Crunk music was never dead, but Memphis rapper Duke Deuce has taken it upon himself to inspire a new generation to tear the club up. With inexhaustible energy and a booming voice, he’s reclaiming the ecstatic subgenre for his hometown, making music as grim as it is gleeful, and turning up all the while. Rapping about harrowing realities and detailing the benefits of his hard-won success, Duke has reached millions of fans who dig his music’s intensity as much as they do the playful dancing (a.k.a. gangsta walking) he does in his videos. With each release, Duke makes the case that crunk is more than music. It’s a way of life. He often bellows his signature ad-lib “WHAT THE FUCK?!” with the force of a wrecking ball—or rather, the force of his own breakout single, “Crunk Ain’t Dead,” a high-octane anthem that earned a remix featuring a few legends of the genre: Lil Jon, Juicy J, and Project Pat. Since signing with Quality Control Music, Duke hasn’t let his foot off the gas, releasing Memphis Massacre [2018], Memphis Massacre 2 [2020], and Duke Nukem [2021]. His highly anticipated forthcoming album, Crunkstar, releases June 17, 2022 via Quality Control Music/Motown Records/Made Men Movement. The project, which highlights Duke’s unique ‘crunk-rock’ sound, boasts hard-hitting singles “Falling Off” [feat. Rico Nasty], “WTF!”, “I Ain’t Worried Bout It”, “Running Out of Love” and “Crunkstarz.” This is crushing crunk music to ring in the next phase of Duke’s worldwide massacre.

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Hailed by Rolling Stone as being “the hottest duo in rap,” the City Girls has successfully claimed their stake as being the most notorious power players in female Hip Hop. Yung Miami (Caresha Romeka Brownlee) and JT (Jatavia Shakara Johnson), known for being authentic, uncensored and unapologetic, took the world by storm with their first two projects Period and Girl Code, followed by their contribution on Drake’s number one pop hit “In My Feelings.” The first ladies of Quality Control Music, Yung Miami and JT’s knack for storytelling mixed with their infectious personalities are responsible for empowering a cult following of women who not only have something to say but aren’t afraid to say it. 

City Girls’ presence and ascent, as their lyrics suggest, are attributable to their resilience, pride and just a little bit of finesse. From “Take Yo Man,” “Pussy Talk,” multiplatinum and gold-selling single “Twerkulator,” their recent release “Top Notch,” and their latest release “Good Love ft Usher,” there’s no shortage of bravado, pleasures (both carnal and material), or pursuit of opportunities in their songs, which brim with a buoyant nonchalance, as if begging for someone to challenge them. This ownership over who they are—without shame or pause—that oozes from their music, carrying the proud, sex-positive hustler’s DNA of the Florida rap that preceded them.

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