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Genres: Afro pop
Location: Lagos, NG 
Profile : A4 Baba is a multi- talented artiste wit hit singles rocking d airways, much to the excitement of his already sizable army of fans. Born on may 19th in a tourist town of Ishibori in Ogoja LGA of Cross Rivers State. Born to a family of coach Steven Adinya and Mrs Catherine. A4 whose real name is Engr. Leonard Nkari Adinya is first and only son with five sisters. Started his education career at Mater Dei Day international nursery/primary school Ogoja and did his jss1-3 at government technical college Ogoja and later move to Federal science College Ogoja. Presently holds a B.ENG in Power Engineering (Elect/Elect Engr.) From the federal university of Technology Owerri, did his NYSC with the ministry of science and Technology Umuahia Abia State. Started his musical career in 1996 but professionally in 2001. He is presently under E-One Records and managed by Ethrice. While his album is been awaited he has released singles that is rocking the chart like ‘Don’t Kill it.. Here is the download www.reverbnation.com/a4baba
www.instagram.com/iama4baba
www.youtube.com/iama4baba
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New Page Of YAS = New Tracks Of YAS / Official SoundCloud


Referred to as the "Persian Tupac", YAS is the first rapper to have been granted permission by the Iranian government to record and release some of his music to the general public. He is widely known for his powerful and socially-conscious lyrics.

Born in Tehran, Iran, YAS first began listening to rap music at the age of 16. His father would often return from his business trips to Germany with the latest hip-hop CDs and YAS quickly developed a particular interest in American rapper, Tupac Shakur. After the sudden and untimely death of his father, YAS was faced with the responsibility of becoming the primary caretaker of his household. With his father’s debts mounting and the struggle to make ends meet looming, YAS was forced to leave his college ambitions behind. At the youthful age of 17, YAS began to work in order to support his mother, younger brother and triplet sisters. It was at this time that he began to write poetry, which soon turned into lyrics for his music and allowed him to stay close to his father’s memory.

After the 2003 earthquake that claimed nearly 50,000 people in Bam, Iran’s exquisite city of ancient citadels, YAS was overcome by the devastation. Sensing his countrymen’s need for solidarity and hope, he wrote his first song: "Bam". This marked the beginning of his musical career. He soon realized that through the lyrical style of rap music he had the ability to reach people by telling full stories – an opportunity that is often absent in forms of music that feature short verses and a commercial chorus. Recognizing this opportunity, he decided to present his songs to the government and request permission to release an album – which would provide him access to millions of young Iranians in need of inspiration. The many years of being denied the right to release his music to the public and being ridiculed for his musical genre - rap - his efforts finally paid off: Several of his songs have been granted permission to be released in the country, an unprecedented move in the Islamic Republic of Iran.

“I don’t use profanity in my music or sing about sex and violence. I want to be able to proudly sing my music in front of my family. My music usually begins with a complaint or the social ills of my society -- but it always ends with hope. It’s important to inspire the younger generations to be their best potential. We need this.”

YAS’ popularity increased infinitely and soon thereafter he was dubbed Iran’s #1 hip-hop artist. His music is now listened to and downloaded by millions across Iran and the international community through hundreds of websites, blogs and fan sites. 
This expansive access to his music helped YAS in 2006, when he wrote "CD Ro Beshkan" (Break That CD) – a song about a well-known female actress in Iran who was the victim of a sex tape scandal – news of which had spread across Iran at rapid speed. The scandal ultimately ended the young actress’s blossoming career.

In the song, YAS criticizes those who played a role in her demise and requests that listeners stop spreading the tape and get rid of the infamous footage from their computers and mobile phones. The song was listened to and downloaded by millions in Iran alone and soon thousands of young Iranians had written YAS confessing that they had been inspired by his request to ‘break that CD’.

In his song, “Hoviate Man” (My Identity), YAS expresses his unwavering pride in his Persian heritage and mentions the controversial movie, 300. With this song, YAS’ music crossed the international waters and fast became the voice of his generation. Many Iranians across the globe refer to him as the “Persian Tupac.” The song has become a sort of national anthem for younger generations of Iranians, especially those among the Iranian Diaspora that are ea

Alternative Metal 4 pce out of Brisbane Australia focusing on awakening humanity to the purpose of being, that we are not slaves to a system of control but powerful sentient beings with strength in numbers.

Our music is inspired by seeking this truth within us all, illuminating the lies we unconsciously tell ourselves as well as the bullshit we are fed since birth in areas of social/racial distinction, money, government, religions, war, media, resources, education, religions and history...  

We see a world of loving who we are, what we do and acceptance of each others divine right to be here, now.

Equality and personal growth are our driving forces, not the fear and suffering promoted by the self chosen few who currently own these systems of power.

We honor the courage and strength of our brothers and sisters who are already adding to the critical mass of this worldwide spiritual awakening and those to come.

We have awoken to the fact "we" are the power and decided to live the dream called life bfore we die instead of waiting to die feeling powerless in a life decided for us.

We invite you to join us.

We are Buddha Does Metal 

Renowned Violinist, Nandini Muthuswamy is hailed as an exceptional musician of the present generation.
Widely regarded as a Maestro & Virtuoso she hails from an illustrious family of musicians. Being a 4th generation musician, her Guru – Siśya paramparā or musical lineage traces back to the Trinity – Saint Tyāgarāja, Śri Muttusvāmi Dikśitar, Śri Śyāma Śāstri and Śri Bālusvāmi Dikśitar, who was responsible for introducing the Violin into the firmament of South Indian Classical Music.

Nandini, whose prodigious talent was evident from an early age, began her initial training in South Indian Classical Music from the age of 3 from her Guru & Grandfather – “Sangīta Chakravarthi” Sri V. Lakshminarayana Iyerand from her Guru & Mother “Sangīta Kalā Sarasvati” Smt. Subbulakshmi Muthuswamy. She was also fortunate to receive musical training from her Guru “Sangīta Pitāmaha” Sri Semmangudi Srinivasa Iyer. Her musicianship was further honed under the able guidance of her Guru & Uncle “Kalaimāmani” Sri L. Vaidyanathan. She has also been greatly inspired by her uncles Violin Maestros, Dr. L. Subramaniam & Dr. L. Shankar.

Accalaimed as a prodigy, Nandini Muthuswamy began her concert career at the age of 10 and has blossomed into one of the finest and most sought after musicians of the present day. Along with her sister Dr. M. Lalitha, she forms a part of the much acclaimed Duo – The Violin Sisters, who have enthralled audiences worldwide with their mellifluous music.

With a career extending over two decades, Nandini is regarded as a highly imaginative virtuoso Violinist whose violin playing is characterised by impeccable bowing and dexterous fingering. She is well known for the purity of notes – Sruti Suddham and command over layam or rhythm. Gifted with a sweet and rich tone, the music that cascades from her Violin is known to be sublime. Sampradaya Suddham or Classicism steeped in Tradition is the hallmark of her Violin playing. Her innate artistry, technical virtuosity combined with Bhava or musical emotionalism has endowed her music with fine aesthetic sensibilities. There is a rare spirituality about her music which soaked in Bhakti Bhava has endowed her music with a transcendental quality. With her fine musicianship and rare insight into the art, she has defined new limits for her musical artistry. Regarded as a trendsetter of refined Violin playing, she has evolved a style of her own and is widely respected for her artistry.

Performance in Major Music Festivals

Applauded by connoisseurs & laymen alike, for her original style of violin playing, Nandini Muthuswamy has been featured in numerous music festivals and concerts across the globe. As an empanelled artiste of the ICCR, she has represented India in several music festivals abroad. She along with her sister Dr. M. Lalitha became the first Indian musicians to perform in the Free State Province, South Africa and their concert was a historical event. Nandini Muthuswamy has also had the rare honour of being the First South Indian Musician to perform in the British Parliament. Some of the major festivals and venues, where she has performed include the Sadlers Wells Theatre, Royal Academy of Arts, BGLT, Rise Festival, Music Academy, Sirifort auditorium, Chowdiah Memorial Hall, Rang Bhavan, Bharatiya Vidya Bhavan, Glas Palais, Opera House, Julia Morgan Theatre, Soorya Festival, Sprit of Unity Concerts, Millenium Concert Festival, DITI etc. As a cultural ambassador of an opulent musical tradition, she spreads the message of Global Harmony and peace, through Music. Nandini Muthuswamy has performed extensively in several countries in all the 5 continents of the world. She has performed in India, Nepal, Singapore, Malaysia, Australia, New Zealand, South Africa, Mauritius, UK, USA, Norway, France , Germany, Luxembourg, Dubai, Abu Dhabi and Bahrain.

Awards

Nandini's contribution to the world of music has earned her several accolades, prizes & titles. She was awarded the title of "Kalaimamani" - the highest honour of the State Government of Tamil Nadu, India in recognition of her services to the cause of Music. She is the youngest female Violinist to be honoured with this title. She has also been honoured with

GOLD MEDAL awarded by His Holiness Shri Shankaracharya Swamigal of Kanchi Kamakoti Peetham for securing the FIRST PLACE in the State Violin Competition.

Title of SAI GANA MANI awarded by the Sai Spiritual Centre, Chennai.

Title of YUVA KALA BHARATI awarded by the Bharat Kalachar, Chennai.

Title of INNISAI GNANA KALA MANIGAL awarded by Sri Kalikambal Kamadesvarar Devasthanam.

Honoured as the MOST TALENTED ARTISTES OF 1991 by Mohanam.

Awarded the TAMBURA PRIZE for the BEST CONCERT of the MUsic Season, by the Indian Fine Arts Society, Chennai.

Title of NADA VINIDINI awarded by the Sri Ranjani Trust, Chennai.

RAJAMANIKKAM PILLAI CENTENARY AWARD for EXCELLENCE IN VIOLIN PLAYING awarded by Sri Ragam Fine Arts.

Title of BHARATHA VIOLIN VADYA TILAKANGAL conferred by His Holiness Sathguru Sri Santhananda Swamigal.

BEST SENIOR VIOLINIST AWAD from the Music Academy, Chennai.

BEST SENIOR VIOLINIST AWARD from the Indian Fine Arts Society, Chennai.

Title of BHUVANA SANGEETHA PRAVAHINI by Chennai Om Sri Skandasramam in recognition of the valuable services rendered to the cause of Music.

Title of SHRI VIDYA TAPASVI awarded by Yuvakeerthana Trust & Tapas Academy.

ASTHANA VIDVAN of Pudukkottai Shri Bhuvaneshwari Peetham.

TNJRF Award for the Outstanding Female Researcher, by the Govt. of Tamil Nadu, India.

CWIT Award for Performing Arts, UK.

Performance of other Musical Genres

As a multi-faceted musician, Nandini Muthuswamy’s forays into other musical genres have received critical acclaim. She is adept in different World Music genres and Western Classical Music. Besides being a Violin Soloist and a Duo with her sister Dr. M. Lalitha, she presents Trans Global Fusion Concerts also. She is also a Carnatic Vocalist. She has collaborated with some of the finest musicians, such as Ronu Mazumdar, Quatre Bonne String Orchestra, Fazal Qureshi, Tiruvalaputhur Kaliyamurthy, 3 Tenor Boys, Pirpauke Finnish Fusion Band, Carl Rathus, Tirupankur Muthukumaraswamy, Mannargudi Vasudevan and others in her Fusion and Jugalbandi explorations. She also became the first Female Conductor of the Bosch Bela String Orchestra, South Africa. Nandini is also a composer par excellence and has composed Fusion Compositions portraying the various shades of global music.

With her sublime music, Nandini Muthuswamy has carved a niche for herself in the world of music. Her performances have been widely applauded by connoisseurs and critics. She has been featured in several global Radio & TV networks. Recently she was featured by the BBC’s World Routes.

Academic Achievements

On the academics front, Nandini is a brilliant academician and holds triple Master’s Degrees in Indian Music, Ethnomusicology and Information Science. She is also a recipient of several prizes, medals and ranks for her excellence in academics. In her never ending pursuit of excellence her research into music has further widened her musical horizons. Besides performances, she has also presented Lectures and workshops in several prestigious universities and organisations. She is also a Music Educator and conducts an Indian Music Program at the Summer School of SOAS, University of London. She has also served as an adjudicator and examiner for Music Festivals and examinations.

She is also a multi-linguist and is conversant with English, Tamil, Sanskrit, French and German.

Nandini, regards her music as a Tapas - as an internal spiritual voyage of Music. With her firm adherence the values of classicism and dedication to the finer values of music she represents the finest of the musicians in her genre, in her quest for musical excellence. 

Vijayaganesh is the prime disciple of Shri. A.G.A.Gnanasundaram in the revered violin school of Padmabhushan Lalgudi Shri Jayarman and a graded artist in Chennai All India Radio. As a freelance software implementation consultant he had been pursuing  music  for more than two decades now. He was honoured with Government of India talent promotion scholarship from the very early stages of his learning the art.

Vijayaganesh has been bestowed with awards by renowned institutions like ‘Music Academy’, ‘Sri Sathguru Sangeetha  Samajam’, ‘Saraswathi Vageyakara Trust’, ‘Trichy fine Arts’, ‘Rasika Ranjana Sabha’, a noteworthy mention being the prestigious award of Dr. Seerkazhi S. Govindarajan memorial ‘Tambura’ by the Madurai Tamil Isai Sangam for his achievements as a young violinist in the year 1995 . 

Sri Krishna Gana Sabha, T. Nagar has awarded him Shri Lalgudi Gopala Iyer award for the best violinist, in the years 2000, 2001 & 2012, and  Shri Lalgudi G Jayaraman award for the year 2013 for his performance in various concerts with the Lalgudi traditional paddhathi.

He has performed ‘Violin Duet’ concerts in London along with his Guru and he was invited as a cultural guest to Goverment of Srilanka for performing with his Guru. Having got the privilege of accompanying his guru in violin duet concerts he had also been accompanying various vocalists and instrumentalists. To mention a few, Shri O.S. Arun, Sikkil Gurucharan, Nisha Rajagopal, Gayathri Venkatraghavan, Amritha Murali, Sumitra Vasudev, Jayalakshmi Santhanam, Subhashini Parthasarathy, Mohan Santhanam, Girish Gopalakrishnan, Mambalam Sisters, Nirmala Rajashekar, K.V. Ramanujam and many leading contemporary artists.

He, along with his guru, has also released an album, titled ‘Samarpan’ under the banner of Kalavardhani, in the year 2000 and another by name “Sollavallaayo…” in the year 2010.

For Vijayaganesh being an IT professional as well, music is a blissful and continuous experience in the journey of life. He wishes to continue his musical expedition as long as possible.


Coming at you all the way from the endless plains and rolling hills of Middle Tennessee it’s The Django Riders, a 4 piece group of jive ass honkies looking to make a name for themselves off the almighty religion that is Rock N Roll. These cool cats preach love for the living and practice prejudice against any system put in place to prevent their fine brothers and sisters from doing so. This boogie is made for the righteous, dreamers, and free thinking bad mama jama’s who rise up each day to take in as much as this groovy little planet will allow, before that sunset limited makes haste and finds its way to their doorstep, can you dig? This isn’t about hate for a broken system; this isn’t about raising your hand in victory only to watch your brother stand next to you in defeat. This is about a revolution, immortality, and an understanding that we’re all in this far out existence together. Here’s the skinny on how things went down for these smooth operators. Front man Jay Cathcart use to carry a tune for the Portland, TN-based rock band The Oblivious Humans. Luckily that man found the good funky word and was soon writing for a new project. Saved by blues and livin’ off soul Jay found himself in the company of Josh Gentry, the baddest bucket banger Nashville, TN had to offer. Gentry was never about slow shuffles or western swing. Traditional country drumming never found its way into his veins. His blend of rock and hip-hop style drumming brought an aggressive style to the group that had been absent in the songwriting before this skin playing Neanderthal came around. Now you can have beats and you can have rhymes, but God didn’t make the groove so that you could leave out the guitar slinger. Enter a 6-string plucking gitbox playing fool by the name of Tim Cathcart. His daddy was a working man and his mama could play the hellfire out of a piano. He was brought up on Christian and Western, with a rock and roll soul and a country pickers fingers, he decided to settle on playing a little bit of everything. The band had their heart and soul, the only thing missing was the balls. Sweet children, I tell you now, no one had a bigger bag of meaty clankers than bass player Daniel Raymond. Dan’s wide range of musical taste and creative technique made the fellas not only begin to redirect their music but completely change the style all together. The result is this soul singing, government defying, rhythm breathing band of mofo’s that stand before you today united under one understanding, to share the word of gettin down.

About Natsumi Katou

Since Angela’s Deportation. Natsumi Mieko Kimi Katou. Took a Challenge. She became CEO and COO of a major International Corporation. Deriving from the US. With many outcomes. 2012 was on our highest years. But once 2013 came in We notice were performing lower then 2012. I took the challenge in early 2013. To make a awareness in the Public domain of many different topics. One is Human Trafficking. With my research I had noted many different ordeals. I am working on many different projects. One is Documentaries. which is my top priorities. Maintaining a Major International Corporation. It’s hard work, and I do admit it. But! What I had witnessed Internationally. Is What everyone is watching. With a New Contract back home out of Tokyo, We had teamed up to provide you the truth.

Natsumi Mieko Kimi Katou does speak multiple languages.
Tagalog, - Cebuano, - Espanol, - Japanese, - English,
But Natsumi Katou is also a Mixed Race. Thus when she came into a position of a major corporation. She had some since of what to do. But She has also been forewarned about her being mistaken over and over. In 2012 Her song Asian Mao Produced by Angela Himalaya Whom at the time Co-Owned the business. With Already Photographic Evidence.of her an Angela. In which the government noted the differences. Her boss whom is the president of the Company undercover knows the truth.

But in November 2012 Her new Album, Hesus Ko Alam which is a Cross over Album came out on December 21 2012. In which at the time much of the world thought the World was going to end. Turned out it didn’t. But! I bring in the meaning of: “Out with the Old and in with the New.” In February 2013 her next album of Hindi Mabut was released produced by Angela Himalaya. But Angela owns the Music. Under OAM. (Original Asian Music) Which is on YouTube.

But a 2013 Public Out cry of South Dakota’s Illegal Activities states Natsumi was in Financial Trouble. Her Documentaries in which all together with Angela Himalaya 2 Million Dollars. in which has yet to be paid in full to the company. Her next two Documentaries of “Anti-Human Trafficking” and “The 7 Sisters” Produced by Natsumi Katou Multimedia Productions. Natsumi Katou is the main film and Producer of the Documentaries. One is on Contract. 

Linton Rozanne is following