Known internationally as for the depth of their dubplate box, their innovative way to approach reggae soundclashes and dancehall shows, the italian dubplate masters better known as Heavy Hammer Sound consist of a team of deejays and mcs that travels the globe playing reggae, dancehall, dubstep and hip hop music.

Esthablished in 1999 in a small city near Lecce in Salento, an hot area of south Italy called by many “the italian Jamaica”, the formula born as four friends united by the love for reggae dancehall music and jamaican culture, a sound system, and some crazy dancehall parties in front of the sea until sunlight.

Starting from first dances in Salento area the crew is soon booked in all main italian cities including Rome, Milan, Turin, Catanzaro, Florence, Bologne, playing in every italian region often in historical yards for italian reggae scene, as well as outside of Italy, touring the whole Europe and UK with also gigs in USA, Jamaica and Japan, including performances in international festivals like Rototom Sunsplash (Spain), Bielawa Festival (Poland), Maremoto Festival, Salento Summer Festival and Gusto Dopa Al Sole (Italy) just to name a few.

The sound had the chance to plays alongside the main names in the reggae business like Sentinel, Heartical, Rodigan, Soundquake, Black Chiney, Tony Matterhorn, Killamanjaro, King Addies, Coppershot, Ricky Trooper, Black Cat and with almost all italian sounds such as Gramigna, Ishence, Ital Sound, Dancehall Soldiers, Yaga Yaga, Bass Fi Mass, One Love, opening concerts of artist like Buju Banton, Cocoa Tea, Michael Rose, Alborosie, Shaggy, Romain Virgo, Ward 21 and many more.

Heavy Hammer is also the resident sound in the biggest italian summer yard, Mamanera Beach in S.Foca near Lecce, where the parties on the beach during summer season are usually attended by 4000-5000 people, sharing the turntables the best names in the reggae business like Tony Matterhorn, Black Chiney, Ricky Trooper, Coppershot, Pow Pow, Sentinel, Supersonic, Ward21, Romain Virgo, TOK, Baby Cham, Morgan Heritage, Perfect, Cecile, just to name a few, playing reggae music until the morning lights.

SOUNDCLASHES ||

In 2007 the crew win his first official dubplate clash, killing in Rome the Rome-based Love Massive in front of 1200 people; the audio of the clash become right away a classic for clash fanatics and get an istant fame even outside of italians borderlines, even if the clash is all italian-talked, declaring Heavy Hammer one of the more dangerous italian soundkillers.
Few years later in 2010, the crew touch down in Stuttgart, Germany to win the trophy of World War 3 Soundclash, a stricly dubplate war against Deebuzz from Germany, Captain C (ex Mighty Crown selector) from Japan, and Ruffpack from Switzerland.
Just a matter of days is booked to represent Italy in the Riddim Clash 2010 the european n.1 international soundclash – that take place in Dusseldorf, Germany alongside sounds like Citylock from Germany, Guiding Star from France, Rootsman from Canada, Poison Dart from Antigua and Blunt Posse from New York; after winning all rounds Heavy Hammer brings for the first time the RiddimClash throphy to Italy killing Blunt Posse in the dub fi dub segment, giving to Heavy Hammer the world fame.
During 2011 and 2012 the crew has travelled the world to represent Italy and Europe in sound wars: they started joing in the world temple known as Amazura in New York, the world clash called Sound Fi Dead alongside sounds like Bass Odissey, Black Cat, Synemax and Tek 9: after a strong performance the crew wins the second round point and then end up at the dub fi dub with Bass Odissey placing at the 2nd place in their first clash in New York.
Just a week later they come back in europe in a one-to-one clash in Wuppertal, Germany, against the Florida’ notorious Poison Dart, moving to Jamaica few months later in april to join the Irish&chin’ Worldclash R.E.S.E.T., facing off sounds like Killamanjaro, Bass Odissey, Black Blunt, Black Cat, Rootsman and Code Red; Even if that’s the first time the Hammers touch down in the island they reach the third place, giving up only after a well discussed 4th round with Bass Odissey and Jaro.
It’s not over yet, during summertime Heavy Hammer fly to Japan for the Japan Soundclash Tour – the 1st one ever by a european sound – for 10 days of soundclashes and dubplate showcases winning every show, from Osaka to Fukuoka, Yokohama, Okayaman, Hyogo and more places.
The 2012 closes with the performance at Global Clash 2012 in Brooklyn, New York, where the sound face off King Addies, Soul Supreme, Risky Dice from Japan, King Klepto from Canada and Madd Squadd from Jamaica.

Heavy Hammer crew now is made of eight members: Raffa, Gecky, Gigi, Kwasta, Jangio, Lep, Boris and Charly.
More than a decade inna di business, collaborations with the most important reggae artists and worldwide selectors, hundreds of dancehalls and stages, as well as the unique dubplate box are the elements that give to the Heavy Hammer shows something exclusive that cant be easily repeated.  The dubplate masters from Italy are ready anytime to mash up your party!

OTHER PROJECTS ||

While handling the sound, Heavy Hammer crew has created or contributed to some of most important projects to develope sound system and reggae culture in Italy.
In 2001 they created www.heavyhammer.it, where togheter with the sound information and agenda there has been for years a huge collection of projects for speaker boxes, from scoop bins to nowadays stuff to build a sound system, togheter with technical infos, suggestions and tips; the website is named as the start point of many sound systems now active in italy.
From 2003 to 2008 the crew worked for www.bashment.it, that for some years has been the leading web portal for dancehall and soundclash culture in the italian area, with reports from soundclashes, articles, dubplate sessions and all concerning the dancehall and soundclashes culture.
In 2003 Heavy Hammer Dubplate Studio see the lights in the north of italy, followed soon by twin studio in the south. With over 40’000 tracks recorded and over 500 artists passed on the mics, Heavy Hammer Dubplate Studios are an established international dubplate link that built solid links and collaborations worldwide, working with top sounds from all over the world as with upcoming crews, recording upcoming and world famous artists, in some cases as exclusive dubplate agent for Europe.

Label: Freude am Tanzen / Milnor Modern 

Music inspires in many ways, especially when your cosmos has revolved around black discs and shimmering Disco balls for nearly half an eternity. Crisder and DMS didn’t just yesterday fall for the groove of the diverse genres of electronic music. Since 1996 they have served as DJ’s of the night, who don’t simply pass on by, but instead remain a magical experience in the memories of their dancing audience. Up to now, important points along their musical journey haven’t only included clubs across the whole of Germany. They have also included appearances in Villa Bardzki and Aioula. Especially formative was their collective experience in Kollektiv 1..auditeur, which brought together many talented artists from Jena, Gera, Erfurt and the surrounding area, influencing the entire region’s sound. From all these experiences they have drawn the inspiration for their first collective tracks, which were cut from an overflowing tap of creativity and ideas, as well as their love for music- and not just in four-four time. In 2006 both artists decided not only create together as DJs but also to become active as a production team. As they began to work together under the name of Taron-Trekka the music scene began to pay attention, as they elegantly laid down deep beats, crackling sounds and purring melodies. Since then boundaries between Jena and Berlin have continued to be cleared, reshaped and broken in order to prove, with the help of new tracks, that this newly enlarged axis of music functions better and more productively then ever. The stylistic reach of Taron-Trekka’s music is too large for just one drawer. The groove moves at once so elegantly and fully, that you’ll feel you’ve discovered house music all over again. Before you know what’s hit you, the beat and rhythm will lead you to the grey zone which divides house and techno, and you’ll feel as if you were dreaming on the dancefloor. There are many ways to rediscover the beauty of slowness and to inspire yourself anew; among which the music of Taron-Trekka easily belongs.


For his fourth live-recorded album, Matt Redman knew he wanted to do something different. The most recent live recordings, GRAMMY award-winning 10,000 Reasons and Billboard chart-topping Your Grace Finds Me, were recorded in Atlanta, but Redman had a different dream for Unbroken Praise, his latest live collection that will release with sixstepsrecords on June 16.

“I had the Abbey Road idea because we’ve done a few little things there in the past,” says Redman. “But to record a whole album there is another level and I wondered if it was perhaps a dream too big!” The historic London recording studio is better known for recording bands like The Beatles, Pink Floyd, Cliff Richard, Shirley Bassey, and Queen than it is for hosting nights of worship, but after Redman shared his dream with Louie and Shelley Giglio, label leaders of sixstepsrecords, their team began making phone calls. Soon after, the idea began to take shape.

On recording day, a crowd of 350+ gathered in the Georgian townhouse-turned-studio and worshipped. “That was an amazing moment,” recalls Redman. “Partly because it’s an amazing thing to make a record there anyway, but also to have church in that place. To me, that’s even more special. Those in attendance had learned all of the songs to be recorded beforehand. All of the songs except for one: “Unbroken Praise.” That’s because Redman and longtime co-writer and friend Jonas Myrin had only finished writing it at 11:30 p.m. the night before.

In rare night-before-a-live-recording producer form, Nathan Nockels (10,000 Reasons; Your Grace Find Me), wrote Redman an email that said, “We’ve got your back, so even if at this moment you wanted to bring in a brand new song, that would be fine with us. We’ll make a plan.” That’s the encouragement Redman needed. “I remember thinking to myself, I’m sad I didn’t get to finish that ‘Unbroken Praise’ song. It’s just one of those things. I’ve tried my best and didn’t get there. Then Nathan emailed me.”

Redman and Myrin finished up the song just in time for the live recording. “I could see people pouring out their hearts to God through it,” says Redman, “and very quickly it became the title song.” The phrase “unbroken praise” was taken from a verse in the classic hymn “Joyful, Joyful We Adore Thee,” referring to the act of glorifying God through praise and acknowledging Him in everything we do.

Since their formation in 1999, SEETHER (Shaun Morgan - Vocals/Guitar, Dale Stewart - Bass/Vocals, John Humphrey – Drums, and Corey Lowery Guitar/Vocals) have become one of the most successful hard rock bands in the world.  Originally from Pretoria, South Africa, SEETHER has released 7 studio albums, four of which have gone Platinum and one that is certified Gold along with a live concert DVD that has sold over 500,000 units for total worldwide sales in excess of 7 million.  The consistent hit makers have quietly amassed 15 #1 singles, 19 Top 5 multi-format hits overall resulting in US singles sales that top 17 million, a level of success few artists working today can match.  The relentlessly hard-working outfit has averaged 100 performances a year, crisscrossing the globe, emerging into headlining mainstays and featured performers on many of the world's biggest rock festivals.  With over 550 million video views and three million Facebook fans, Seether's powerful online presence is solid proof of their hard won, fiercely loyal worldwide fan base.

About
"Daz... has long had a solid
reputation for more than his music-making and mixing duties. He is also known as a responsible, organized, and trustworthy promoter of parties." - Miami New Times, April 2008
Biography
1965: Daz enters this universe! 

1970: Daz is given his first vinyl record “I Want You Back” by the Jackson 5. This is the start of his addiction to vinyl and to this day he continues to suffer from pure vinyl junk/ism… no cure found yet! 

1979: At the age of 14, he forms the Funbunch Sound System with an old school friend, Dennis Grey. The first gig they book is at an all-girls school- a great gig!! 

1980 - 1988: Promotes a number of successful parties hosted by the likes of Trevor Nelson, Paul ‘Trouble’ Anderson and Norman Jay! 1989: The Funbunch Sound System lands itself a gig at the legendary Notting Hill Carnival and is still rockin’ the spot to this current day- bigger and better than ever! 

1991 - 1992: Enrolls at the London School of Engineering to learn more about the technical side of the creating music. There is where he develops his love of music production! With the help of his friends, Daz formally begins his production career by financially investing in the purchase of industry-level music production equipment. He soon releases his first vinyl bootleg mega mix entitled, “Daz Mix Parts 1 & 2” (It was a big hit in Brooklyn apparently!) and then follows it up with his official debut 12” single entitled, “Daz Jazz”- with great support from radio, music magazines & DJ’s worldwide. 

1993 - 1995: Meets the infamous Noodles of the Groove Chronicles and becomes his sound engineer alongside his production partner,Wonder. Daz goes on to engineer a jungle/drum & bass remix project in the Soul II Soul studios. Daz is contracted as an in-house sound engineer for the indie dance label, Slip ‘n Slide Records via his connections to Noodles & Wonder. In his work with Slip ‘n Slide, Daz meets Orin Walters aka Afronaut & the mighty Phil Asher. Releases a 12” single with BB Boogie entitled, “Fire” on Slip ‘n Slide’s sub-label, Basement 282. Daz’s also engineer’s for Orin’s Mousetrap & Monkey Funk labels, not long after he meets IG Culture. 

1996 - 1998: Works as an in-house engineer for ToTo Productions in Brixton where he meets & works with Danny J. Lewis and Don Ricardo. (Note: Both artists are later featured on Afronaut LP project & Bugz in the Attic LP.) & a very young Matt Lord (Note: Daz later gets Matt to become a member of Bugz in the Attic). Alongside Don Ricardo and two other collaborators, Daz forms the U.S.S.O. (Urban Street Soul Orchestra) and releases two 12”singles. Becomes one of the founding members of the DNB outfit with the Invaderz with Matt Lord & Daryl James. Daz links up with good friends Bunny Bread & Steve Austin to form the old skool DJ crew, Soul Masters. Soon after Daz is a member in creating Uprock, a respected group of like-minded musicians, artists, DJs & performers with a network of fans all over the UK & Europe. Uprock is still hosting phenomenal house parties, soca & zouk jams in West London and holding down a residency called ‘Jazz Refreshed’. 

1998 - 2005: Works with the crew Da Funkstarz, alongside Danny J. Lewis and creates a number of notable remix releases. Hooks up with Alex Arnaut of the Dread Poets to form the ‘Da Lunarticz and releases a few 12”s under that alias. Joins the Bugz in the Attic crew and never looks back… well, only a couple for times to peek over his shoulder. He works non-stop, full on 24-7/365 in a production mode remixing & engineering several projects. The Bugz, as a collective settle into their new residency at the Co-Op club in London with Orin aka Afronaut & Daz I Kue on a fortnightly basis also featuring Seiji, Alex Phountzi, Mark Force & Kaidi Tatham. 

2005 – 2006: Daz plays an integral role in the production of the Co-Op Miami/WMC parties- 2006, 2007 & 2008. Bugz in the Attic release the magnificent, “Got the Bug” remix LP on Virgin’s V2 label to a massive critical acclaim- everyone loves the Bugz! The Co-Op party wins the Best Club Event award at the first-ever Gilles Peterson Worldwide Awards & Bugz in the Attic earns the Best Single award for “Booty La La”…. Whew! What a year! 

2006 - 2007: Co-production of the debut Bugz in the Attic LP- “Back in the Doghouse,” forms the Bugz in the Attic Live band & tours extensively world-wide: USA, Japan, Australia and Europe. 2007 - 2008: The Co-Op party wins Best Club Event at the Gilles Peterson’s BBC Worldwide Awards- again!!! Daz moves from the UK and settles in Atlanta, GA. 

2009: Completion of a five-year labor of love, the Joy Jones “Nappy Child” LP project- forthcoming on Future Soul Records. Be sure to check it out!

The Future: A whole heap of productions & remixes; Daz I Kue & Andrea Clarke LP, Stan Smith Project, Daz-I-Kue ‘Dazisms’, hip-hop LP project working alongside the Atlanta-based D 'N S- featured on Get Up Movement / Future Soul Records… and it doesn’t stop there!! Daz is moving and shakin’ in his creation and promotion of local and global events like “The G++dness” tours and “The Godfather” sets- the official James Brown-themed jams.


For over 20 years, Richard Marx has consistently and powerfully made his mark on the music industry. His debut single “Don’t Mean Nothing” and self-titled debut album kicked off his career as a solo artist in 1987 and went on to sell 3 million copies. His 1989 follow-up CD, “Repeat Offender,” became even more successful, selling over 7 million copies worldwide. From 1987 to 1990, he became the first male solo artist in history to have his first 7 singles reach the top 5 on Billboard’s singles chart, including the 1 hits “Hold On to the Nights,” “Satisfied” and the worldwide classic, “Right Here Waiting.” This feat remains unchallenged.

He was nominated for Grammy awards 3 times and received an American Music Award nomination for favorite male singer. In 1992, he was awarded Best Selling Adult Contemporary Artist at the Billboard Music awards, and received the International Song of the Year Award at the Australian Music awards for his song, “Hazard,” from his double platinum CD, “Rush Street.” 1994′s “Paid Vacation” CD also went platinum and featured the single, “Now and Forever” which not only went top 10 on the Billboard Pop Chart, but spent a nearly record breaking 13 weeks at #1 on the Billboard AC Chart. In addition to selling over 30 million records, and writing, as of 2009, thirteen #1 songs, he remained a fixture on pop and adult contemporary radio for years, even as he emerged as a top producer working with some of the biggest names in the music business. Among those artists, *NSYNC, Barbra Streisand, Josh Groban, Vince Gill, 98°, Luther Vandross, Kenny Rogers, Sarah Brightman, Lara Fabian, Sister Hazel, The Tubes and SHeDAISY. More recently, he has written and produced records for Daughtry, Leann Rimes, Katherine Jenkins, Travis Tritt, Emerson Drive, Natalie Cole, Keith Urban, Paulina Rubio, Kenny Loggins, Chris Botti, Michael Bolton, and actor Hugh Jackman.

As his career began in 1987, Richard immediately got involved with many charitable organizations. By donating the royalties from his 1987 hit single, “Should’ve Known Better,” he helped build a room at the NYU Medical Center where pediatric cancer patients can play while at the hospital. In 1989, he wrote and recorded the song “Children of the Night” about the plight of homeless children on the streets and donated all the song’s royalties to the Children of the Night Foundation, which houses and reforms street kids. To date, the song has raised over $500,000. Additionally, he has performed benefit concerts for many organizations, including the TJ Martell Foundation, Toys For Tots, Make A Wish Foundation, the American Cancer Society, Best Buddies, and the Special Olympics. In 2005, Richard and his band flew to Kitzingen, Germany to perform for US troops stationed there, and as of 2008, he hosts an annual event in Chicago for the Ronald McDonald House Charities. The first event featured a concert by Richard and the legendary Kenny Rogers.
Perhaps closest to Richard’s heart is the Cystic Fibrosis Foundation, whom he aligned with in 2000. He organized what has become an annual benefit concert to raise funds for research to cure the disease. The multi act, all-star concerts have, thus far, raised over $3 million.

In February 2004, Richard won the Song of the Year Grammy for “Dance With My Father,” which he wrote with the late Luther Vandross. It was a big night for several reasons. “It was the award itself,” says Richard. “For me and more importantly for Luther. I was proud.”

2005′s “Better Life,” a song written by Richard and Keith Urban which was included in Keith’s CD, the triple platinum “Be Here,” was the biggest hit single from the CD, spending 6 consecutive weeks at number 1 on Billboard’s Country Singles chart.

In the summer of 2006, Richard was asked to join “Ringo Starr’s All-Star Band” for a North American tour of 22 cities. Richard played guitar in the band supporting Ringo and others, including Billy Squier, and performed his own hits at each show. Ringo and Richard recently co-wrote a song for Ringo’s upcoming CD in 2010.

In 2007, Keith Urban released another song co-written by Richard, “Everybody” from his “Love, Pain and the Whole Crazy Thing” CD. The song went top 5 on the Country charts.

In 2008, Richard began touring with Vertical Horizon lead singer, Matt Scannell, as an acoustic duo. They released a CD, “Duo” on iTunes, and played shows throughout the US. They continue to do occasional shows together and are releasing a live CD in early 2010, followed by an electric rock record as a duo.

On September 22, 2009, Richard will release a new solo CD, “Emotional Remains.” The modern rock record, produced by Richard, features contributions by Matt Scannell, Jennifer Hanson and Kenny Loggins. Richard will be touring internationally to support the CD.

Introducing Nicky G: A Dynamic Multi-Format DJ/Producer

🎶 Discover the electrifying soundscapes of Nicky G - Dive into his latest releases and experience the energy: https://linktr.ee/Nickygdj

🔊 For bookings and remix inquiries, reach out directly:
Contact Nicky G at 07985 689 960 or nickyecko@gmail.com

🌍 Current Residencies and Roles:

Moonrave
Brumtown (events promoter and DJ)
Birmingham Sounds Radio Show (bi-weekly with J Jay)
Nice Underground
Frsh Fridays
Snatched Records
Bushwacker (residency)


🌟 Prestigious Guest Performances:

Our House
The Sounds of Bassline Tour
Nice Underground
Tin Tin
Thirty
Zumhof
Chic Fridays & Saturdays - Various Events
Tin Tins - 10 Years of Bass - Bi-Monthly
Bassline Gathering - Special Events

📚 Bio:

Embark on a sonic journey with Nicky G, a visionary House & Garage DJ/Producer whose unique style seamlessly combines deep house with dynamic garage rhythms. With over two decades in the music scene, Nicky G has built a reputation for his keen ability to create enthralling sets that feature infectious basslines and groundbreaking tracks.

Since breaking onto the DJ scene in 2000, Nicky G has not only produced hits that have left an indelible mark on the local music scene but has also established himself as a respected events promoter for Brumtown, organizing electrifying events that showcase the best of underground music. His role at Bushwacker further solidifies his place in the nightlife community, where he consistently delights crowds with his innovative musical selections.

📻 Radio and Production:

In the studio and on the airwaves, Nicky G continues to push the boundaries of electronic music. His radio shows are a hotspot for discovering new music, featuring everything from the latest underground hits to timeless classics. His production work often includes exciting mash-ups and new releases that keep the pulse of the dance floor alive.

🚀 Recent Ventures:

After a brief pause to focus on family, Nicky G returned with renewed passion, teaming up with long-time friends to launch "Beau Monde" in his hometown of Cannock. This groundbreaking event, along with his innovative MoonRave project, merges his musical history with contemporary trends, providing fans with unforgettable nights of music. Additionally, his bi-weekly Birmingham Sounds Radio Show with J Jay showcases the UK's biggest and best talent along with local up-and-coming artists, bringing fresh sounds and new perspectives to listeners.

🌟 2023 and Beyond:

Nicky G continues to be a driving force in the house and bass music scenes. His dedication to crafting captivating musical experiences makes him the ideal DJ for any event, whether it’s a major festival, a club night, or a private party. Join Nicky G as he continues to deliver sets that not only entertain but also inspire and energize audiences worldwide.

Ready to elevate your event with unforgettable music?

Book Nicky G today and ensure your guests experience the best in-house and garage music from one of the scene's most skilled DJs.

#NickyG #DJLife #HouseMusic #GarageMusic #ClubNights #MusicProducer #DJBooking #MusicEvents #DanceMusic

Bring the ultimate vibe to your next event with Nicky G – guaranteeing an electrifying atmosphere that will have everyone dancing all night long.

هُو المُعتز بالله بنُ أحمَد الحمُّودي المُلَقًّب بالـمَجهُول، الحَاكم بأمْر الله في بلَاد الشَّام. الوَحي الفِكري بسبب التواصُل البُعدي بعدَ التّركيز وَرَفِع مُستَوَى الطَّاقَة الكُمنَى. في مُحاوَلة تَوظِيف المُوسِيقَى لخِدمَة ماوراء الطبيعَة والقُدرة عَلى التأمُّل لجَمِع الطاقَة وتركِيزِهَا لعكسِها على مَاهيَّة الفَرد. مُخَرِّج العَمَل المُختَصَر فِي شَرِح الرُؤيَة البُعدِيَّة تَحتَ عنوَان ”اَلدِمَـــاغ البَشَـــرِي“ فِي السَادِس مِن صَفَر سِنَة 1437هـ. مُخَرِّج اَلجِزْء الأوّل مِنَ ألفيّةِ المَجْهُول الخَاصّة فِي الوَصِف - سَنَة ١٤٤٣ للهِجْرَةِ - بِروايَةَ المُعْتز بالله الحمّوُدِي.

Al-Mu'taz Billah Bnu Ahmad Al-Hamoudi, better known as Al-Majhul (Unknown). The ruler - by order of Allah - in Bilad Al-Sham. The revelation of thought because of the communication of the dimensions after the concentration and raising the level of the hidden energy. Using the music in a way to serve the supernatural and the ability of meditation to collect energy and put it on the nature of the essence of the individual person. Released the simple project for the explanation of the dimension's vision under the name of "Human Brain" on November 18, 2015. Released the first part of the millennium that specialized in the "description" - produced in the year 1443 AH (after the Hijra)- on March 6, 2018.
Al Majhul started as a music producer known as DJ X or X Beats in 2008, started to make his own beats and projects. After 8 years of producing and giving to the culture, Al Majhul decided to take the whole 9 yards by taking a step in front of the mic to share his knowledge, using his background in philosophy and meditation. And by that step, Al Majhul listed as a Rapper, well known because of his deep lyrics and his indirect way of putting the ides, plus the vibe and the feeling of his beats, without mention the philosophical view, all that let him stand out and separate him from other artists. Worked on projects with big Rappers and Producers from all over the world, like: 
United States (New York, California, Oregon, Wisconsin, Tennessee, North Carolina, Texas, Missouri, Connecticut, Massachusetts, ...etc), New Zealand, Canada, Spain, Greece, Norway, United Kingdom, Australia, Belgium, Croatia, Argentina, Syria, Saudi Arabia, Palestine, ...etc

djx190@gmail.com

Narwhal  is a free access sound and music archive documenting the experiments related to the Miracle.Nu Collective.

MIRACLE performs, plays, exhibits and create all over France, Hungary, Benin, Canada, Japan
http://miracle.nu

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