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Miami Whispers

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Taylor Bout To Fucking Flex

Dive into this sonic battleground with "Kingdom Heartless" a self-produced track that fuses the raw energy of Trap Metal and Scream Rap with the melancholic melodies of Emo Trap. This genre-bending anthem explores the crucial concept of understanding your adversaries as a form of self-protection, weaving in personal spiritual beliefs for a deeply resonant experience.

Drawing inspiration from the iconic video game Kingdom Hearts 1, the song finds parallels between its narrative and my own spiritual journey, creating a unique and nostalgic soundscape for fans of both. From aggressive screamed verses to emotionally charged clean vocals, this track showcases the duality of my musical background and artistic vision.

[HOOK] All these demons do not realize
that they're angels
Damn mf all them horns 
are broken halos
I don't juggle
But I like to sip faygo
I dont want to hurt you
but Ill stop you with the draco

All these demons do not realize
that they're angels
Damn mf all them horns 
are broken halos
I don't juggle
But I like to sip faygo
I dont want to hurt you
but Ill stop you with the draco

[Verse] Im all by myself
Im all by myself
Got bad mental health
I need mental help
Put me on the shelf
I'll make my own wealth yea
Im all by myself yea
im all by myself

I'm the beast I worship
Didn't mean to hurt Yah
I'm covered in thorns love
I might come with curses
Im the kinda guy
making money off of verses
can you handle the smoke
that comes with my life choices
im the fucking joke
but the card sells
this is better than living off yard sales
this is better than living off pay checks
I cant even remember a time
they didn't hate me

[Hook] All these demons do not realize
that they're angels
Damn mf all them horns 
are broken halos
I don't juggle
But I like to sip faygo
I dont want to hurt you
but Ill stop you with the draco

All these demons do not realize
that they're angels
Damn mf all them horns 
are broken halos
I don't juggle
But I like to sip faygo
I dont want to hurt you
but Ill stop you with the draco

Kingdom Heartless

Live My Life How I Wanna Live (prod. YoungTaylor)

Stream Everywhere!!!

Number 1 (Ya mdra) [Prod. By Rickey Beattz]

Keep Talking

Written By: Michael Conover

Yeah

Y’all stay talkin’ while I keep droppin’ 
Can’t sleep for a minute, gotta stay poppin’ 

“Obituary”

Hit the strip tonight, catching all the looks 
Bitches know the vibe, yeah breaking all the hooks 
Aleyah rollin’ with me, got ‘em all shook 
Got the game in a chockehold, like some damn crooks 
Flowin’ in my blood, really got this out the mud 
Tried to come for my spot, boy you just a dud 
Drop a couple hits, then watch the money flood (straight up)

Popped out the womb with a mic, and a golden spoon 
She’s in love with me? Yeah I’d assume 
Talking like I got one, two or three 
Baby I’m in the “stu, let me be” 
So hot in herre, feeling like I’m Nelly (whew)

Girl you really need a tummy tucker, cause you got a belly 
Still in my prime, got you all jelly 
Thinkin’ I will fall off, that’s a myth 
Cant do what what I do, cause hoe “you a bitch” 

Turn this up for the hoes back home 
Turn this up for my boys back home 
Yeah I’m slidin’, they don’t understand how I’m maneuvering 
Ridin’ round stoned, yeah bitch I’m uberin’
Hit up the strip, I’m steady ch-choosin’ 
On a winning spree, never going back to losing

(SESH)

Mr. Steal Your Gurl (Prod. NO NAME PLUG)

I aint good with genres , but its all done with love and dedication

She knows

Run Away

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Enter Graal

Drop Dead

Album Title: After The Bat Was Freed ... But Before Metal Died 

An Ozzy Requiem

Description:

This is more than an album. This is a requiem. A two-part rock opera epic exploring the complete life, legacy, and psychological journey of a rock and roll icon. Performed by the virtual progressive metal band Adelheide's Wisdom.

LP 1: "After The Bat Was Freed ... But Before Metal Died"
A nine-act narrative that chronicles the rise and reflection of a legend. The journey begins in the industrial haze of 1960s Birmingham, capturing the spark of a Beatles-inspired dream ("The Day The Bat Was Freed"). It crashes through the chaotic birth of a new sound ("Sounds Like a Bunch of Cats Fightin'"), explores the creation of the demonic "Madman" persona ("They Call Me The Madman"), and descends into the self-destructive excesses of the 80s ("Wings of Sin"). The album finds its emotional core in the heartbreaking ballad "I Was Just A Dreamer," before culminating in a final, monumental tribute to the man behind the myth ("Prince of Eternal Fire").

1. The Day The Bat Was Freed
The origin story: This 60s-style rock opera piece chronicles the birth of a legend, inspired by the sound of The Beatles in the grim industrial landscape of Birmingham. The track musically transforms from jangly pop into the first, heavy proto-doom riff, capturing the moment a new sound was born.

The Day The Bat Was Freed

For all the fallen soldiers and standing veterans. 

Solo by HAZPAIN/Rakeem Naylor

 Now at #36 in the Pop / Rock Top 40 chart on Re-Ex

Dreams Of Fallen Heros

HOLD MY HAND

This is not just a song. This is a chapter.

The lyrics for this track are taken from a key scene in the unpublished novel "Hinter uns das Land" (The Land Behind Us). It tells the raw, unfiltered story of a young German refugee's "homecoming" in 1948 – not to a welcoming fatherland, but to a landscape of destroyed train stations, bureaucratic coldness, and the quiet, heartbreaking moment a lifelong dream is shattered by a single piece of paper.

Musically, this piece is a fusion of melancholic jazz, blues, and deep, weary spoken-word verses, creating a cinematic, "film noir" atmosphere for this tale of disillusionment.

This is the sound of a generation arriving home, only to find they are more lost than ever before.

---

Das ist nicht nur ein Song. Das ist ein Kapitel.

Der Text für diesen Track wurde aus einer Schlüsselszene des unveröffentlichten Romans "Hinter uns das Land" übernommen. Er erzählt die rohe, ungefilterte Geschichte der "Heimkehr" einer jungen deutschen Vertriebenen im Jahr 1948 – nicht in ein willkommen heißendes Vaterland, sondern in eine Landschaft aus zerstörten Bahnhöfen, bürokratischer Kälte und dem leisen, herzzerreißenden Moment, in dem ein Lebenstraum durch ein einziges Stück Papier zerstört wird.

Musikalisch ist dieses Stück eine Fusion aus melancholischem Jazz, Blues und tiefen, müden Spoken-Word-Strophen, die eine cineastische "Film Noir"-Atmosphäre für diese Geschichte der Desillusionierung schafft.

Das ist der Klang einer Generation, die nach Hause kommt, nur um festzustellen, dass sie verlorener ist als je zuvor.

Scars on the Walls and Dust on the Floor

GENRE: METAL/DARK METAL
LYRICIST: ORPHEUS VECTOR 
VOCALS: KEVIN DAVID 
COVER: ORPHEUS VECTOR 
PRIMORDIUM 

BALLAD OF DUST AND BONE

Cunts talk shit and I’m just chilling rapping on youtube beats

Insta unnamed_516

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UNNAMED