Dj D-Side
 Like  

Thetford-Mines

Tour DJ for Dj D-Side 
Primary Genre: Progressive House

Born in Coaticook in the Eastern Township Dj D-Side quickly know that music would be his passion and his father taught him the guitar is 6 years old. 
He cultivated this passion throughout his childhood and adolescence and in 1997 he joined a rock band from Sherbrooke and records an original composition album but that will never see the day of the difference to the other members group he then leaves the orchestra moved to Montreal and began composing music for short and medium length movies until 2009. 
In the same year The love of a woman led him to leave the big city to come Settling in the Thetford area here Mines.OK not work for love but at least he found Dj Occupation today is his greatest passion making his debut at a place where he balmoral job even he was resident DJ at Pub 135, the sergeant pepper, as well as the friends bar at Black Lake. Outside of the area he was DJ at private parties and festivals and some wedding 
Music style Progressive his house through the metal electro and trance. 
Dj D-Side is far from the image of the typical politician is not the talker genre but more focused on performance itself ... Fasten your toques we take off!

More Info: http://ultradjdside.tumblr.com/


For booking - VOCAL BOOKING
tel: +972-54-3155021 
tel: +972-54-6199779

email: crunchytrance@gmail.com
http://facebook.com/crunchytrance 
contact via inbox
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CRUNCHY aka Nave peleg from Israel. 
After years of musical background playing heavy metal guitar and keyboard in some bands. 
He was charmed by Electronic music after attending numerous parties and festivals
CRUNCHY started producing he's own fresh crunchy vibes. 
these days polishing he's sound to the flawless max of pumping basslines, scratching CRUNCHY leads, Crispy beats and full enviormental atmosphere to his music.
come and join Crunchy on a journey to an outer state of mind.
fasten your sit belts and relax let me lead you... let me show you the way...

more projects from Crunchy:
RinTinTin (fullon Psytrance)
https://soundcloud.com/rintintin-3 
show your support

Mr. Slugg and the Legion of Doom haunted the “East Side” of Providence R.I. From 1986 to cerca 2003 , practicing in a top floor apartment space in fox point, literally filled to the ceiling with empty, white, beer cans that read; "generic beer" as that was the easiest to steel off the back of anhiser busch trucks that delivered snacks to store 24 on thayer each morning. The room dubbed; "The Dead Room" the band was four to seven members then and drug/alcohol induced industrial was what we where doing. Literally ejected by some clubs and cautiously hired by others. Our devotion to being the most disruptive band in town was beginning to byte us in the ass. We would ride the crest of UN-popular music as the band dwindled dew to alcoholism, drug addiction and miss-direction. finally there was Mr. Slugg and Chicken Chuck left. they were the majority of anything coherently recorded. From the first recordings at "Danger Tracks" and Planet Earth Studios" to later,  Mr. Slugg living room studio this is the best of a very under rated and infinitely creative duo. 

Mr .Slugg and the Legion of Doom R.I.P.

Your music fits my film like a nice, tight, studded leather glove. 
Richard Griffin film director for Titus Andronicus 

Given adequate production, this duos skewered approach to morbid industrial-psychodelic pop could garner a larger (and better deserved) following than White Zombie. Combining The Jesus and Mary Chains Goth-surf swagger and Nine Inch Nails robot mutiny rhythms might not sound like a match made in heaven, but in the hands of Mr. Slugg and company, the results are potent
Artist Review, Listen.com/Yahoo music.


Deep Electronic Riffs. Mr. Slugg and the Legion of Doom are back with a new release. Bassist, guitarist and singer Mr.Slugg, singer, Chicken Chuck, and new rocker "Thee Devil" or so he asks to be called, says Mr. Slugg-are a puzzler's paradise. The Providence bands third full- length, Dreams Like These, is a welcome web of electronic music and onerous thoughts. Like Ministry, Trent Reznor and Marilyn Manson, the band knows that we thirst for industrial metal and deep electronic riffs, music that moves a club of the like-minded Or that you can scream aloud at home. On such songs as Eve and 0110, it exploits music technology to fasten a point, that trends may wane but don't die: Goth-culture, collective or solo, still reigns.
Vaughn Watson Providence Journal Live Dec. 6, 2001


Mr. Slugg has not yet left the blasted landscape trod upon by Nick Cave & Trent Reznor. Cheers to him for sticking to his nightmarish, gothic roots, abetted here by long-lost cohort Chicken Chuck. If Mr. Slugg is ever loosed in a studio with the guys from E.B.N. We' ll have the sonic equivalent of ten-inch nails driven soul-deep. Mr. Slugg is determined to keep the lost faith, driving ominous, self-made 4-track observations like You look so good in Gassoline directly through our skulls.
Michael Caito Providence Phoenix July 18, 1997 

Mr. Slugg and the Legion of Doom, Dreams Like These. Of course, it isn't pop. More like un-pop. Mr. Slugg and the Legion of Doom, which currently features Mr. Slugg, guitars. Chicken Chuck and new singer Thee Devil, is back with some admittedly un-pretty music, nu-goth synth-rock for black-eyed people. Their second full length, Dreams Like These, is infinitely better than their last disk, with richer textures, more skilled performances, and slightly higher fidelity. The title cut pivots on some searing licks and dueling vocals. Thee Devil proves an admirable foil to the nightmarish Slugg, with a throaty, intimidating style that injects the mix with even more evil sounds. At times as on Sour Apples. The band sounds like Pornography-era Cure, with eerie, plodding, sparesly arranged craft. An unidentified female voice graces the uncharacteristically pretty Everywhere. Elsewhere, when the band picks up the beat to a nearly danceable point Comfort, they resonate with a Bauhaus-meets early Depech mode rhythm thing. Clearly, the band loves the sound of their synthesizer, the thwak- thwak-ping of a drum machine, and the way an electric guitar can slice across those textures like a knife through skin. Fun and creatively executed. 
Bob Gulla Providence phoenix Nov. 30,2001----

They're ba-ack! And each time they return they sound twice as good as the time before. This is good news for local goth fans, 'cuz on the new Paramecium Circus, Mr. Slugg and his fun bunch is beginning to sound like they're ready for a national audience. Sure, it's still blurred deep in night black electronic goth-pop, heavily synth-bassed with eerie, surrealistic vocals. But the songs are more sophisticated this time out, with abundant melody, better hooks, and thoughtful arrangements. Where their last album and all music previous to this was antiquated in a charming way---Stuck in a big puddle of Mud!---Paramecium Circus finds the band moving forwards for the first time. With the big drum sound, vocal loops, and Slugg's destorted guitars, it seems like the group turned on the radio and heard something they liked. It's one thing to be faithful to your roots but it's another thing altogether to be your roots. On Paramecium Circus, Mr. Slugg and the Legion of Doom have moved away from the latter and inched ever closer to a relivant future.
Bob Gulla Providence phoenix December 20, 2003


Music is a journey without a goal.
A journey beyond all scene and meaning,
with it's powers lying in the immaterial world.
Like all art, music tells truth packed in lies and without moral values.
As a band, we are constantly traveling this road to join the ride.
Together we will transcend reality.

Please fasten your seatbelts!

"End of Sense" ist eine 2011 gegründete Progressive-Rock/Metal Band aus dem Großraum Frankfurt am Main.

DeadSleep is a pure yet aggressive approach to a persons everyday life and the struggles that come with it. Fused with raw emotion and heavy guitar riffing, Dez will surely make a listener melt. "I've been a huge fan of bands like As I Lay Dying, and Killswitch Engage." DeadSleep is currently signed by Potomac Records, and holds a publishing contract with InDigi Music. "Bring your ear plugs, fasten your seatbelt, and get ready for the ride!" Tags: Hard Rock, Metal, Melodic, Electronic, Guitar, Synth, Music Production

Spirited Americana singer/songwriter, recording artist and multi-instrumentalist Joe Farren composes warmly-layered tunes about heartbreak, first love, sacrifices, memories, joy and other realities of humankind. His narrative lyrics and sincere performances reveal life’s extraordinary moments and his own vivid, personal adventures. His creative mission is clear:  “When I’m driving late at night with a thousand concerns going through my head, and a song like ‘The Dance’ or ‘Bridge Over Troubled Water’ comes on the radio, everything just disappears. I strive to write that perfect song that makes the hair on your neck stand up, the goose bumps appear, the tears come out of nowhere – that love song that makes you stop for a minute and brings you back to the beginning. It’s all I’ve ever really wanted to do. It’s a constant calling and a pressure, but I wouldn’t trade it for anything.” Farren grew up in Portland, Maine in a home that vibrated with the harmonious grooves of country, folk, pop and R&B greats like Roy Orbison, Jerry Lee Lewis, Hank Williams, Jr., Elton John, Steve Winwood and Bruce Springsteen. His instinctually-impeccable musical ear allowed him to accurately identify singers on the radio at a young age. Once his fingers began to explore the keyboard and the guitar, he found those 50s rock blues riffs with ease and began to emulate his favorite players. His enthusiasm was also fueled by some unexpected mentors:  “The first song I ever learned on guitar was The Eagles’ ‘Peaceful, Easy Feeling.’ My mother had hired a painter to work on our house when I was about 13. He taught me that song and showed me how to properly tune the guitar I had stolen from my older brother. He also passionately explained to me that music is something no one can take away from you. He told me not to hold back – to just ‘strum that guitar and sing.’” Farren tested the limits of the piano and guitar until his love for rhythm and tone pulled him towards the gravity of percussion. With encouragement from his band teacher, he bought a $40 second-hand drum kit and started lessons, learning quickly to coordinate his different limbs until he was a fast, proficient jazz and rock drummer regularly playing drums, keyboards and guitar in bands throughout New England. During his senior year in high school and for several years afterwards, he played keyboards in the rock group Shufflin’ Tremble, which performed at shows, fairs and clubs and opened for renowned bands including the Mighty Mighty Bosstones, God Smack, Veruca Salt and the Rustic Overtones. The power of exposed, emotional lyrics overtook Farren the first time his heart broke. He started to put his own feelings into poetry and melodies as he soaked up expressive songs by bands like Counting Crows and the Dave Matthews Band. While studying music at the University of Maine, he never fully connected to the classical- and jazz-centric curriculum. So, he continued to learn as much as possible about blues, folk and rock music and taught himself the intricacies of digital recording by capturing recitals, concerts and demos for local musicians and by hanging out in the university’s recording facilities after closing so he could write and record his own material into the wee hours. After his band parted ways, he decided to participate in an exchange program in New Orleans. He sang in the college gospel choir, played on the streets for beer money and sat in with some local bands while soaking in shows by jazz greats like Ellis Marsalis. Farren’s discovery of the thriving local band scene in Portland as well as of alt-country dynamos like Ryan Adams and The Jayhawks and contemporary country artists like Phil Vassar and Keith Urban finally inspired him to believe fully in his own ability to tell relatable stories through beautifully-rendered Americana music:  “When I discovered contemporary country music, I fell in love. I remember the song that did it:  Jason White’s ‘Red Ragtop,’ as recorded by Tim McGraw. I like a lot of the New Folk music artists like Ellis Paul, Patty Griffin, Mark Erelli, etc. But I mostly listen to country music in search of those inspiring, perfectly-crafted songs.” He met Maine-based songwriter Tom Acousti while attending Acousti’s local songwriting workshop in Portland. The two collaborated on Farren’s solo debut album ‘Til the Day in 2007. He toured up and down the East Coast in support of the release, with dates at colleges like University of Massachusetts, Amherst and Bates College, as well as at bars, clubs, coffee shops, and the State Theater in Maine. He was also featured on the Maine Songwriter’s Association songwriter stage at the annual Old Port Festival and received spins on national college radio stations as well as on Portland’s 98.9 WCLZ and on 102.9 WBLM. Since moving to Florida in 2011 Farren has maintained a rigorous gigging schedule, playing at venues including the Ritz in Ybor City, The Hideaway Café, The Vinoy, the Don Vicente and many others while feverishly writing fresh material. He first traveled to Nashville in 2011 in order to get closer to the energetic, expert songwriting in Music City and on return trips has played at Bluebird Café and Douglas Corner Café. It was during that first trip to Nashville that he met hit songwriter Steve Seskin, who motivated him to put together his sophomore album, Open Skies, produced by guitarist Jason Roller (Kelly Pickler, Winona Judd). Acousti along with bass player Lance Hoppen (Orleans) and a slew of talented Nashville studio players also contributed to the recording process. “A good, natural-sounding acoustic guitar, a cup of coffee and a notepad is the way I write best.  I was able to focus more as just a singer and writer on Open Skies than I had on Til the Day, in part because I didn’t have to focus on playing all the instruments as well. Working with these guys in Nashville allowed me the freedom to just strum my guitar, play the piano and sing the songs. They had my back at every corner.” Open Skies offers an animated, imaginative soundtrack to Farren’s spiritual and physical travels during the past several years:  “These songs are universal stories and experiences. ‘Who’s that Standing in my Shoes,’ for example, is about anybody’s first love. I stumbled across my first flame’s wedding pictures on Facebook, and that’s what planted the seed. Through the beauty of the songwriting process, I went from someone just looking at a computer screen from the outside, to a character invited to the wedding.” Open Skies plays like a musical book of character-driven short stories that range from serious, to humorous and wild, to sweet. It provides evidence that Farren has matured into a master at the songwriting craft and a man who freely lives in the moment.


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India Titus is following