deep in the wood - impro-set live (r.s.stropharia + pantoclast + dac insomniac) 14.05.2019

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

music diaries of middle-age homo sapiens
and Home of Disco Avant Disco Movement and Supersonic TM, detail soon and  Tłocznia Recordins and Blue Berg Recording


Music from the end of the world



Husycki król

Zaiste,
kto ma uszy, 
niechaj słucha

kto ma oczy, 
niechaj patrzy

chwasty są piękne 
(wystarczy się schylić)

deszcz pada zawsze 
pod jedynym właściwym 
kątem

fala prado-
podobieństwa
załamuje się 
tam, gdzie było
jej sądzone

a dźwięk 
uderza z idealną 
częstotliwością

pomysł z 
harmonią sfer
był oczywiście 
błędny
pod względem 
naukowym

ale to jeden
ze szczytów
ludzkiej
poezji

moment
kiedy przez
stroboskopowe 
światło
frunie
okruch prawdy

The Hussite king

Indeed,
who has ears
let him listen

who has eyes
let him watch

the weeds are beautiful
(just bend down)

rain always fall
under the only right one
angle

wave of probability
breaks down
right where
she should

and the sound
hits with perfect
frequency

idea of 
harmony of the spheres
was of course
wrong
in scientific manner

but it's one
from the heights of
human
poetry

moment
when by
strobe
light
flies
a piece of truth









Gram, co chcę./I play what I want.

AT YOUR SERVICE 24/7 







Always Scuderia!



 Few moments worth Life
Listen to Belton, pllease

New LPS Out Now!




grandgrandnephew
 of Adolf, grandson of Edward son of Jacek



isten belton sutherland genuine american genius





cover time




i like synts also try qibrd


blues time








https://banishedprince.bandcamp.com/


wkrotce 2 czesc wiersza o bs





SEPR - Studio Eksperymentalne Polskiego Radio/Polish Radio Experimental Studio


lakis/andrzej przybielski 


columbia lost archives





sluchaja panstwo utworow z plyty skalom stac i grozic/you are listening to tracks from album stones are made to stay and threaten




ciekawe, co się stało/i wonder what happend
z gitarą/to the guitar
Beltona Sutherlanda/of Belton Sutherland
ten czarny geniusz/this black genius
o migdałowym wykroju oczu/
with eyes in the shape of almonds
starym głosie/old voice
przypominający mi chwilami dziadka Mietka/
reminds me sometimes grandfather Mietek
pojawia się na scenie tylko raz/
appears on the stage once only

wkrotce w tym miejcu wiersz o beltonie /soon the poem about belton sutherland


czy tylko ja nie bylem nigdy na wagarach?
sa boty ktore podszywaja sie pod ludzi i takie ktore sie przedstawiaja
oto ojciec
hello,world?

Pleasy try the DIY(the fish)





I can project you one cover free
JA TU TYLKO WRZUCAM LOL I AM JUSTY POSTING HERE

nikt nie slucha muzyki/nobody listen to the music
wszyscy na działkach/everybody on dachas
albo na spacerze albo w łózku/or walking or laying in the bed
albo w pracy/or at work






puste parkingi /empty parkings
nie mamy lodu/we dont have an ice
to najzimniejsza cola jaką mam/it is the coolest cocke i have
mogę panu wyjąć/i can can give you another one from refrigator






zdrój jana/the spring of john

prosze dmuchnac w alkomat/please blow into breathylezer
nie dmucham/I don`t blow
to jedziemy na badanie krwi/Lets go for blood examination
mogę alkomat?/can I have this breathylezer?

dark side ofthemoon
kid a niemen nalepa
ok computer
fleet foxes
not jimi hendrix u2 dwie pierwsze płyty/two first LPs gloria a day withouth me
a little
kid a kid

HUMAN PLACES Single Out Now -
https://open.spotify.com/album/3IkjAJ5etvk8jHiX4cqlq1?si=n0yFgkhNS2eoC0Ga7evUMA


Bookings/contact: worldsmuseum.mgmt@gmail.com

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

i just love the creativity,its so rewarding in its self, myself being a work in progress/ I also consider my music to be the same...Love & ☮️ peace

"no uchū" is a small online boutique, where you can buy unique items associated with me and support me directly. European Union only, sorry.

https://nouchu.wordpress.com/

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

In deepest connection:
Child of Nature: @childofnature
The Forest Army: @theforestarmy
Amanitalinda: @amanitalinda
Heidi K: @heidijks
Jeamland & Bolt: @jeamland-bolt
The Earth Love: @theearthlove
Jörg: @joerxworx
Martin: @m_ja

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

Pantoclast is a music project by Marco Maccioni, an italian born musician based in Berlin with indie alternative and electro backgrounds focusing on Noise-drones,Shoegaze, Ethnic World , Kraut music and  Dub Techno trying to follow and develope a formula between Lavosier´s Conservation of mass  and the interaction-attraction-repulsion of  Matter and Sounds-Music.
Pantoclast is a name taken from a mental disease disturb  that joins the greek words Panto-all, and Clastia-destroy : "Morbid impulse to break any object you can find in the surrounding environment; may occur in the states of schizophrenic manic excitement or histerism".