🐉2025🔥

https://www.bisonhip.com/
Following on from 2 tremendously well-received EP releases, Bison Hip return with their upcoming album, ‘Older Stronger Better’, featuring the singles ‘Doghouse ‘ & ‘Stronger’. ‘We’ve been working towards this album since we formed during the lockdown’ explains vocalist Paul. Formed by long-time friends during a lockdown Zoom call in 2020, 4 of the 5 members are over 50. “We wanted the album to reflect where we are in our lives, we’re definitely getting on a bit, but life experience has made us stronger than ever, and I think we’re on top of our game”. Continuing the ethos of real songs played by real musicians, the album is filled with those life experiences. ‘The songs are full of pain, loss, failure, disappointment, but also joy, excitement, and lots of hope. We’re getting older, but the best years aren’t behind us, they’re still to come, and we wanted that feeling in the music’. The band are looking forward to an exciting year, with live shows across the UK. ‘We’re ready to get out there and show people what we’re all about’ adds Paul. ‘It’s taken us a long time to get here, we’ve arrived fashionably late, but the wait has been worth it’. A collection of powerful songs, telling real stories, forged in the band’s hometown of Glasgow, ‘Older Stronger Better’ announces the complete arrival of Bison Hip as a unique blues rock band ready to make their mark.

Older Stronger Better

Bison Hip - This Old City

During part of the 1970s and 1980s, he lived in California and performed with many stars such as Chuck Berry, Alice Cooper, Janis Joplin, Ted Nugent, Iggy Pop, Kenny Rogers, Bob Seger, Rod Stewart, Johnny Winter and many others. His autobiography explains how he entered the music business and how he got his nickname, the "Reverend" Marc Falconberry.
Marc's Musical Memoirs : https://www.youtube.com/channel/UC3s_uN55USPaNsScDjAL9dA
https://www.facebook.com/people/Rev-Marc-Falconberry/
https://revmarcfalconberry1.bandcamp.com/

Irreverend Blues

Rev Marc Falconberry - Back Down In The Bottle

https://www.granvilpoynter.com/
Quietly working under the radar is how one friend describes Granvil Poynter and his music. But he has not gone unnoticed! He has won best blues artist in the San Antonio music awards. Billy F. Gibbons has tapped him for shows with ZZ Top and for Mr. Gibbon’s solo tour. With the release of his new album “Cigarettes and Gin” maybe it’s time the world took notice of this San Antonio musician! Only time will tell.

Cigarettes and Gin

Granvil Poynter - Cigarettes and Gin

Album: The Originals |  https://www.reverbnation.com/victorla... 
Established about eight years ago and led by Lawson, the tight three-man band take their name from the song, “Boogie Chillen,’” which was made famous by late Delta blues icon, John Lee Hooker.

“We play a lot of blues,” said Lawson, befitting his band’s name. “But at a lot of the places we play we have to play classic rock and country, too, so people can dance.”

Despite his love of original music, Lawson allows that he and Boogie Chillen may summon no more than a trio of originals during any given performance.

“We do one called ‘Hammer,’ which is a blues-based rock song,” Lawson said. “We have one called ‘Back to Alabama,’ which I play with a slide guitar. Mostly wherever we play we’re expected to play covers, but every now and then we’ll throw an original into the show.”

Now, Lawson certainly neither qualifies nor touts himself as a long-suffering Delta blues musician a la John Lee Hooker or Robert Johnson. He’s an art teacher at Richlands Middle School.

However, he plays a wicked Fender Stratocaster, with which he rocks from a base forged in the blues. Include him more within the school of blues in terms of style that yielded Stevie Ray Vaughan and Jonny Lang than Muddy Waters and Elmore James.

“It’s definitely more of a blues-based sound,” Lawson said. “Even when we play classic rock or country, you’ll hear that blues influence. One of my favorites was Stevie Ray Vaughan, but I love the old guys like Muddy Waters and Howlin’ Wolf, too.”

Fittingly, Lawson and Boogie Chillen band mates Don Armstrong (bass) and Andrew Brown (drums) are apt to summon such blues staples as the Willie Dixon-written, Muddy Waters-performed “Hoochie Coochie Man.” Listen for Elmore James’ “Shake Your Moneymaker” alongside Vaughan’s “Texas Flood” and “Pride and Joy.”

“We do quite a bit of ZZ Top and Jimi Hendrix,” Lawson said. “I like to do things that nobody else does.”

As such, Lawson prefers to apply his own stamp upon tunes obscure and otherwise.

“We kind of make them our own,” Lawson said. “I never really play anything exactly like the records. Then I never play it the same way twice. We just take the music and go with it.”
Written by: Robert McGraw 2018 BY TOM NETHERLAND

The Originals

Victor Lawson & Boogie Chillen - Suitcase Full Of Blues

Album:  Language Of Your Soul - https://robinbibiband.co.uk/ Lyrics: 
I’m listening to the sound of the rain 
That lonesome sound against my window pain 
Yeah yeah, like I cried over you 
World keeps turning, 
And I got these Up All Night Vampire Blues 

Can’t sleep In the night 
Got to keep myself out of sight of the light 
Yeah , keeps me from crying about you 
World keeps turning 
I got these Up All Night Vampire Blues 

Been so long , I’m not free 
Your Devil spell’s still got its hooks here in me
Yeah yeah , the nights are so long and blue
World keeps turning 
I got these Up All Night Vampire Blues 

Another Sleepless nights passed by 
I’m so tired of this feeling, I wish I could die 
Oh yeah , I know you got your troubles too 
The world keeps turning 
I got these Up All Night Vampire Blues 
( I’m howling at the moon ! ) 

The Robin Bibi Band was born in the late 90s when Robin was inspired to start his own Texas Style Blues/ Rock band after having worked as a session man with such arists as the Pretty Things, Robert Plant, Jimmy Page, Ben E. King and Helen Shapiro to name but a few.

The Band released their debut Album “Blue Thrash Therapy” in late 1997. Mainly blues standards with a couple of notable original songs thrown in. This album received AirPlay straight away from Paul Jones in his Jazz FM show and the band started to become popular in the live circuit. The follow up, “Language of Your Soul”, a work of mainly original material, was released to more critical acclaim in 2000. Since then – and 8 more albums and a DVD later – the Robin Bibi Band have established themselves as one of the UK’s hardest working and most popular bands in their genre and Robin had been widely recognised as one of the UK’s finest Blues / Rock guitarists!

The band have played all the major UK blues festivals and have toured in Europe, Ireland, Scandinavia and the USA! Robin is at present signed to Ashwood Records and has recently released what’s considered to be his best album yet “No More A Secret”, the first album of exclusively Robin Bibi originals. This album received rave reviews and extensive AirPlay including considerable airings on BBC Radio 2. It peaked at number 2 in the IBBA playlist.

Robin has been nominated by the British Blues awards in several categories and won an award for best Guitar Solo from the WRC! The band continue their never ending mission to spread their own personal brand of music and to entertain and lift the spirits of their audiences ..

Language Of Your Soul

Robin Bibi – Up All Night Vampire Blues

Stockfisch-Records releases the second DIRECT-CUT-SUPER-AUDIO-CD: a SACD Hybrid incl. DSD-5.1-/DSD-Stereo-/CD-Audio-Layer. Christian Willisohn, pianist and singer from Munich, goes back to the roots of the blues, taking his listeners on a trip from the basics to the myriad facets of the music.

Phonographic Copyright ℗ – Stockfisch Records
Copyright © – Stockfisch Records

Hold On

Christian Willisohn - Blues In My Bottle

Lyrics: 
Woke up this morning
I was all alone
I don't know what happened
My baby was gone
Hey, hey, hey
How unlucky can one man be?
Lord, every woman I get
Somebody takes her away from me
My friends don't come around me
Because I've been so blind
I can't borrow a nickle
Not even a dime
Hey, hey, hey
How unlucky can one man be?
Lord, every woman I get
Somebody takes her away from me
I felt so all alone
I was pacing the floor
The telephone rang
There's my baby next door
Hey, hey, hey
How unlucky can one man be?
Lord, every woman I get
Somebody takes her away from me

    Bass Guitar, Vocals – Nick Holt
    Drums – Michael Scott (9)
    Guitar, Vocals – John Primer, Magic Slim

Chicago Blues Session

How Unlucky Can One Man Be

With shows that sell out all over the world, Melvin Taylor is one of the greatest guitarists in the history of rock, blues, and jazz. He is often referred to as a guitar players guitarist. 

This self taught master was influenced by many of history's true guitar pioneers including - Albert King, Jimmy Reed, Wes Montgomery, and Jimi Hendrix.  He has appeared on the same ticket with Stevie Ray Vaughan, Carlos Santana, George Benson, Buddy Guy, and BB King.

Melvin Taylor was born in 1959 in Jackson, Mississippi. His musical roots however have always been in Chicago, where he moved with his family when he was 3 years old. The proverbial musical prodigy, started playing guitar at age 6. Melvin was influenced and inspired by some of the world’s greatest blues players, many of whom lived in or near his Chicago neighborhood.


By the age of twelve, he was working in clubs. He taught himself slide playing, finger-picking, and flat-picking styles from listening to his favorite artists.  By the time he was a teenager, Melvin’s incredible ability and unique style was already grabbing attention on Maxwell Street. In 1980, he joined veterans Pinetop Perkins, and Willie “Big Eyes”  Smith of the Muddy Waters Band to form the Legendary Blues Band and tour Europe. Melvin made an immediate impact on the European circuit, and while in France, he cut his first two albums - Blues on the Run(1982), and Plays the Blues for You (1984).

Following his return to the US, Melvin recorded four additional CD’s for Evidence Music - Bang That Bell (1999), Dirty Pool (2002), Melvin Taylor and the Slack Band (2003), and Rendezvous With the Blues (2004). 

Melvin also contributed to two tracks on John Mayall's 2022 Grammy Nominated album, The Sun Is Shining Down!


Melvin is currently working on his new album coming out in 2025!

Blues On the Run (Blues Power)

Lowdown Dirty Shame

Texas Minded

Love That Burns

Mean Blues
Feel this is the end for me
Mean Blues
Feel this is the end for me
Cruel world pulling me down
It’s making it hard, tomorrow to see
Three days I haven’t heard from my girl
You know something’s wrong
Three days I haven’t heard from my girl
You know something’s wrong
She left me for another
There’s a hole now where my heart belongs
There’s no use of me searching
I gotta let that girl go
There’s no use of me searching
I gotta let that girl go
There’s nothing for her to come back to
Mean blues got me sinkin’ too low
Drown my sorrows with a bottle
Until I lose my mind
Drown my sorrows with a bottle
Until I lose my mind
They can drag the bottom of the East River
That’s where my heartache they’ll find

    Bass – Brad Vickers
    Drums – Michael Fox (4)
    Engineer, Mixed By – Glen Forrest, Ronen Barak
    Guitar – Zach Zunis
    Guitar, Lap Steel Guitar, Producer, Mixed By – Joel Poluck
    Harmonica – Anthony Kane, George Beckett
    Organ – George PapaGeorge
    Vocals – Floyd Lee

Mean Blues

This is my blues
'Cause I'm back then on my own again
This is the blues I'm playing
Yes it's a fine old thing
When the night is cold and lonely
This is the midnight blues
This is the midnight blues
For the girl I left behind me
Ain't it the final thing
This is the blues
Just a feeling deep inside of me
This is the midnight blues

After Paradise

Midnight Blues

Paris nineteen fifty-six, number nine rue Git le Coeur
Word is out and everybody′s beating on the door
Madame Rachou will let you in, just smile and ring the bell
Welcome to Nirvana at the Beat hotel
The sweet smell of Pernod, a Gauloise cigarette
It's a cosmic congregation but you ain′t seen nothing yet
It's an open invitation, an existential clientele
All looking for Nirvana at the Beat hotel
They looked for it in New York City and San Francisco Bay
They looked for in bebop jazz and it blew them all away
They tried out every avenue and then said "What the hell,
We'll look for it in Paris at the Beat hotel"
Burroughs came up from Tangiers, Ginsberg from New York
Kerouac came up from Italy and slept out in the park
Gregory Corso came and went and where he′s at no one can tell
He′s still looking for Nirvana at the Beat hotel
Take me to your leader, take me to the man
Someone has got the answer, someone's got the perfect plan
If you′re looking in the alleys, if you're looking in the bars
You′ll find us in the gutter, looking at the stars
This ragged band of poets, Christians, Buddhists, Jews
A new Beat generation searching for the Muse
Some found it in the arms of a mystic mademoiselle
Looking for Nirvana at the Beat hotel
The rooms count up to forty-one, but you can sleep out in the hall
For a few centimes you can get a drink and write your poems on the wall
And the marijuana mixes with the Tukish toilet smell
It's all part of Nirvana at the Beat hotel
Alex Campbell strums an old guitar someone picked up in Spain
Ginsberg′s howling poetry and Kerouac's drunk again
The rent is overdue there must be something they can sell
Maybe they can sell Nirvana at the Beat Hotel
Someone's taking photographs, Janine takes off her clothes
Marlene′s meditating and concentrating on her toes
Jasmine hides in room sixteen and curls up in her shell
She′s communing with Nirvana at the Beat Hotel
Take me to your leader, take me to the man
Someone has got the answer, someone's got the perfect plan
If you′re looking in the alleys, if you're looking in the bars
You′ll find us in the gutter, looking at the stars
They did it for the journey and not for getting there
Fame is in a whisper when you pay the taxi fare
It's just this side of Heaven and a long, long way from Hell
It′s somewhere in Nirvana at the Beat Hotel
Nothing lasts forever, and forever's in a rhyme
It's a Buddha-like connection and everybody has their time
If you want to drink the water you′ve got to dig into the well
Maybe then you′ll find Nirvana at the Beat Hotel
It was over by nineteen sixty-three and everyone had gone
But they'd opened up the road and the revolution was getting won
When the poems were painted over and they rang the final bell
It was goodbye to Nirvana at the Beat Hotel
The myth is stronger than the truth, and truth can sometimes lie
To see it all for what it was you need an uncorrupted eye
Was the journey worth it, only time will tell
Still looking for Nirvana, at the Beat Hotel
Take me to your leader, take me to the man
Someone has got the answer, someone′s got the perfect plan
If you're looking in the alleys, if you′re looking in the bars
You'll find us in the gutter, looking at the stars
Looking at the stars
We′re looking at the stars


Allan Taylor: vocal, guitar.
Chris Jones: guitar
Lutz Möller: piano
Beo Brockhausen: sax, percussion, autoharp, accordion, kantele
Hans-Jörg Maucksch: fretless bass
Grischka Zepf: electric bass
Nils Tuxen: pedal-steel
Martin Huch: dobro (manzanita)
Thomas Klippel: Hammond B3
Siard de Jong: violin, viola
Simone Mittelbach: violoncello
Thomas Körber: e-guitar
Christine Maringer-Tries: harmony voc.
Christiane Eiben: harmony voc.

All songs written by Allan Taylor
Produced and recorded by Günther Pauler
Mastered by Hans-Jörg Maucksch
Photography & design: Manfred Pollert

The Beat Hotel

After a career as a local bluesman and blues promoter in Texas and Oklahoma, Gary Coleman found his niche when he signed over his first album, a self-produced outing originally issued on his own label, to the fledgling Ichiban company out of Atlanta in 1986. Since that time, both Coleman and Ichiban have made their marks in the blues field: not only did Coleman release half-a-dozen of his own albums, he also oversaw production of the bulk of Ichiban's hefty blues catalog, bringing to the studio a number of artists he'd booked or toured with in his previous career (Chick Willis, Buster Benton, and Blues Boy Willie, among others). A singer/guitarist on-stage, Coleman often took on a multi-instrumentalist's role in the studio. His music remained true to the blues and to theKing legacy saluted in his "B.B." moniker and in his acknowledged debt to fellow Texan Freddie King.

Coleman began listening to the blues as a child and by the time he was 15, he was working with Freddie King. Following his association with King, Coleman supported Lightnin' Hopkins and formed his own band, which played around Texas. Gary also began booking blues musicians into clubs in Texas, Oklahoma, and Colorado. He continued to play gigs and book concerts for nearly two decades. In 1985, he formed Mr. B's Records, his own independent label. He released his debut album, Nothin' But the Blues, the following year. The album was popular and gained the attention of Ichiban Records, who signed Coleman and re-released Nothin' But the Blues in 1987.

If You Can Beat Me Rockin', Coleman's second album, was released in 1988. That same year, he began producing albums for a number of other artists, as well as writing songs for other musicians and acting as an A&R scout for Ichiban. Between 1988 and 1992, he released six records and produced another 30, including albums for Little Johnny Taylor and Buster Benton. Coleman continued to be active until his untimely death in the mid-'90s, both as a performing and recording artist, as well as a producer.

Nothin' But The Blues

Let Me Love You Baby

Just like Strauss' award-winning debut CD "Electric Blues" (Blues In Germany Award for Best Album in 2014), "I Go By Feel" could easily be called an international blues summit. On this fully packed, 60-minute plus studio effort his collaborations with Delmark recording artist Mike Wheeler and ex-Luther Allison drummer Tommie Harris add a new, more contemporary Chicago Blues influence to the guitarist’s repertoire, while Tony Vega's (Houston) raunchy slide, Sax Gordon's (Boston) muscular saxophone and The Netherlands’ blues harmonica export No.1, Big Pete van der Pluijm, contribute a huge amount of variety to Strauss’ straight-ahead, natural blues formula.

Strauss, who discovered his passion for the music of B.B. King, Buddy Guy, Jimmie Vaughan and many others as a teenager in the 1980s, is “as authentic as any Texas or Chicago axe slinger around” (Gary Reinhard, WITR Radio/Bad Dog Blues, Rochester, New York) and has honed his chops over the course of more than 25 years of playing clubs and festivals. "I Go By Feel" not only confirms Kai Strauss' reputation as being in the top league of Europe's electric blues guitarists but also shows that the 45-year-old has evolved into a convincing singer, songwriter and producer in his prime, ready for many more good things to happen.

When Kai Strauss goes by feel, the Blues is literally in good hands.
credits
released November 13, 2015

feat. Mike Wheeler, Tommie Harris, Sax Gordon, Tony Vega and Big Pete
license
all rights reserved

I Go by Feel

Money is the Name of the Game

Insane

Text:
Verse 1
First cry, first breath, the world begins,
Tiny hands held in your mother’s skin.
Raised by voices, taught by time,
The roots you carry, the place you find.

Verse 2
Schoolyard dreams and questions loud,
What will I be, will I make them proud?
The years roll forward, the answers hide,
But life keeps pushing, a restless tide.

Chorus
This is all, the rise and fall,
The joy, the pain, the weight of it all.
Every soul will stand and crawl,
Until the end, we’re part of all.

(solo)

Verse 3
Your first son cries, and your heart explodes,
You show him proudly to the ones you know.
Parents fading, the torch is passed,
The mirror whispers: nothing lasts.

Verse 4
Leaders change, the flags will burn,
Wars are fought, and still we learn.
In your small world there’s peace to find,
A fragile gift in a fragile time.

Chorus
This is all, the rise and fall,
The joy, the pain, the weight of it all.
Every soul will stand and crawl,
Until the end, we’re part of all.

Bridge
Are you happy, do you feel alive?
In a million stories, we survive.
Every birth, every goodbye,
A single thread in the endless sky.

(solo)

Final Chorus
This is all, the rise and fall,
The crown, the dust, the voice that calls.
We walk, we run, we fight, we stall,
But in the end — we’re part of all.

Outro
Before the answer ever comes,
The circle closes, the song is sung.
And you return, where you belong…
Part of all.

Stream/Download on your preferred platform here: http://smarturl.it/prismoheathens
S/O @earmilk for the premiere: http://earmilk.com/2016/08/29/prismo-releases-electrifying-cover-of-twenty-one-pilots-heathens-premiere/

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Heathens - Single

Heathens

Stream/Download

Record Label: One Trick Dog
Produced by SaRon Crenshaw and Dev Avidon
Executive Producer: Monique Witt
Recorded at Systems 2, Brooklyn
Additional Recording at Avidon Audio Labs, New York
Mixed and Engineered by Dev Avidon
Mastered at Goldtone MasterWorks, Baltimore by Tony Eichler
Photography and Cover Design by Xiaofen Zhang

World Of Misery

Jolt is about wanting to erase the bad memories that you have. When I was writing this song, I was thinking about Eternal Sunshine and how it would be nice to be able to erase some of the bad memories 😑

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Unlike Pluto - JOLT

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WATCH ACT I: ADDERALL - https://www.youtube.com/watch?v=ulUXGyJDEMo

EMM "END" from the upcoming SAPPHIRE.

🐉2025🔥

mohammad