Kirtley. 
Image not my own.

Thank you Alise for being so generous with your time and talent and coming to work in my very basic home studio, with ancient gear and an ancient bloke. You helped to make the record exactly what I had imagined. It truely needed a gifted pianists touch and not my rough and heavy mitt's.
Twas a delight spending time with you. 

Heres the actual open mic performance.
https://youtu.be/CLDW8ZK1J-g

And Alise performing a cheeky little number at the very same open mic.
https://youtu.be/7PvJ6utVoC8

A few links to my fave songs from Alise and her band, The Bearing.
https://youtu.be/ixaPvRT08Is
https://youtu.be/ZE168NXoXJU
https://youtu.be/p3sm6Buu1ec
https://youtu.be/Sr7zzooy-kc?si=EGzPLxoCGzhuu6mp

The story:
I wrote this song on my acoustic guitar and started to record it that way, but just wasn't getting the vibe as I did when played live. I tried various ways to get it down with the guitar including an electric...nope, nothing happening.
So I  then thought maybe it wants to be a piano song but my wooden, plonkey key skills were not up to the task. About this time I was thinking possibly the song was not that good. Maybe I was feeling the emotion from the lyrics and not the melody. So I decided to play it at the next open mic, along with two other new songs and I asked the audience to pick which to record next. They all said this one.  On the way to sit back down Alise, who I knew was an amazing piano player, said, "Thats a beautiful song". So, I tried my luck and replied, "I'm just not getting it down with the guitar, what the song needs is a classically trained pianist, anyone spring to mind?" Alise smiled and said, "I would love to be involved". I was tickled pink.






Lyrics:
So many of us fall, cause we all heard the call,
to bleed blue and yellow.

For this is our own home, dust will cover our bones, forever,
we'll never concede.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Keep or children safe, teach them of our bravery.
Death in defiance, we'll never be compliant to invasion,
cause this is our nation.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Where I Once Stood

More related images on instagram...

https://www.instagram.com/p/Cd0WG4gozs_/

Round About

The Suit and the Grief

Lady of Fire Poetry original music & poetry

New video link:
https://www.youtube.com/watch?v=GlzW5SQfq4U

Kaossilator pro+, vocals, arrangement: Tanisha Jackland
Kaoss pad: Robert Jackland
mix, mastered by Tanisha Jackland

Blessed are the Women

They'd rather we hide
our magic
underneath the stones
thrown at us
to keep us quiet and
away from our power

But we are
everywhere

In the fire you burnt us
to be reborn again
from the soot

In the air you suffocated us
to wax and wane again
with the breath of the moon

In the water you drowned us
for our
lungs to cradle us again

In the earth you buried us to
grow again like seeds from its
precious womb

bandcamp

Blessed are the Women

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

Troubling Times

I DO NOT ACCEPT REPOST COMMUNITY REQUESTS, PLEASE DON’T WASTE MY TIME

Music composer and Soundscape designer.

Heavily influenced by Beaumont Hannant, Autechre, Brian Eno and a wealth of styles ranging from classical music through to DC Hardcore.
I love the organic feel of music and the creation of warmth within patterns.
Trying to create soundtracks to everyday life and images.


Tracks available on my YouTube channel
https://www.youtube.com/channel/UC29fEzmTPEV69UKepjsDHxQ?view_as=subscriber

New EP available on Open Case Recordings https://www.facebook.com/1683424458553112/posts/2506179442944272/

The Suit and the Grief

Electric Supply Station

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