Jupiters Carnival are a psychedelic group from the south west of the UK. We blend funk/rock/blues and psychedelia to create our sound.  

For fans of The doors, Deep purple, Jimi Hendrix, Funkadelic, Temples... 

'Jupiter's carnival claim to be from Bristol, but they sound more like they just woke up in laurel canyon after partying on Mars. They blend stomping hard rock with blues, funk, soul and loopy psychedelia into a head-spinning collage of sound' - Classic Rock Magazine.

‘Recorded in Bristol with Jim Barr (Portishead) this may well appeal to those who wish that the last 40 years were just a bad dream. The lazy ‘Smokestack lightning’ intro to ‘Waiting For The Day’ ushers in a soulful and convincing take on Coverdale-era deep Purple and that bluesy underbelly is visible again in the eastern-tinged psych-rocker, ‘The Sun Still Shines’. A funky mid-section pulls us ever further westwards until by the time we get to the Booker T-steeped ‘Come Home’ we are slap bang in land-locked USA and about as far away from the English west country as you can get. The strut of ‘See The Fire’ presages the closing ‘Within Your Mind’, which might as well be Sly Stone and Lowell George jamming with the Allmans. With great vocals and superb musicianship and arrangements , what reason is there not to do the time warp again?’ - Shindig Magazine.

Contact and bookings: jupiterscarnival@hotmail.com

Fast Feet are 2 Austrian Bad Boys representing Global Bass Music with a sort of 4 to the floor attitude. 

Why Fast Feet you might ask? Peter loves to run and Valerio loves to dance! Very simple, really. 

Currently the 2 Bassjunkies are working on their Debut EP and have some Remixes in the Pipeline coming out on Top Billin and Etage Noir Special this year.

One thing is sure... 

The studio isn’t the only room that shakes when these two are active. Crowds in Vienna’s leading clubs have fallen victim to the Fast Feet Syndrome.

Our tunes get support from:

Slap in the Bass,
Flore,
Teenage Mutants,
The Deficient,
DJ Dizzy,
DJ Functionist,
Kristian Davidek ,
Aka Tell,
Disco Demons,

UPCOMING:

Dj Dizzy - Nomeva (Fast Feet Remix) [Top Billin]

Bad Bitches only .... 
These songs slap 
Queen 


FENCHURCH BEST FRIENDS
Bio & Debut Album

In the never ending eighties revival happening in today’s music, why should you pay attention to this new outfit, the Fenchurch Best Friends?

Well, maybe because it is not mere eighties revival. Of course, you can’t deny a strong influence of the techno-pop era, those vintage analogue keyboards, those priceless pre-digital electronics whose fascination on today’s sound seems to be invaluable. But this is not the only music the Fenchurch Best Friends are fed to build their own peculiar style. Even, the range of sources could be as large as you could imagine: sixties psychedelia, seventies electronica, funky, acid jazz, trip hop, house, dubstep… everything is good, if it fits in a song. And if something fits in, it’s good, even if it comes from a cheesy sample of a bad disco music combo.

No wonder then if in “Dreamin’ in a Small Room”, the debut album from the Fenchurch Best Friends, the reminiscences are so different and eclectic: they just reflect the openness and wide musical attitude of the group. You will hear of course a series of pieces that would easily be parts of the 80’s catalogues, such as Carry On, New Dimensions or Teach Me How, or even Love Dream in a Small Room and harmonies like those of Air. But you will maybe be amazed in finding references to a past of many more years before, like in Rain Drops, with a string sample of a classic Italian melody, or in the easy listening mood of Beautiful Thing, although with a robotic suggestion given by a vocoder effect, or in the naïf cover of These Boots Are Made for Walking, where the Lio-esque voice of Miss Elizabeat makes the difference. That same voice is the lead of What You Want, the opening track, kind of an intergalactic trip in an electronic spacecraft lead by Vince Clarke. There is another vocalist in the group, i-Gor, with an intense male voice which offers an ideal alternative to singing: his best performance is I Just Want to Say, a slow song which grows little by little in accordance with the beat.

Now, for those who think that being eclectic is a handicap in terms of danceability, the Fenchurch Best Friends are here to prove the opposite. Not only in a pure techno track such as God Save the Drag Queen (what a title!…), not only will you find an irresistible groove like the nu disco with slap bass of Einweig Disco, but even in a piece with a song format like Lost in Translation the insert of an ultra-bass with a dubstep inheritance is a huge surprise, and when the beat reaches the “stop & go” phrases you won’t be able to avoid to moving your ass.

Those responsible for such a kaleidoscope of ideas are:
DJ DELAVIE (dj and producer of Doctor Jazz Universal Remedy during the last 10 years / YOUNG SOCIETY REC. / SONY MUSIC), www.doctorjazz.dj along with
I-GOR and URZ VAUDET (duo of producers and remixers / IRMA REC.),
DJ MAGA (dj and remixer) and
MISS ELIZABEAT (vocalist and VJ).
With this new, fresh, permanently exciting record, they are set for a bright future – with the directions still to be decided!
The Fenchurch Best Friends hail from Turin, Italy. Or from outer space.

There's gonna be times when people tell you that you can't live your dreams. This is what I tell them...Never say never.   Slap a player, stomp a bitch; they both aint nothing but some nasty tricks.
Don't fuck with a girl who has no patience for bullshit.
Know better or you suffer the consequences. seriously, choose your mistakes wisely.
I'm like the wolf woman, my bad side comes out at night.
I hate you, for making me feel so fucking good
I don't get bitter, i just get better.
When ppl play dirty; you gotta play dirty back.
Yesterday was my past life, only way to shake it is to drink what we drank last night
Nobody can hurt me without my permission
Call me an artist because I draw attention
Please understand. This isn't goodbye. This is 'I can't stand you, stay the fuck away from me.'
Pardon the swag.
Things that are a waste of time: reheated macncheese, alcohol free drinks, and falling in love.
Drama is a situation girls create themselves, based on jealousy.
Just because you know my name, doesn't mean you know me.
The world’s drinking from a cup that no one wants to share.
The good ones screw you, the bad ones screw you, and the rest don't know how to screw you.

Human Female 
Planets: Earth, Classified
Vocals: Soprano
City: Los Angeles

Singer, Songwriter, Performer

Has sung for Nick Cave & The Bad Seeds, The Papas and Mamas (Mamas and Papas Tribute), Yoshiki Hayashi (Violet UK), Disney,  Rock Opera: Quadrophenia, Harry the Dog and the All-Star Traveling Soul Circus
Current Wishlist: Beach Vacation, Good Pizza, gig on a boat, to master the vibra-slap 
Special Skillz: enough German to get in trouble, relearning the flute from childhood, tambourine


Some ideas and demos from Winter 2018. All recorded on crappy free software and with bad midi drums. Don't have a bass? Just play the lowest string on your guitar and slap loads of chorus on it.

New track's added all the time. New album coming soon! For booking, or other information:  RXLordBooking@yahoo.com

At the young age of 13, Robert (Rx Lord) Lewis began battling at school Greenwood Lakes; causing a uproar amongst the students. It soon became a everyday thing- soon he met up with Rock Jaw, a local Sanford slickster who became a beat box and Mc- @ times even battling Robert Lewis; who @ the time was known as “Rock Lord Da Brick”. After months of battling different crews and winning; Robert Lewis began to make a name for himself- born in St. Louis and leaving there at 9, Robert’s mother Ruth Lewis and step dad William Lewis- looked to get away from the hustle and bustle of the city; and looked for a better life together- with better weather. First moving to the Gulf Coast- soon they thought that Orlando Florida would be a perfect place for marital bliss- and to raise a family. From school to school there was no place of refuge for Robert Lewis; but when he entered into Greenwood Lakes his 7th grade year things began to change drastically. After winning all his battles, a good friend of his by the name of Derrick Williams told him about a Dj. He knew, who just got out of the Air Force, and was looking for a MC; he told Robert that the Dj. Was locked up and will be out in few weeks. 

	True to his word Brian (Mix Master B) Graham, was released from jail, and soon he and Robert Lewis began to make demo after demo. Extending from 1988- till 1991; one particular demo under the name Brothers of The Struggle, really started to blow up in the Orlando area; and it was being sold out of Tiffany’s in Eatonville- by a local mom and pops store ran by Julius Dix. After opening up for The Dogs, Disco Rick took a liking to B.O.S (Brothers of The Struggle) and told Brian to give Jose (Joey Boy) Armada a call. Once Joey heard that demo- and heard the lyrics and Bass on one of the more popular songs “All Ho’s”, the rest is Miami Bass History. Joey boy thought that an earlier project, or compilation that they released in the late 80’s by the name of Bass Patrol- would fit Robert Lewis and Brian Graham as a group; thus from that point on now Rx Lord and DJ. Kid Fury will be known as Bass Patrol. Releasing their first professional album “Kings of Bass”; which was followed by a slew of Rx Lord and DJ Kid Fury Albums, from solo projects such as Furious Bass (Fury) or Ghetto Bass (Lord), followed by 5 more Bass Patrol albums. Though successful on a independent label, Robert Lewis felt as though he wasn’t getting the notoriety or the funds he should receive for the amount of effort being put into their projects.   


Rx Lord’s cousin Marcel (Ganxta Blac) Davis, then informed him on some investors in New Orleans who may be able to help propel his career into the fore front; Dj. Fury had already been investing in underground projects released by Rx Lord and Dj. Fury under alias names- One Snake Eyes (Chocolate Thunder) and O.B.G (Original Brian Graham), to create one of the most influential underground Central Florida rap albums ever D.M.P “BIG MONEY”. Later releasing- “Hustlers Pair A Dice”, and the “Legends of Quad” Rx Lord- n- Dj. Fury; which was backed by the investors Marcel (Ganxta Blac) Davis had found out of New Orleans, thus gaining Robert Lewis and Brian Graham a movie soundtrack, along with a video shoot for the comedy slap stick “Trippin”. Though they seemed as if they were growing, arguments over funds became an issue, Rx Lord was getting less than he was receiving at Joey Boy; and Dj. Fury was getting more than @ Joey Boy. The two agreed to make the transition to grow; yet Robert Lewis saw no growth for himself.




After F.B.I investigations for an incident that occurred in Memphis and continuous disagreements about money. Rx Lord Dj Fury disbanded shortly after the “Trippin” soundtrack. Dj. Kid Fury then went on to sell more of their material to Lil Joe in Miami; which further escalated bad blood between the 2. Later on Dj. Fury released a couple of albums that failed to reach the recognition that he had as a member of Bass Patrol. Rx Lord then relocated back to St. Louis where he started from scratch; recording a few underground cd’s then releasing two albums with former label Joey Boy. Iconic and forever memorable as a crew Robert (Rx Lord) Lewis and Brian (Dj. Kid Fury) Graham made a mark on central Florida; yet riches served as a hurdle that trips the best of them. 


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