This was my contribution for Disquiet Junto Project 0717: Generation Gambit. The Assignment: Layer two eras of recordings, one of them imaginary.
Here’s a copy of my post on the Disquiet Junto 0717 discussion thread on Lines:
I imagined non-human ancestors, perhaps insect-like creatures, that lived hundreds of millions of years ago, that created a form of communication that could be considered musical. These sounds were somehow embedded within resonating rocks and stones. Using a newly developed form of technology, I was able to extract these sounds, and record my improvisation over it, resulting in the track presented here.

In reality, the base track was created using a noise box with a contact mic. The audio was routed through Vongon Ultrasheer and Polyphrase effect pedals, then recorded into Ableton Live. From there, I added additional tracks with Slate + Ash Primaries Strings plugin. No additional effects were added. 

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/.

Opening Memory [disquiet0717]

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Dance Music Vol 33 "
credit : ipad 9 ,digitakt 1

date : 16-10-2025
Part One :
https://trampelfad.bandcamp.com/track/whats-that-again

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com
Live 10/2025
https://www.youtube.com/watch?v=w3_yn4gVTek

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

IRONBRIGDE 1779

Missing Everything Crepuscular

Marco Lucchi : piano, synthesizers and tape

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found sounds
https://freesound.org/people/felix.blume/sounds/779909/

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for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku616-whenever-we-meet/

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逢ふときはいつも雨なる青胡桃
au toki wa itsumo ame naru aogurumi

Tanaka Hiroaki

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piove sempre
quando ci incontriamo –
noci verdi

Traduzioni dal giapponese di Luca Cenisi

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whenever we meet
it’s raining
green walnuts

It's raining [Naviar Haiku # 616]

Ninepin

This turned out a bit more Hallowe'en than I was expecting, but given the date, maybe that's OK 😁💀🎃

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki: https://www.littermagazine.com/2023/07/review-sanki-saito-selected-haiku.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF skeletoN [naviarhaiku617]

This is my keyboard miniature response to this week's @naviar-records haiku challenge. Here's more information about that:

"an autumn nightfall
the skeleton of a huge fish
drawn back by the sea."

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

image extract from a picture by John Jason

Submission deadline: 5th November 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

the skeleton (naviarhaiku617)

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

Submission deadline: 5th November 2025
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Fishbones (NaviarHaiku617)

Adam Majdecki-Janicki - synthesizer, Michał Sławski - percussion.

Buy:
https://payhip.com/b/9bQEC

"They guard nine rivers; they guard nine mountains"

Authentic Lizard Dancer

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Rif S3- Fuck off AI Cover Design  "
credit :

date : 9-11-2025
https://soundcloud.com/neoilsomgroup

Discharges V Light

Somewhere on the California Central Coast

Opening Memory [disquiet0717]

he_nu_ri