lost in tranquility - impro-set live (r.s.stropharia + pantoclast + dac insomniac) 14.05.2019

bird + elec piano + e-mail sounds

19 aprile 2011



[2011] Naturalismo

29aa.04.23 (Live Recording)

The L Is For Love ( LuLu's Theme )

Taken from my album "Walking On Pebbles" which is available from my Bandcamp page. Only available on Soundcloud for a limited time... 🙏

https://soundbymark.bandcamp.com/album/walking-on-pebbles

Walking On Pebbles

Over Houndkirk

From the underground experimental lab at Dogs h8 Rats World Headquarters.
Michael Grimes plays bass and electronic sounds. Improvisational drum performance by Douglas Wilkerson. Paul Mathew Moore plays Piano, mini Moog analog synth and trombone. Cover art Douglas Wilkerson
Composition: Wilkerso, Grimes & Moore.
Mixed and Produced by D. Wilkerson

$ buy song, thanks!

The Catch

Disquiet Junto Project 0672: Day Break
The Assignment: Make a handful of sonic alerts for various purposes.

Step 1: You’re going to make alarm sounds. Think about the alarms and alerts — phone, egg timer, microwave, neighborhood church bells, etc. — that currently go off regularly in your life.

Step 2: Make a list of a handful of instances you want to create an alert for, like something urgent and something that’s a gentle reminder, and so forth. Maybe you have a different tone for each morning of the week?

Step 3: Record roughly five (more or less) sonic alerts for the purposes you decided upon in Step 2.

Step 4: Make one track with each of the alerts separated briefly by some silence. When posting the track online, be sure to list the intention behind each alert.



Assorted alarms - disquiet0672

This was my contribution for Disquiet Junto Project 0673: Switchback. The assignment: Record a piece of music in which you make loud that which is usually quiet and quiet that which is usually loud.
Here’s a copy of my post on the Disquiet Junto 0673 discussion thread on Lines:
One approach I use in creating ambient soundscapes is to lay down a foundation drone and layer melodies and other tracks on top. The drone is usually much quieter than the rest of the tracks. In following this week's prompt, the foundation track with noise is louder while the others are quieter, to the point that they all blend together.
This was created in Ableton Live using Slate+Ash Spectres and Choreographs, along with built-in instruments. Waves photo by Cee Ayes via Unsplash.
More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/