“The Lord (You Gotta Move)” is an adaptation of the blues song from Mississippi Fred McDowell, released on the Rolling Stones “Sticky Fingers” album.
As blues and Celtic instruments match very well together, I've adapted and arranged this mystical tune with an addition of bagpipe, bombard an Irish whistle.
This track is a second version with new arrangements and instrument (bombard) of the one already released on the album "Scots Wha Hae" (2022).
—
"The Lord (You Gotta Move)" est une adaptation de la chanson de blues de Mississippi Fred McDowell, sortie sur l'album "Sticky Fingers" des Rolling Stones.
Comme le blues et les instruments celtiques se combinent très bien, j'ai adapté et arrangé cette mélodie mystique en ajoutant une cornemuse, une bombarde et une flûte irlandaise.
Ce single est une deuxième version avec de nouveaux arrangements de la piste sortie sur l'album "Scots Wha Hae" (2022).
--
Credits:
Traditional & Mississippi Fred McDowell & Reverend Gary Davis as “You Gotta Move”
Recording, arrangements, mix and mastering by Eric Maclewis

The Lord (You Gotta Move)

This is one of my 'lounge series' acoustic thingies.  A simple one-take song/story for voice and piano.

Listen

Listen, I want to tell you, I respect you, I admire you
Listen, I want to open up, enfold you with my heart
You’re looking closed up, I’m feeling shut down, is there no place we can meet?
I’ve lost the shape now, words have vanished, think I’m talking in my sleep

And you’re not even listening, no you never even heard
Now you drown me out, shut me down, I’m bewildered and I’m hurt

Listen, I want to tell you, what’s the point in carrying on?
Listen, I’m giving up now, just can’t take this pain of losing
You’re looking closed up, I’m feeling shut down, is there no place we can meet?
I’ve lost the shape now, words have vanished, think I’m crying in my sleep

And you’re not even listening, no you never even heard
Now you drown me out, shut me down, I’m bewildered and I’m hurt

Listen, I need to tell you, how I love you deep inside
Listen, goddamn you listen, it’s no use, you run and hide
Been building walls up so long now, you’ve walled yourself away
If I come too close, you’re cornered and you toss my love away

Then I notice that you’re crying, in a small and subtle way
But there’s no way in to hold you, so I have to walk away
And I realise your pain now, the parts of me you heard
had to drown me out, had to knock me down, you couldn’t bear my words

And it’s all over now, the phone keeps ringing
and there’s really nothing left for us to say
it’s all over now, I watch you as you turn and walk away

Listen...

Art Expressed in Music – Leonardo's Genius	
April 2024
Duration: 3:30
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting: Mona Lisa
Leonardo da Vinci (April 15, 1452 to May 2, 1519) was an Italian painter, draftsman, sculptor, architect, and engineer.  His “Last Supper” and “Mona Lisa” are among the most widely popular and influential paintings of the Renaissance.  His notebooks reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of their time. He is renowned in the fields of civil engineering, chemistry, geology,  hydrodynamics, mathematics, mechanical engineering, optics, physics and zoology.  As an engineer, Leonardo conceived ideas vastly ahead of his own time, conceptually inventing the parachute, the helicopter, an armored fighting vehicle, and the use of concentrated solar power. The unique fame that Leonardo enjoyed in his lifetime has remained undimmed to the present day rests largely on his unlimited desire for knowledge, which guided all his thinking and behavior.  As an artist, Leonardo considered his eyes to be his main avenue to knowledge; to Leonardo, sight was man’s highest sense because it alone conveyed the facts of experience immediately, correctly, and with certainty.  He used his superb intellect, unusual powers of observation, and mastery of the art of drawing to study nature itself, a line of inquiry that allowed his dual pursuits of art and science to flourish.  In Florence between 1500 and 1506, Leonardo began work on the “Mona Lisa”.  The “Mona Lisa” set the standard for all future portraits. The painting presents a woman revealed to likely have been Lisa del Giocondo, the wife of the Florentine merchant Francesco del Giocond.  The picture presents a half-body portrait of the subject, with a distant landscape visible as a backdrop; the expressive synthesis that Leonardo achieved between sitter and landscape has placed this work in the canon of the most-popular and most-analyzed paintings of all time. The sensuous curves of the woman’s hair and clothing, are echoed in the undulating valleys and rivers behind her. The sense of overall harmony achieved in the painting—especially apparent in the sitter’s faint smile—reflects Leonardo’s idea of the link connecting humanity and nature, making this painting an enduring record of Leonardo’s vision and genius.  In 1517, a drawing by Giovanni Ambrogio Figino depicted an elderly Leonardo with his right arm wrapped in clothing. The latter, in addition to the record of an October 1517 visit by Louis d'Aragon, confirms an account of Leonardo's right hand being paralytic when he was 65, which may indicate why he left works such as the “Mona Lisa” unfinished.  He continued to work at some capacity until eventually becoming ill and bedridden for several months.  Leonardo only produced about 20 paintings in his lifetime. It is estimated that Leonardo produced between 20,000 to 28,000 pages of notes and sketches spanning across 50 different notebooks about work related to whatever topics that interested him – painting, engineering, philosophy, warfare, engineering, physiology, landscape, proportion, perspective, geography, and geology.... Unfortunately, Leonardo's interests were so broad, and he was so often compelled by new subjects, that he usually left projects unfinished.  Leonardo died at Clos Lucé on 2 May 1519 at the age of 67, possibly of a stroke.   Leonardo was described as lamenting on his deathbed, full of repentance, that "he had offended against God and men by failing to practice his art as he should have done”. 
For virtual voices, piano, marimba, tubular bells, virtual instruments, sound effects and percussion.

Art Expressed In Music - Leonardo's Genius

Lilith

Compositeur amateur mais passionné, j'ai voulu exprimer à travers cet album les contrastes de la lumière à différents moments de la journée et dans des décors naturels changeants. Si la lumière est un phénomène physique fascinant, elles est aussi synonyme d'espoir, lorsque viennent les périodes plus sombres. J'espère que vous ressentirez dans ces morceaux le pouvoir conjoint de la musique et de la lumière.

Morning light

please please please - sabrina carpenter (cover)

This Asylum

Hit After Hit

Last drop for a bit - need a break. Hope you enjoy.

Find more like this below.
https://open.spotify.com/artist/0MdXpBjjp7ztNbcaGeCPNv

This Asylum

BenBTN