Everybody Can Fly

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

The soundscape is immersive and tactile.
Pulsating, viscous basslines morph like swamp gases, while intricate layers of forest-born whispers and textures build a realm of tangible mystery. Raphael Suska channels these elements into dense, narrative-driven psy-trance, forging a unique sonic signature. The work draws inspiration from the folklore archetype of the Hampelmann-reimagined not as a simple jester, but as the unpredictable, enchanting spirit of the deep wood, guiding listeners into a space of forgotten magic.

ベーシストとしてバンド活動を経て2024年からDAWでの楽曲制作を始める。
エレクトロニック・ロックにレゲエ・ダブのエッセンスを加えたサイケデリックなダンスミュージック。

After years of playing bass in bands, I began producing music with a DAW in 2024.
My sound blends electronic rock with the essence of reggae and dub, creating a psychedelic form of dance music.

New Album on Streaming
Spotify >> https://open.spotify.com/album/1Hrk0Tgtp7jYjPa84nTbqa?si=VJ4JAV1CTRiYZ8ttpDn8sQ

Apple Music >> https://music.apple.com/jp/album/phases-vol-1-fast-sketch/1858776405

Unconventional Psytrance Producer from Baden-Württemberg, Germany

My first contact with psytrance was on July 13th, 2018 (a Friday😉)
The idea of ​​producing music myself came to me at the end of the same year. Even though I didn't know anything about music until then and had never had anything to do with music, I quickly understood music (psytrance). It was clear to me that the music doesn't have to be perfect at all, it just has to work and if I bring joy to just one person in the world with a track, then I've achieved everything. This should be manageable, I thought to myself and started to think about producing music until I started setting up my own home studio at the beginning of 2019. Since I had to teach myself everything, the first 3 years were rather slow, because I simply didn't have the knowledge.
So I had to find my own way and it was a lot of trying and since I'm very patient and playful, I gradually managed to create my own workflow, which I called "haphazard workflow". In the summer of 2022 the knot finally seemed to be broken and from then on I produced one track after the other, none of which sound the way you know it, which is simply because I still don't know much about the structure of a track, just like their standards. My music isn't perfect, I know that, but there's an incredible amount of love in it and I think that's the reason why it works🥰🕉️♥️

Everybody Can Fly

Krahe