In this very special episode John steps inside the jingle factory of podcaster, comedian, writer, actor and musician Adam Buxton.&nbsp; Digging into the depths of his archive, Adam charts his life and career breaking down the songs and jingles that punctuated each moment. From finding arpeggiators in music shops and writing ‘smutty’ rhymes with his friends, to applying advice from Nigel Godrich in the epic efforts of Song Wars on the Adam and Joe Show. Alongside all of the jingle fun, we’re treated to comparisons between the aspects of music and comedy, the effects of cultural fascination and exclusion, as well as thoughts on mental health when writing. Listen to find out where Adam got the inspiration to combine Scott Walker with Will.I.Am and Britney, why he decided to recreate all of the audio in Star Wars, and the truth behind how irritated he actually got with Joe during Song Wars. &nbsp; Tracks discussed: The Podcast Groove, Mind of a Pirate, The Counting Song, Special Bath, Playboi Buckles, Like and Subscribe and many many more. &nbsp; GEAR MENTIONS      &nbsp; SUBMIT A JINGLE For all of the details on sending in a jingle email jingles@tapenotes.co.uk&nbsp;&nbsp; Submit your Tape Notes jingle and we'll play our favourites each week on the podcast. Jingles can be in any style, can feature the Tape Notes theme, lyrics, or none of those things - be as creative as you'd like (as long as they're between 5-15 seconds). &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; &nbsp; Visit our website to join our mailing list: &nbsp; &nbsp;

TN:66 Adam Buxton

TN Marika Hackman - DW Cut

In this episode, John heads to Miloco’s The Yard Studios to catch up with The Chainsmokers, Alex and Drew, talking through how they wrote, recorded and produced their latest album ‘So Far, So Good’. Giving us a glimpse into their Hawaii writing sessions and drunken nights in the studio, the duo share the initial sparks and early ideas (both good and not so good) that developed into the final tracks.&nbsp; As well as a beat building masterclass, creating drum patterns that no one would ever think up, the pair reflect on removing any pressure from their writing process and the impact it had on their creativity. Listen to find out how to get away with recycling beats from different songs, why sometimes it pays to be the least organised producer in the game, and what the best question to ask yourself is in order to handle almost every situation. Tracks discussed: If You’re Serious, iPad, I Love U &nbsp; Listen to ‘So Far, So Good’  ‘So Far, So Good’ - Disruptor Records/Columbia Records &nbsp; Intro Music -  &nbsp; MELODICS  Use the code 'TAPENOTES-20' for 20% off a Melodics subscription. &nbsp; GEAR MENTIONS                      &nbsp; OUR GEAR                &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Sam Nahirny - Photographer and Camera Assistant George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:93 The Chainsmokers

In this episode, John links up with Harley Streten, better known as Flume, to talk through how he wrote, recorded and produced the four opening tracks from his mixtape and three albums - ‘Flume’, ‘Skin’, ‘Hi This Is Flume’ and ‘Palaces’. Digging out files from sessions dating back to his early adventures travelling around Europe, Harley gives us a rundown on some of the key parts of his life in music and how his approach to producing has changed over the years. From his early days using cereal box software to his approach to fixing writer’s block and the mental strain of life in music. As well as the long list of failed experiments that never made the final tracks, we’re given a full tour of the painstaking tweaks and subtle changes Harley teases into his work to humanise a production. Listen to find out what question Harley always asks when visiting synth stores, why you shouldn’t be afraid to rip off other people, and what some of the key elements to consider are when navigating success. Tracks discussed: Sintra, Helix, Hi This Is Flume, Highest Building &nbsp; Listen to ‘Palaces’ here. Listen to ‘Skin’  Listen to ‘Flume’  Listen to ‘Hi This Is Flume’  Future Classic, Transgressive Records Ltd &nbsp; Intro Music -  &nbsp; MELODICS  Use the code 'TAPENOTES-20' for 20% off a Melodics subscription. &nbsp; GEAR MENTIONS          &nbsp; OUR GEAR              &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:94 Flume

In this episode, John links up with Chaz Bear, the mind behind Toro Y Moi, to talk about how he wrote, recorded and produced the album ‘MAHAL’. Digging into jam sessions dating back to 2015 with all of the original recordings to hand, Chaz gives us the lowdown on how his musical ideas formulate, and the simple yet impactful journey they undertake to arrive as fully fleshed out tracks. Reflecting on life as an all-round creative, Chaz looks back on how he got started in music, from the early days using his parent's karaoke machine, to the importance of community and collaboration in today's music world. Listen to find out what in The Godfather had such a huge influence on a song, why it’s so difficult to create completely emotionless performances, and how to fearlessly explore ideas in your music. Tracks discussed: Déjà Vu, Magazine, The Loop &nbsp; Listen to  ‘MAHAL’ - Dead Oceans &nbsp;  &nbsp; MELODICS  Use the code 'TAPENOTES-20' for 20% off a Melodics subscription. &nbsp; GEAR MENTIONS           &nbsp; OUR GEAR               &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:95 Toro y Moi

In this episode, John heads over to Spitfire Audio to chat with Mahalia and producer JD. Reid about how they wrote, recorded and produced the EP ‘Letter To Ur Ex’. Looking back on their early writing sessions together, the pair reflect on their very first meeting and the approach they took to get the best out of one another. From scatting line after line over a beat and jamming ideas until something just sticks, to the promise of food as a reward for finishing each section of a song. Alongside sharing their thoughts on blending the worlds of hip-hop and R&amp;B, we’re treated to a production deep dive, looking at the intricate relationships between the parts that make up a beat and the small yet essential ingredients that add so much to each track in such subtle ways. Listen to find out why Mahalia sometimes sings with a man’s voice, what moments just scream out for a Talk Box, and why it’s always important to look at a track as more than just an instrumental and vocal. &nbsp; Tracks discussed: Letter To Ur N(ex)t, Whatever Simon Says, In The Club &nbsp;  ‘Letter To Ur Ex’ - Warner Music UK &nbsp; Intro Music -  &nbsp; GEAR MENTIONS                        &nbsp; OUR GEAR                &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; YouTube:  Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:96 Mahalia & JD. Reid

In this episode, John is back at Spitfire Audio to catch up with Yannis and Jimmy of Foals, to discuss how they wrote, recorded and produced their new album ‘Life Is Yours’. Giving us a fascinating insight into their process and how they adapted it for their current 3 piece line up, the pair look back on how they kept their creativity organic and spontaneous, as well as the impact of each new producer along the way. With writing-room demos and plenty of stories from the studio, we’re given a full rundown of the elements that went into shaping the band’s updated sound, from the list of keywords they wrote before even playing a note through to the almost hour-long jams.&nbsp; Listen to find out how they sneak discarded ideas back in to the lives show, why it’s so important for the groove of a song to be set before anything else, and what producers often do to keep their production secrets under wraps. Tracks discussed: Wild Green, 2001 &nbsp; Listen to  ‘Life Is Yours’- Warner Music UK Intro Music -  &nbsp; MELODICS  Use the code 'TAPENOTES-20' for 20% off a Melodics subscription. &nbsp; GEAR MENTIONS            &nbsp; OUR GEAR                &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; YouTube:  Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:97 Foals

In this episode, John links up with Lykke Li and producer Bjorn Yttling to talk about how they wrote, recorded and produced Lykke’s latest album ‘EYEYE’. Digging into the truly multi-dimensional record, Lykke and Bjorn look back on their process of creating the sonic world in which the tracks all live, from finding different angles to songs by playing them on different instruments, to the breakthrough moments in the studio when an idea just unlocks. Alongside sharing thoughts on feeling the beat and what makes a very Swedish sounding riff, the conversation turns to Lykke’s start in music, the star quality she possessed that drew Bjorn to her despite some vocal and songwriting flaws, and the constant resistance she faces as an artist. Listen to why condoms can be helpful tools when micing up, what headphone-phobia does to your recordings, and how to truly tap into the divine within music. Tracks discussed: OVER, CAROUSEL, u&amp;i &nbsp; Listen to  'EYEYE' - Play It Again Sam/Crush Music &nbsp; Intro Music -  &nbsp; GEAR MENTIONS           &nbsp; OUR GEAR               &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:98 Lykke Li & Björn Yttling

In this episode, John heads to Fiction Studios to catch up with Jon and Alex of Everything Everything to talk about how they wrote, recorded and produced the album ‘Raw Data Feel’. Taking us through the very first scraps of ideas, Jon and Alex pull apart the elements within each demo they often endeavour to carry into the final songs, from the qualities found within their raw desk mixes to the hidden melodies that end up pulling a whole track together. Alongside Jon’s tips on writing to suit different people’s vocal ranges and Alex’s deep dive into his modular synth collection, we’re given a glimpse into the influence and use of AI on the album, including a sneak peek at the lyrics generated when a system is fed with text from Beowulf, Tumblr feeds and the LinkedIn T&amp;Cs. Listen to find out how a studio clean out led to a slide guitar feature, why limitation is such a useful tool and what to start cutting out when you’re bored with a track. &nbsp; Tracks discussed: Jennifer, Leviathan, Software Greatman &nbsp; Listen to  ‘Raw Data Feel’ - Infinity Industries LLP, AWAL Recordings Ltd &nbsp; Intro Music -  &nbsp; GEAR MENTIONS               &nbsp; OUR GEAR  &nbsp;               &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing

TN:99 Everything Everything

In this milestone 100th episode of Tape Notes, John is joined by the Finneas at Lightship95 Studio, to talk about how he wrote, recorded and produced his album ‘Optimist’ and his new single ‘Mona Lisa Mona Lisa’. Reflecting on the fluidity of his writing process, Finneas talks us through the varied methods and circumstances in which his tracks took shape, from the very first synth sounds that kick-started ideas, to the detailed sonic decisions that helped each element work towards a cohesive goal. Alongside the production masterclass, Finneas looks back on his career so far, discussing his family’s involvement with his music and the impact they’ve had on his creativity. We hear stories from the early days of making music videos with his mum, vocal mic shootouts with Billie, and the essential advice that he still lives by. Listen to find out why mediocrity isn’t a bad thing, how finishing a song isn’t too dissimilar to finishing a meal, and why the correct way to do something isn’t always the correct way. Tracks discussed: How It Ends, Medieval, Mona Lisa Mona Lisa &nbsp; Listen to  Listen to  OYOY Inc, Interscope Records &nbsp; Intro Music -  &nbsp; GEAR MENTIONS                              &nbsp; OUR GEAR                 &nbsp; KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:&nbsp; Instagram: &nbsp; Twitter: &nbsp; Facebook: &nbsp;&nbsp; YouTube:  Discord:  To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!&nbsp; Visit our website to join our mailing list: &nbsp; HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)&nbsp;  &nbsp; TAPE NOTES TEAM Will Brown - Executive Producer, Engineer &amp; Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Rob Leedell - Camera Assistant and Photographer George Durston - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing&nbsp;

TN:66 Adam Buxton

Tape Notes

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