Such an enjoyable track. Love the quirky sounds. Nice rhythm.

The Upload

Just around the corner

Olhos híbridos

adding yet another cover to the hundreds (thousands?) of Coltrane's inspiring work. because it's fun to play.

Equinox

This dance music is composed with many synth tones and  I have added the tones of Indian percussion instruments with the beats of Drums

The Dance Of Synths

©2020 Daniele Turani | Written and performed by Daniele Turani.

Classic Rock Instrumental Guitar. From the 2020 record "Anything Goes". All guitars and bass recorded with Fractal Audio Systems Axe-FX III.

Daniele Turani: guitars, bass, ROLI Lightpad Block, drums programming.

Photo by Johannes Plenio https://unsplash.com/@jplenio

Anything Goes

If Only

Listen on Spotify

Perchance To Dream

Recorded this home during lockdown. There is video, too! My wife did her best to make one, she will appreciate if you will check it out :D 
https://www.youtube.com/watch?v=9vnhSXKIEKU

Zeme

Purple Sky

Rae Morris:  Vocals, Piano, Synthesizers
Dirk Taubenheim:  Guitars, Vocals

A million thanks for this wonderful collab, Rae!

Written by Rae Morris. Thanks for listening. Merry Christmas!

Demo Songs

Skin  RAE MORRIS ft. The Gatsbys

TU ME VOIS TU ME REGARDES MAIS TU ME FLASHES PLUS
TOUT JUSTE SI TU PRÊTES GARDE À MON PARDESSUS
AH C’EST DUR DE SE REVOIR M’A DIT JOHNNY EN RÊVE
AVANT DE S’ÉVAPORER DANS LA NUIT DE SAINT-TROPEZ

ALORS J’AI MIS MON PARDESSUS MES BOTTES ET MON CHAPEAU
ET J’AI MARCHÉ DANS LES RUES SOUS LE GRIS CHAPITEAU 
J’AI ESPÉRÉ LE REVOIR MAIS COMME DANS UN RÊVE
C’EST TOI QUI M’EST APPARU MON VIEIL AMI DISPARU

DIRE QUE JE TE CROYAIS MORT ET RAYÉ DU PAYSAGE
COMME ON JETTE PAR DESSUS BORD SON EXCÉDENT DE BAGAGES
C’ÉTAIT BON DE TE REVOIR AILLEURS QU’EN RÊVE
DE POUVOIR RAFISTOLER LE TISSU DU PASSÉ

ET PUIS J’AI SUIVI MA DÉROUTE JUSQU’AU PÉRIPHÉRIQUE
ET DE LÀ J’AI PRIS LA ROUTE DESTINATION L’AFRIQUE
J’AI TOUJOURS VOULU REVOIR CE GRAND FLEUVE DE RÊVE
OÙ LE COUCHER DU SOLEIL CHANGENT LES EAUX EN MIEL

MAIS L’HEURE N’EST PLUS AUX VOYAGES AU PASSAGES DE FRONTIÈRES
Y’A CHANGEMENT DE PAYSAGE SUR TOUTE L’ÉTENDUE DE LA TERRE
ET PLUS MOYEN DE REVOIR SAUF EN RÊVE
LES PAYS QU’ON A AIMÉS LES AMIS QU’ON A SEMÉS  

ENFIN LA NUIT SUR PANAME RETOMBE EN DOUCEUR
EST-CE LA NUIT DE L’IGUANE OU CELLE DU CHASSEUR
ON SE CROISE SANS SE VOIR COMME EN RÊVE
PARFOIS UNE AILE NOUS FRÔLE UNE MAIN SUR L’ÉPAULE

ME REVOILÀ DANS LE NOIR ET BLANC DE MON LIT
PAS MAL ÉTONNÉ D’AVOIR RÊVÉ DE JOHNNY
PLUTÔT QUE DE TOI MON POTE MAIS LES RÊVES
N’EN FONT JAMAIS QU’À LEUR TÊTE LEUR MISSION EST SECRÈTE

ALORS AMIS DISPARUS Ô CHERS ABONNÉS ABSENTS 
QUI DU PASSÉ AU FUTUR SEREZ TOUJOURS PRÉSENT
JE VOUS DONNE RENDEZ-VOUS DANS MES RÊVES
VOUS LAISSANT LE CHOIX DU LIEU, DE L’HEURE ET DE LA NUIT

 TU ME VOIS TU ME REGARDES MAIS TU ME FLASHES PLUS
TOUT JUSTE SI TU PRÊTES GARDE À MON PARDESSUS
C’ÉTAIT COOL DE SE REVOIR M’A DIT JOHNNY EN RÊVE
AVANT D’ALLER SE FAIRE VOIR DANS LA NUIT DE SAINT-TROPEZ

JOHNNY EN RÊVE (Lyrics)

Let's start the year in a slow mood.
Is slow life the solution...?
happy new year my dear friends :) enjoy 2021 with peace, happiness, love and be healthy <3
Thank You all for the support, listens and shares, also for all the wonderful messages/comments You gave me <3
P.L.U.R

Take me higher

Take Me Higher

Background

This is my take on an old traditional song. The earliest reference I've discovered is around 1847.  It supposedly had other titles 'The Grinders' and 'The Saddle on the Right Horse'  

It is a vivid description of the lot of Sheffield Grinders, working and often dying early in life due to their trade. The 'Grinding Hull's' mentioned in the lyrics were grim places, full of particles of metal and dust from the grinding wheels. Historical evidence suggests boys were often apprenticed from nine to twelve years of age.

Through my working career I was employed in the Steel Industry engaged in scientistic work and environmental research, quite a bit of it related to occupational health problems, So it is no surprise to me and very fitting that I wanted to get this song recorded. As a Sheffield lad born and bred it connects for me I guess. 

Apparently a version of this traditional song was recorded by 'The Ian Campbell Group' in 1972 and the band 'Afterhours' from their eponymous cassette only album from 1988. After hearing the 'Afterhours' 1988 version, I decided to work up a DADGAD guitar arrangement of my own.  Here is the result.
---------------------------------------------------
Instrumentation and Arrangement

I wanted a simple arrangement for this song as really it's all about the lyrics and overall message. I used a DADGAD guitar tuning and aimed for a strum pattern that hopefully reflects the cyclical rhythmic quality of the grindstones in use.

After the main vocals was recorded I decided a bit of backing vocals would add a bit of extra spice to the overall song. Sometimes voice and guitar is all you really need. :-)
--------------------------------------------------
The Sheffield Grinder (Lyrics around 1847)
**( with small revisions for this version)
(Photograph taken from the Illustrated London News 1866)

The Sheffield grinder's a terrible blade.
Tally ho, the grinder!
'Fore he sets his little 'uns down to trade.
Tally ho, the grinder!
He sets ‘em all down to grind in the hull,
Till their bodies are stunted and their eyes are dull,
And their brains are all dizzy and dazed in their skulls.
Tally ho, the grinder!

He shortens his life and he hastens his death.
Tally ho, the grinder!
And he’ll drink steel dust with every breath.
Tally ho, the grinder!
And he won't wash his hands ‘ere he eats a meal
And he won’t wear a mask as he grinds at his wheel
And he’ll die as he’s lived, as hard as cold steel.
Tally ho, the grinder!

(Instrumental)

The Sheffield grinders of whom we do speak.
Tally ho, the grinder!
Well they’re men who’ll earn just one pound a week.
Tally ho, the grinder!
But of Sheffield grinders another sort
Methinks ought to be called to court,
Aye, and that’s the grinding Government Board.
Tally ho, the grinder!

At whose door lies the blacker blame?
Tally ho, the grinder!
Oh where lies the heavier weight of shame?
Tally ho, the grinder!
Is it the famine-price contractor's head,
Or on the workman who’s under-fed,
And who grinds his own bones and his children’s for bread?
Tally ho, the grinder!

The Sheffield Grinder

Old Times

THE JODY GRIND (H. SILVER) -  brano tratto dall'album "NEWTONe"

Federico Ariano - Drums
Ludovico d'Apollo - Bass
Gian Luigi Carlone - Soprano sax -
Gianluigi Corvaglia - Tenor sax

NEWTONe

THE JODY GRIND

Falling Star

noxpox - Juchhee

I write music to encourage, inspire and uplift with a message of hope that lives in the truth. I share my life through music and I share how Jesus is in the mix. Thanks to all those that support the music.

FEDERICO ARIANO - DRUMS 
LUDOVICO D'APOLLO - BASS 
GIAN LUIGI CARLONE - SOPRANO SAX - FLUTE - XAPHOON - VOICE 
GIANLUIGI CORVAGLIA - TENOR AND SOPRANO SAX

GROOVITY - (contemporary multi influenced jazz) - is a group of 4 musicians from different backgrounds who bring each person's influences into their music, creating their own language. Starting from the organic, 2 sax, bass and drums, a "pianoless" approach therefore, which sounds dry, funk, jazz, powerful and fresh. The composition and structure of the pieces on which to create a fabric for improvisation so that it becomes part of the writing is privileged. The addition of small vocal interventions and electronics closer to sampling gives the sound an alienating and ironic effect. 
NEWTONe is the result of four months of work and was recorded live by Giacomo Carlone's Supermoon studio who took care of the production of the mix and mastering. The editing work was minimal and reflects a lot the live sound of the group. 

GROOVITY – (contemporary multi influenced jazz) - è un gruppo di 4 musicisti di diversa estrazione che fa confluire nella propria musica le influenze di ciascuno, creando un linguaggio proprio. A partire dall’organico, 2 sax, basso e batteria, un approccio „pianoless“ quindi, che suona asciutto, funk, jazz, potente e fresco. E’ privilegiata la composizione e la struttura dei pezzi su cui creare un tessuto per l’ improvvisazione in modo che divenga parte della scrittura . L’aggiunta di piccoli interventi vocali e di un’elettronica più vicina al sampling dà al sound un effetto straniante e ironico. 
NEWTONe è il frutto di quattro mesi di lavoro ed è stato registrato in presa diretta allo studio Supermoon di Giacomo Carlone che ne ha curato la produzione il mix e il mastering. Il lavoro di editing è stato minimo e rispecchia molto il sound live del gruppo.

THE JODY GRIND

GROOVITY

Recent comments

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GROOVITY

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