Disquiet Junto Project 0724: Work It

The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

This week’s project is timely and open-ended. The year’s almost over. Do that thing you’ve been meaning to do.

Deadline: Monday, November 17, 2025, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0724

Disquiet Junto Project 0724: Work It

an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

   -- Saitō Sanki --

autumn beach (naviarhaiku617)

Made for the haiku challenge 618 of Naviar records.

the harp player moves under cover market day

by: kjmunro

kjmunro cultivates poetry on the traditional territories of the Kwanlin Dün First Nation & the Ta'an Kwäch'än Council in Whitehorse, Yukon Territory, Canada. She founded & facilitates ‘solstice haiku', a monthly haiku discussion group in Whitehorse, & manages a weekly blog feature for The Haiku Foundation called Haiku Dialogue. She is the recipient of the 2023 Borealis Prize – The Commissioner of Yukon Award for Literary Contribution, her work has been nominated for the Pushcart Prize, & her debut poetry collection is contractions (Red Moon Press, 2019).

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

The harp player (naviarhaiku618)

2025-11-10

to emerge from the fog

grevplut

I’ve been meaning for ages now to make a track using only one single suite of plugins … and this week’s Disquiet Junto brief has finally inspired me into action! ALL of the sounds you hear in this track are courtesy of wonderful Sinevibes plugins, and it’s been really fun to explore more of what these genius little plugins can bring … with plenty more exploration to be had! @sinevibes

This track uses Torsion as the main synth source, with Diffusion also providing sounds from its wave shape modelling synth engine. As you can hear, I’ve gone slightly mad on the effects front! I’ve made use of Sinevibes’ Emission, Hexonator, Inertia, Luminance, Multitude, Cluster, Drift, Droplet, Octagon, Array, Zap, Albedo, Atom, and Dispersion …!

Enjoy! 😁🤗 It's been enjoyable, and there could easily have been a 20 minute version of this! 😂

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

more halF unusuaL

halF vibE [disquiet0724]

UN GAUCHO – solo bass

A simple, heartfelt solo bass piece — part of a series of intimate instrumental moments I play live or record at home for fun.
Five-string bass (high C), light effect pedals — just melody, warmth, and a great instrument.

Thanks for listening!
— dd

Photo (C) Elena Nicolai


For this @disquiet junto meeting
https://llllllll.co/t/disquiet-junto-project-0724-work-it

Un Gaucho (disquiet0724)

14Nov25
https://naviarlab.tumblr.com/post/800014800629497856/naviarhaiku619-almost-black
😊

deepening purple [naviarhaiku619]

Recorded, edited, mixed & mastered in 1996, & on 04 Nov 2019 & 14 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Tape, time & effects

Photography/Art - Jim Lemanowicz, 02 Oct 2009, microscope, Massapequa, NY, USA

Music & art © 1996, 2009, 2019, 2025 Jim Lemanowicz

---

This original version of “Audio Hog Rubber” was submitted as part of Disquiet Junto Project 0724: Work It The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Patreon - https://patreon.com/blisterpop
Soundcloud - https://soundcloud.com/blisterpop 
YouTube - https://www.youtube.com/@JimmyLem 
TikTok - https://www.tiktok.com/@jimmlem 
Bluesky - https://jimmylem.bsky.social
Linktree - https://linktr.ee/blisterpop

Audio Hog Rubber (disquiet0724)

My track notes regarding the creation of this track can be found here:

Disquiet Junto Project 0724: Work It
The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

This week’s project is timely and open-ended. The year’s almost over. Do that thing you’ve been meaning to do.

[Disquiet Junto 0724] The Search (early draft)

This was my contribution for Disquiet Junto Project 0724: Work it. The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

Here’s a copy of my post on the Disquiet Junto 0724 discussion thread on Lines:

I have a tendency to overwork a track to the point where it drifts away from what I initially envisioned. Many times it works out okay but other times, it doesn’t. So this time I backed off and tried to keep it minimal, which was my original vision.

Created in Ableton Live using Slate + Ash Cycles and a MIDI keyboard

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Remembering Stone Patterns [disquiet0724]

made for the naviar haiku challenge n.619: https://www.naviarrecords.com/naviarhaiku619-almost-black/

(almost) black (naviarhaiku619)

An electronic composition, sounds created using Pure Data with various fx.

Catching Starlight (naviarhaiku620)

go to the church [inside]

BARZIPAN

Il silenzio di Zeno

Somewhere on the California Central Coast

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Remembering Stone Patterns [disquiet0724]

he_nu_ri

Recent comments

Ama Aura

Related tracks