Name: Catching Starlight (naviarhaiku620) by ray_cobley
Duration: 6 min 1 s
Description: An electronic composition, sounds created using Pure Data with various fx.

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Moments of Vertical

Somewhen in Thought

This track was created for the Naviar Haiku group.
614
https://www.naviarrecords.com/naviarhaiku614-the-coming-of-autumn/

2025-10-09

The coming of autumn (Naviarhaiku 614)

etrobril

2025-10-29

storm

Another beautiful collaboration with my fellow ambient producers from Studio Obscura.

Lead synths: Blooming Rains
Synths, Pad, Vocals: Enea Gorè
Pads: Our Forgotten Future, Ellipses, Outerlab
Guitars: dreamwarper, Enea Gorè
Ambiences, tones, metals, texture: Outerlab, Ellipses, Bleeptwig, Our Forgotten Future 
Production, mastering: Bleeptwig

On concrete fields

Hypnosphere explores the surreal, fragmented realm of sleeplessness.
The theme centers around sleep or the haunting absence of it.
Each track captures the haze of exhaustion, the ebb and flow of hallucinations, and the desperate craving for rest that never comes.
It's an intimate journey through the mind's twilight, where the line between dream and waking life dissolves into an otherworldly soundscapes.

Lullabies for the Lost

Euryale cries for her sister, Medusa, turned to stone by her own gaze.

A song of stone

Little song for Kjmunro haiku:

"The harp player
moves under cover
market day."

"Mercat" is the word "Market" in my language. This is my market of my little island.

Mercat (naviarhaiku618)

I’ve been meaning for ages now to make a track using only one single suite of plugins … and this week’s Disquiet Junto brief has finally inspired me into action! ALL of the sounds you hear in this track are courtesy of wonderful Sinevibes plugins, and it’s been really fun to explore more of what these genius little plugins can bring … with plenty more exploration to be had! @sinevibes

This track uses Torsion as the main synth source, with Diffusion also providing sounds from its wave shape modelling synth engine. As you can hear, I’ve gone slightly mad on the effects front! I’ve made use of Sinevibes’ Emission, Hexonator, Inertia, Luminance, Multitude, Cluster, Drift, Droplet, Octagon, Array, Zap, Albedo, Atom, and Dispersion …!

Enjoy! 😁🤗 It's been enjoyable, and there could easily have been a 20 minute version of this! 😂

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

more halF unusuaL

halF vibE [disquiet0724]

UN GAUCHO – solo bass

A simple, heartfelt solo bass piece — part of a series of intimate instrumental moments I play live or record at home for fun.
Five-string bass (high C), light effect pedals — just melody, warmth, and a great instrument.

Thanks for listening!
— dd

Photo (C) Elena Nicolai


For this @disquiet junto meeting
https://llllllll.co/t/disquiet-junto-project-0724-work-it

Un Gaucho (disquiet0724)

An electronic composition, sounds created using Pure Data with various fx.

Catching Starlight (naviarhaiku620)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Catching Starlight (naviarhaiku620)

ray_cobley

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