electronica helps me concentrate when working from home. Enjoying this. Thanks to e-flux for the tip.

Theo Moral finally restored his legendary Formentera sessions of 1988: synth wizardry w/ Fairlight CMI, Wave 2.2, Fender Rhodes, CP70, ESQ-1 and multiple tape echos. Those groundbreaking recordings became reference to thee contemporary Robert Johnson producers bunch!

01 Pirata Bus 09:54 (116 BPM)
02 Es Caló Fusión 12:35 (126 BPM)
03 Live at Fonda Pepe 09:47 (120 BPM)

Drums by Mychl Hoffmann, engineered by this incredible Andy Guy

Release November 07 (all shops)
Beatport + streaming October 26

Bio:
Chilean expat Theodor Moral is back in Offenbach (Germany) and has settled his new synthesizier studio at Zollamt, focusing on electronoic music production and gear rental / maintenance. As he has re-installed his lifelong Robert Johnson residency, he primarily produces electronic music, with a focus on strong horse and techno music (but not on shitty synthwave / indie dance). 

Notable releases: 
Wonderful Life 
Make Them Oil Boil
Müde HTM  
Standard Model 
Evyl 
Casbah

Collabs:
Woke /w PETRA PAHN 
Fake Babicz Accounts as 'Ich mag Plastic' w/ Boris Berija (2008)

Remixes:
J.J. Blender - Frankfurt - Miami  
Perfect Needle corp. - Oiled Machine 

Synth gear provision and maintenance:
Loretta Johnstoy - Bergheim Darkroom
Amelie Hengst & John Kawara - Felidae 3-1-0-0

Platforms: 
https://music.amazon.com/artists/B0D14R539F
https://music.apple.com/artist/1737533693
https://beatport.com/artist/theo-moral/1196878
https://boomplay.com/artists/87328755
https://deezer.com/artist/259401752
https://www.junodownload.com/artists/Theo+Moral
https://open.spotify.com/artist/5RnA9tuIp297gDbQ6y59vT
https://tidal.com/artist/46611880
https://volumo.com/artist/376777-theo-moral
https://youtube.com/channel/UCQgXQIEgADn6uArhD0ftzWg

Label: ANALOGmusiq, AXA Lab, BackUp, CANCELLED

(c) All rights reserved (p) ANALOGmusiq 2025

The Formentera Sessions

Pre order

PREMIERE: Theo Moral - Pirata Bus

i have lot of songs and full version of songs unreleased if you are interested dm me on ig :www.instagram.com/hdrunreleased/




Everything in Its Right Place Le Yora, Magnus Remix (SNIPPET)

WASTED by @xxxiiinnn — Out Oct 31st, 2025
Order here >> https://appendixfiles.bandcamp.com/album/appx-xin01-wasted

xin’s WASTED lands on Appendix.files with nine pieces that drag the club through a compost heap of trash(ed) recordings, corroded basslines and scraps of rave memory, forming a porous archive of dance music’s residues – transfigured. Composed of field recordings of waste, the album doesn’t recycle so much as ferment, mulching the detritus of dance culture into something gurgling, volatile, and eerily alive.

Alongside the music WASTED expands into print and website: a zine and wasted.reluctant.promo hold xin’s texts ‘hospicing dance music’ and ‘unsustainability’, extending the artists reflections on exhaustion, precarity and the cultural afterlife.

There’s a sonic depth and mood here that sits somewhere between Raime’s shadowed tension, Carrier’s electro-acoustic sleight and the spacious dub mutations of T++, while its textural apparitions feel as though they’ve been dubbed over a battered Jon Hassell cassette — the otherworldly nostalgia burned away, replaced with a hard-won momentum, like flooring it toward the next gas station before Immortan Joe’s war party closes in. WASTED reads as dance music after the fire: glamour gone, structures wrecked, a stubborn pulse still smouldering underneath. 

opening drifts in on fizzing debris and low-end churn, like a bin bag caught on a breeze. trash dub assembles a crooked percussion grid; compost believes in life after death hovers between hymn and hiss before plunging into the jagged kicks of wasted anew. Mid-record, enough to exhaust and indoors in time stretch the remnants thin, teasing collapse. The last sweep — plastic legacy, no permanence, for now and apocalypse era (i dreamt i glimpsed eternity) — folds exhaustion and faint euphoria into a single long exhale.

Mastered by Ike Zwanikken, artwork and design by Amos Turner, WASTED is Appendix.files at its most thematically aligned: a porous document of cultural leftovers, decomposed into new sonic growths.

For media inquiries, review requests, or interviews, please contact:  info@appendixfiles.com
Tracklist:
01 – opening (03:54)
02 – trash dub (03:15)
03 – compost believes in life after death (4:38)
04 – wasted anew (04:55)
05 – enough to exhaust (03:47)
06 – indoors in time (04:19)
07 – plastic legacy (06:06)
08 – no permanence, for now (02:26)
09 – apocalypse era (i dreamt i glimpsed eternity) (03:53)

Total runtime:  37:13 			Format: Digital, Zine, Website

WASTED

APPX-XIN01 WASTED by xin (previews)

Geisterstunde

We release Phil Strucks album NNO on February 23.

Phil is a experimental recording artist, who also works as a photographer, documenting the contemporary, experimental electronic music scene and life around it. His music is based on sampling from odd sound sources, random data streams and the usage of microphones and various synthesizer. Phil ennobles the trivial, honors the silence and creates an experimental collection of raw textural ambiance. It could’ve been a matter of trompe-l’oeil, a mere juxtaposition of audio signs to mimic functionality, but there’s a much more vibrant and fluid quality to his mind-expanding pieces. He is living in Hamburg, Germany.

Text: Baptiste Girou (Inverted Audio)

Phil Struck - Brook

INFO => self-titledmag.com/2018/05/11/ne247-meyers-negative-artist-mix/

NE247: Meyers - 'Negative Artist' Mix

GOOD MORNING TAPES: GMT12

GEORGIA: ხმის სიყვარული (“SOUND LOVE”)

www.goodmorningtapes.com/releases/h8m…tmqlu6qnh5wn

100 Min cassette featuring all original tracks from GEORGIA.

GEORGIA: "Phrasing" from ხმის სიყვარული (“SOUND LOVE”) on GOOD MORNING TAPES

Degradia (2018) is a sound work by Anni Puolakka and Miša Skalskis, originally made for an exhibition of the same name. They were inspired by some old Finnish poems in which vulva plays a central part and becomes a powerful character of its own right. Parts of Degradia are translated and altered lines from these poems, for example, where vulva is likened with a biting dog's jaws and a running wolf's gums.

www.annipuolakka.com
https://soundcloud.com/ang3l_sp1der

Anni Puolakka and Miša Skalskis – Degradia

Keith Fullerton Whitman inaugurates the Satellite Mix series with Acid Causality, a blend of recordings made in his home in Fort Greene, Brooklyn. 

"Shortly after returning to New York City in October 2018, I began recording a series of extended pieces applying analogue computing concepts to generate fluid, evolving values that were mapped to formal elements (pitch, rhythm, timing, spatialization, filtering, etc.) normally driven by fixed-value sequencing. 

This mix presents edits of a series of four sessions forged between November 11, 2018 and November 27, 2019: First, a suite of Vocoded kick-drums and sample and hold canon melodies run through a sentient resonator network; then a six-voice wavetable canon with requisite acid bassline and pitched-down drums; then a suite for hand-percussion and modeled metallophones; then a high-feedback karplus-strong wash. 

These were immaculately conceived from the tools on hand and the methodologies of Norbert Wiener, Maatrameru, et. al, although stylistic/traceback shout-outs are in order to Stephan Wittwer's score for Fischli and Weiss' Der Rechte Weg (1983), to Mikel Rouse's Quorum (1984), and to Steve Poindexter's Computer Madness (1989)."
—Keith Fullerton Whitman

KEITH FULLERTON WHITMAN, ACID CAUSALITY / SATELLITE MIX 001

@caline-with-c

Purchase on Bandcamp >> https://traumgarten.bandcamp.com/track/caline-with-c-faemi-flower

🌐 www.traumgarten.world 🧚‍♂️

Caline with C — Faemi Flower

https://socialharmony.bandcamp.com/merch/dj-michel-gentil-le-retour-des-d-moniaques

KEITH FULLERTON WHITMAN, ACID CAUSALITY / SATELLITE MIX 001

BAR LAIKA

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