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Aphrodite is off the upcoming 2nd album by Crimson House Blues (Red Shack Rock)

Featuring 
Marco Wielander (Trenton & Free Radical) on Guitar & Nick becker on Sax

Written by Riaan Smit performed by Crimson House Blues
Recorded at VHmusic & Publishing by Wouter De Venter

Album releasing September 2013

Crimson House Blues- Aphrodite

https://www.rayfuller.com/
The Ray Fuller Band was formed in 1974, evolving into Ray Fuller and the Bluesrockers in 1978, releasing a self-titled album on vinyl, and Fuller has not looked back since. Mastering his craft throughout the ’80s and ’90s, Fuller was quick to become the “go to” act throughout Ohio to open for iconic blues musicians such as Muddy Waters, John Lee Hooker, Stevie Ray Vaughan, Buddy Guy and more.

MUDDY WATERS after witnessing an opening act performance by Fuller exclaimed for all to hear, “That was some hot slide boy, I could smell the smoke backstage!”

JOHN LEE HOOKER was so impressed that he took Ray Fuller as his special guest at his next show! Fuller released Something Shakin’ in 1984 and Damn Guitars in 1989, which was quick to become a top seller for Rounder Records, followed by Ray Fuller and the Bluesrockers Live in 1992. In 1995, touring paused with the demise of Fuller’s first marriage which ended in true blues fashion.

Fuller went on to release Pearlene in 1997, Twist of Fate in 1999, and in 2003 Live Rockin’ the Blues. In 2010, Fuller played his first overseas show at the Vodacom Ampitheatre in Port Elizabeth, South Africa, and began focusing on his passion for slide guitar, playing in his own style which has been compared to and inspired by Elmore James, Hound Dog Taylor and even Earl Hooker (cousin of John Lee Hooker). Fuller found himself in demand with renewed focus on his unique style of “Rockin’ Slide Guitar Blues,” playing major blues festivals in the USA, Canada and Europe. In 2011, Fuller released Piece of Work on the Azuretone Record Label. In 2014 Fuller had the rare honor of recording Ray Fuller and the Bluesrockers LIVE at Buddy Guy’s Legends. In 2014 and 2016 Fuller crisscrossed Europe, with audiences demanding as many as five encores! In 2016, Fuller released Long Black Train in Europe a month early to coincide with his Europe Tour; its official release was in October 2016. Ray Fuller and the Bluesrockers’ new release, PAY THE PRICE on Azuretone Records, has a release date of May 28, 2019. Pay The Price shows promise to be the crown jewel of Fuller’s 40-year career. Pre-release reviews have called it “outstanding,” praising Fuller’s seasoned, clear vocals and tight rhythm section while, as American Blues Scene put it “leaving listeners both breathless and thirsty for more!

Pay The Price

Ray Fuller & The Bluesrockers - Mean And Evil Woman

During part of the 1970s and 1980s, he lived in California and performed with many stars such as Chuck Berry, Alice Cooper, Janis Joplin, Ted Nugent, Iggy Pop, Kenny Rogers, Bob Seger, Rod Stewart, Johnny Winter and many others. His autobiography explains how he entered the music business and how he got his nickname, the "Reverend" Marc Falconberry.
Marc's Musical Memoirs : https://www.youtube.com/channel/UC3s_uN55USPaNsScDjAL9dA
https://www.facebook.com/people/Rev-Marc-Falconberry/
https://revmarcfalconberry1.bandcamp.com/

Irreverend Blues

Rev Marc Falconberry - Back Down In The Bottle

This is my blues
'Cause I'm back then on my own again
This is the blues I'm playing
Yes it's a fine old thing
When the night is cold and lonely
This is the midnight blues
This is the midnight blues
For the girl I left behind me
Ain't it the final thing
This is the blues
Just a feeling deep inside of me
This is the midnight blues

After Paradise

Midnight Blues

Paris nineteen fifty-six, number nine rue Git le Coeur
Word is out and everybody′s beating on the door
Madame Rachou will let you in, just smile and ring the bell
Welcome to Nirvana at the Beat hotel
The sweet smell of Pernod, a Gauloise cigarette
It's a cosmic congregation but you ain′t seen nothing yet
It's an open invitation, an existential clientele
All looking for Nirvana at the Beat hotel
They looked for it in New York City and San Francisco Bay
They looked for in bebop jazz and it blew them all away
They tried out every avenue and then said "What the hell,
We'll look for it in Paris at the Beat hotel"
Burroughs came up from Tangiers, Ginsberg from New York
Kerouac came up from Italy and slept out in the park
Gregory Corso came and went and where he′s at no one can tell
He′s still looking for Nirvana at the Beat hotel
Take me to your leader, take me to the man
Someone has got the answer, someone's got the perfect plan
If you′re looking in the alleys, if you're looking in the bars
You′ll find us in the gutter, looking at the stars
This ragged band of poets, Christians, Buddhists, Jews
A new Beat generation searching for the Muse
Some found it in the arms of a mystic mademoiselle
Looking for Nirvana at the Beat hotel
The rooms count up to forty-one, but you can sleep out in the hall
For a few centimes you can get a drink and write your poems on the wall
And the marijuana mixes with the Tukish toilet smell
It's all part of Nirvana at the Beat hotel
Alex Campbell strums an old guitar someone picked up in Spain
Ginsberg′s howling poetry and Kerouac's drunk again
The rent is overdue there must be something they can sell
Maybe they can sell Nirvana at the Beat Hotel
Someone's taking photographs, Janine takes off her clothes
Marlene′s meditating and concentrating on her toes
Jasmine hides in room sixteen and curls up in her shell
She′s communing with Nirvana at the Beat Hotel
Take me to your leader, take me to the man
Someone has got the answer, someone's got the perfect plan
If you′re looking in the alleys, if you're looking in the bars
You′ll find us in the gutter, looking at the stars
They did it for the journey and not for getting there
Fame is in a whisper when you pay the taxi fare
It's just this side of Heaven and a long, long way from Hell
It′s somewhere in Nirvana at the Beat Hotel
Nothing lasts forever, and forever's in a rhyme
It's a Buddha-like connection and everybody has their time
If you want to drink the water you′ve got to dig into the well
Maybe then you′ll find Nirvana at the Beat Hotel
It was over by nineteen sixty-three and everyone had gone
But they'd opened up the road and the revolution was getting won
When the poems were painted over and they rang the final bell
It was goodbye to Nirvana at the Beat Hotel
The myth is stronger than the truth, and truth can sometimes lie
To see it all for what it was you need an uncorrupted eye
Was the journey worth it, only time will tell
Still looking for Nirvana, at the Beat Hotel
Take me to your leader, take me to the man
Someone has got the answer, someone′s got the perfect plan
If you're looking in the alleys, if you′re looking in the bars
You'll find us in the gutter, looking at the stars
Looking at the stars
We′re looking at the stars


Allan Taylor: vocal, guitar.
Chris Jones: guitar
Lutz Möller: piano
Beo Brockhausen: sax, percussion, autoharp, accordion, kantele
Hans-Jörg Maucksch: fretless bass
Grischka Zepf: electric bass
Nils Tuxen: pedal-steel
Martin Huch: dobro (manzanita)
Thomas Klippel: Hammond B3
Siard de Jong: violin, viola
Simone Mittelbach: violoncello
Thomas Körber: e-guitar
Christine Maringer-Tries: harmony voc.
Christiane Eiben: harmony voc.

All songs written by Allan Taylor
Produced and recorded by Günther Pauler
Mastered by Hans-Jörg Maucksch
Photography & design: Manfred Pollert

The Beat Hotel

Insane

Text:
Verse 1
First cry, first breath, the world begins,
Tiny hands held in your mother’s skin.
Raised by voices, taught by time,
The roots you carry, the place you find.

Verse 2
Schoolyard dreams and questions loud,
What will I be, will I make them proud?
The years roll forward, the answers hide,
But life keeps pushing, a restless tide.

Chorus
This is all, the rise and fall,
The joy, the pain, the weight of it all.
Every soul will stand and crawl,
Until the end, we’re part of all.

(solo)

Verse 3
Your first son cries, and your heart explodes,
You show him proudly to the ones you know.
Parents fading, the torch is passed,
The mirror whispers: nothing lasts.

Verse 4
Leaders change, the flags will burn,
Wars are fought, and still we learn.
In your small world there’s peace to find,
A fragile gift in a fragile time.

Chorus
This is all, the rise and fall,
The joy, the pain, the weight of it all.
Every soul will stand and crawl,
Until the end, we’re part of all.

Bridge
Are you happy, do you feel alive?
In a million stories, we survive.
Every birth, every goodbye,
A single thread in the endless sky.

(solo)

Final Chorus
This is all, the rise and fall,
The crown, the dust, the voice that calls.
We walk, we run, we fight, we stall,
But in the end — we’re part of all.

Outro
Before the answer ever comes,
The circle closes, the song is sung.
And you return, where you belong…
Part of all.

Frozen Echoes

Mike Griffin - The Blues Aint Never Gonna Die

Record Label: One Trick Dog
Produced by SaRon Crenshaw and Dev Avidon
Executive Producer: Monique Witt
Recorded at Systems 2, Brooklyn
Additional Recording at Avidon Audio Labs, New York
Mixed and Engineered by Dev Avidon
Mastered at Goldtone MasterWorks, Baltimore by Tony Eichler
Photography and Cover Design by Xiaofen Zhang

World Of Misery

No matter where Big Daddy Wilson travels on this big, beautiful, mixed-up planet of ours, he takes the South with him. 
For more than two decades, he has been carrying his message of hope and unity to each and every show, whether in New York, Paris, Auckland or – in the case of his new live album Songs From The Road – the village of Rubigen in central Switzerland.
The concert recorded at the Mühle Hunziken exemplifies Wilson's uncanny ability to connect with an audience. The key ingredients are honesty, his natural charisma and the sheer power of his voice. This performance from the fall of 2017 is a testament to just how far the American ex-pat and former soldier has come since answering a newspaper ad and summoning the courage to sing "Stormy Monday" for a group of young German blues musicians way back in the 1980s. He's ably supported by a tight and versatile four-piece unit comprising Cesare "Smokestack" Nolli (g), Paolo Legramandi (b), Nik Taccori (dr) and Enzo Messina (k). "I tried to give my listener a small view of the journey, the good, the bad, the highs and the lows," explains Wilson in the liner notes to the album. As usual with the long-running Songs From The Road series, there are visuals as well. The accompanying DVD in the two-disc set includes 15 songs in all and offers a good long look at Big Daddy Wilson in action. 
Songs From The Road delivers some pretty strong evidence to the contrary. And yet, in a certain way, he's right. Wilson's music – like Wilson himself – is real. It's honest. At no point is this man ever putting on a show. "I’m just interested in singing, getting my message out and feeling the people – and hoping I can make them feel me."

07 - Walk A Mile In My Shoes

best blues ever..... on YouTube more Then  2.8 miljoen  views   friends

Hard Times (feat. Peter Struijk)

Hard Times

Jolt is about wanting to erase the bad memories that you have. When I was writing this song, I was thinking about Eternal Sunshine and how it would be nice to be able to erase some of the bad memories 😑

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Slow Blow Fuse - The Bottle

WATCH ACT I: ADDERALL - https://www.youtube.com/watch?v=ulUXGyJDEMo

EMM "END" from the upcoming SAPPHIRE.

END (Explicit)

Blues Hangover - Slow Blues And Whiskey

Don’s Tunes is about the music. It’s about the sound. It’s about the real thing.
My mission for more than 15 years is to collaborate with independent labels & musicians, to produce music videos & promote lesser known, but extremely talented blues & jazz artists bringing you a selection of tunes with an audiophile sound, grit and real emotion.

If you’re an artist, label  and want to collaborate with Don’s Tunes check www.donstunes.com or write me on don@donstunes.com

Midnight Blues

Don's Tunes

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