Limbus presents: ENTER THE 007 CHAMBERS (Mixtape)
Wu​-​Tang Clan – C.R.E.A.M.

A blend between John Barry's musical score for the James Bond 007 franchise and selected tracks from the wu-tang clan & members.

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Credits:
C.R.E.A.M. by the Wu-Tang Clan / RZA 
Enter the Wu-Tang (36 Chambers) – Loud 1993 
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Chateau Flight by John Barry 
Thunderball OST – United Artists 1965

Limbus presents: Enter the 007 Chambers

C.R.E.A.M.

Wu​-​Tang Clan – C.R.E.A.M. | ENTER THE 007 CHAMBERS

Legna

Witches Whisper

Smartlink to Scumlord - https://soulspazm.ffm.to/scumlord

Smartlink to album - Luminous Rubble - https://soulspazm.ffm.to/luminousrubble

It’s a producer’s dream: Being given access to a vast library of material to construct something completely new and exciting out of all of it—and when Blockhead’s at the controls, the results are a listener’s paradise, too. The New York City-based hip-hop production legend’s latest album, Luminous Rubble, is also the fifth release in the London-based label Def Pressé’s KPM Crate Diggers series, which hands the keys to the KPM Library’s storied collection—home to over 70 years of music and sound designs made for television, film, and radio—to some of the best behind the boards. The results are like witnessing a kid unleashed in a candy shop, as Blockhead unleashes his boundless creative mind on the KPM Library’s limitless potential—pure inspiration and joy, for your listening pleasure.

“For me, as a producer who uses samples, there’s nothing better than free rein,” Simon recalls. “I was like, ‘Are there any rules?’ And he said, ‘Just make whatever you want.’ That was so exciting for me. I don’t get that on my own releases, but in this case every sample is cleared and it’s all good.”

As is the case with many sample excavators, Simon already had a deep history with what the KPM library had to offer him as well—to the point where, while digging through the crates in the making of Luminous Rubble, he even came across records he’d sampled from in the past.

“Their vault is the one I’m most familiar with,” he says with a laugh. “Back when I used to go record shopping a lot, I would pretty much buy any KPM record on sight. They were always a huge find at record stores. So to be able to tap into these records with no limitations was really nice.”

“The challenge for me was trying to boil down what I wanted to do,” Simon continues while discussing the genesis of Luminous Rubble, which came together over the course of 2022. “I thought about making an album of super-long songs, but it would’ve been a whole different undertaking. So I just went with what I knew, because it’s a foolproof approach to me.” Of course, Simon’s track record as Blockhead meant that the familiar path was tried and true—but as Luminous Rubble’s ten tracks prove, it’s foolish to assume that would mean any laurel-resting on his part.

“My music is always very quirky and melody-driven,” Simon states while talking about how he stretched his creative wings in the studio. “I took chances more than usual when it came to samples and how I used them for foundation.” Indeed, Luminous Rubble finds Simon using the KPM library’s vastness to craft new and engagingly twisted beat-driven shapes; “Dork Crystal” radiates a sinister ominousness, with streaks of strings rubbing against stabbing guitar chords, while a delightfully scuzzy horn line dances around a hi-hat shuffle in “Scumlord.” “There’s something dirty about the horn sample,” Simon explains while discussing the track’s title. “It reminds you of oil-slicked streets in an alley. I wanted to embrace that feeling.”

Glittering bells and a woozy gait to “Serious About My Fitness” makes the tune sound as if you’re sweating it out on the Stairmaster (in a good way), while there’s a distinct thousand-karat shine to “Oh You Fancy,” which nearly resembles a glitzed-out haunted house in its gilded spookiness. “It just sounds like royalty,” Simon exclaims, before going into greater detail about how the creative parameters of the Crate Diggers series proved its own inspiration.

“I’ve always appreciated working within limitations,” he says. “Having no boundaries can be overwhelming when it comes to the creative process. Working with these samples forced me to find middle ground in cases where I’d typically just walk away and look elsewhere.” After hearing Luminous Rubble, you’ll be happy he stuck around.

For more info and music please follow Def Pressé with... linktr.ee/defpresse

02 Blockhead - SCUMLORD

The End Of Air

Chorus

2003 Todo Bien

One time,
I swallowed the world,
I mean,
A load. 

I swallowed a big, mother fuckin’ load.

One Time

ARBOU-Moonlit Papers [DARK NATURE CONCEPT]

ARBOU-Echo Chamber [DARK NATURE CONCEPT]

Rolf Harris cover by Henri Salvador recorded in 1966, best enjoyed around 5AM in the summertime, when the sun rises.

Henri Salvador - Soleil Blanc - Judah Warsky Edit

A Record Label run by people primarily concerned with music. LINK to what we do below...
https://linktr.ee/defpresse

02 Blockhead - SCUMLORD

Def Pressé

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