Saxaphone? Being played very carefully and well. The sound quality is excellent, each note lives in its own space. Cool jazz to say the least.

Wow! Excellent compostion/arrangemet/performace. Convincing live ensemble feel. I love that!

Fantastic! You are quite the multi-instrumentalist!

喜び

The scorching sun, the dazzling scenery, and getting drenched in sweat every day make me wish autumn would come quickly. But as soon as I see signs of autumn, I start to miss the summer that I used to hate.
In fact, maybe I do like summer.
Thank you for the thousands of memories.

The Summer That Goes Away

The Summer That Goes Away（夏よさよなら）

Free Pretty

Instrumental: zzspicezz https://on.soundcloud.com/jMvvXMT5cA4zYKXx6
Lyrics and vocals: DelhyA


J’ai pas voulu entendre depuis le fond de moi
J’ai pas voulu comprendre ce p’tit “je ne sais quoi”
J’ai pas voulu attendre qu’il gagne au fond de moi 
J’ai pas voulu l’ entendre, j’ai pas voulu l’recevoir.

Bébé du fond de moi, j’ai pas voulu l’recevoir 
J’ai pas voulu entendre, j’ai pas voulu l’ recevoir 
Tu sais qu’au fond de moi, j’ai pas voulu l’recevoir
J’ai pas voulu comprendre, j’ai pas voulu recevoir 

J’ai pas voulu d un présent que j’n’méritais pas
Même si t’étais un ange tombé des cieux pour moi
D une autre histoire qui tomberait à l’eau. De là
J’ai pas voulu entendre, j’ai pas voulu recevoir

J’ai pas voulu entendre, j ai pas voulu recevoir 

J’ai pas voulu l’entendre depuis le fond de moi
J’ai pas voulu comprendre ce p’tit “je ne sais quoi”
J’ai pas voulu l’attendre 
J’ai pas voulu entendre, j’ai pas voulu recevoir.

J’ai pas voulu entendre, j’ai pas voulu recevoir 

J’ai pas voulu mais mes deux bras s’ouvraient déjà 
Mon coeur battait si fort, mes yeux ne voyaient pas 
Que si l’esprit résiste, je m’envolais déjà 
J’ai pas voulu entendre, j’ ai pas voulu recevoir 

Je n’ai jamais voulu voir
Que parmi mes fêlures, 
Ta lumière passait déjà…..


                                  I didn’t want 

I didn't want to hear from deep inside me 
I didn’t want to understand this little “I don’t know what” 
I didn't want to wait for him to win inside me 
I didn't want to hear it, I didn't want to receive it

Baby deep inside me, I didn't want to receive it 
I didn't want to hear, I didn't want to receive it
You know that deep down, I didn't want to receive it 
I didn't want to understand, I didn't want to receive 

I didn't want a present that I didn't deserve 
Even if you were an angel fallen from heaven for me 
Another story that would fall apart. From this 
I didn't want to hear, I didn't want to receive 
I didn't want to hear, I didn't want to receive 

I didn't want to hear it from deep inside me 
I didn’t want to understand this little “I don’t know what” 
I didn't want to wait for it
I didn't want to hear, I didn't want to receive
I didn't want to hear, I didn't want to receive 

I didn't want to but my two arms were already opening 
my heart was beating so hard, my eyes couldn't see 
That if the spirit resists, I was already flying away 
I didn't want to hear, I didn't want to receive 

I never wanted to see 
That among my cracks, 
your light was already shining…..

J'ai Pas Voulu (with zzspicezz🇸🇪)

Renowned and well respected Alabama Lyricist Tony Harris had some lyrics that needed music and vocals , I obviously jumped at the chance and got to work on it ! We've done another one since which is out on the 8th of April . Me , Gaz and Greg have a belter out on the 1st and Charlotte and I have 2 great numbers waiting in the wings . In the meantime me and Xavier Jaari have a remixed anthem out on the 20th of March , you'll hopefully love it ! I hope you love this one by me and Tony . Thanks for all the support !

Don't Look In The Looking Glass

Don't Look In The Looking Glass ( Fox and Harris )

Jerusalem Rhapsody

nothing you could do

Tubes

method: it‘s complicated. it is, really. in as many ways as this one came about.
narration: my poem Proxima*  served as illustration for the sensory overload some people experience during a normal reading. there is no point in replicating the poem here since it has become part of an overwhelming sensory phenomenon. 
image and everything else: copyright jo richter

* published in the cycle Das Buch der Anmutung in Die Odradek Variationen

proxima interior

11 - 7-2024

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:


1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities


ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …


2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity


ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart


3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality


ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart


out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many (Xian 3 and Eclectic Collective)

all performed and composed by me

https://vascoribeiromorais.bandcamp.com/?from=viewsite_dashboard

11 - 7-2024

vasco ribeiro morais xi

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