love the vocals and music, great guitar and percussion

a serious topic told so strong with alot of emotions. bravo

Mother Violence is a moving work of music, I enjoyed every second, so much going on to like.

Awesome vocals, concept & originality, superb

That's quite a tale and one that is sadly all too often told. At least in Germany the Jugendabend are relatively sane, try the social services in england. They take and sell children to private care homes for profit as (they claim) they don't have enough money to operate properly, thanks to austerity and cuts to services since 2008, the best thing that ever happened to the tory party. If you are sceptical, look up 'enforced adoption' online. The uk pretends to be whiter than white but the corruption there is unbelievable for a european country in the 21st century.

WHAT HAPPENS OUT OF THE BOX

Morphine dulled the pain but he never recovered his true soul

Bela's Tears

Holding Things Together, Gene Jumper, Merle Haggard, ( cover)

Holding Things Together, Gene Jumper, Merle Haggard, ( Cover)

To all those Parents who do not see their children as much as they would like.

I do not want to think
I can not understand
That what I love the most I can lose

Because you are my life
Blood of my Blood
Because you are my everything
On Earth or on Mars

I lack your light
I lack your voice
So that my heart may be happy

Don't ... put aside my love
That ... I will always love you
It ... is the reason for my being
It was ... since I saw you being born

I lack your laughs
I am missing your jokes
Get on your roller coaster wagon

I don't know about your day
I don't know about your dreams
And from your teenage tantrums


Don't ... put aside my love
That ... I will always love you
It ... is the reason for my being
It was ... since I saw you being born

I want to see my butterfly fly
I want to see my butterfly fly ...
I want to see my butterfly fly ...
I want to see my butterfly fly


Since I saw you ... born

Quiero Ver Volar A Mi Mariposa

The Devil Wears A Suit And A Tie

Unloved

God's Gonna Cut You Down

Smile, praise, love and let go are the four "words" that make it easier for us to connect with others. Come with me....

Lächeln, loben, lieben und loslassen sind die vier »L-Wörter«, die uns den Kontakt zu anderen leichter machen.

Kommt mit mir...

Come With Me

Screaming Solitude

RPR05_60

Release date: 11 may 2022

Spotify: https://open.spotify.com/album/1ifaVOIpeSTvKcs4GKj7In

Horizon

I close my POTENCIAL BIÓTICO album with this contemporary revival of a philosophical song I wrote 19 years ago when my grandpa died.

Could describe it as a requiem for guitar quartet, 2 voices, rhythmic base & church bell (you may know the piano version at https://soundcloud.com/esemanolain-ruizzo/sets/piano-sessions-2012 album).

A mostly slow piece with lotta soul and no artistic ambition (but a little ‘Pros&Cons’ air to the end ;).

Church bell sound built with kind help by https://soundcloud.com/spyro9474

Piano version: https://soundcloud.com/esemanolain-ruizzo/miedo-al-cambio-piano-version

Image: "Poppy fields in Benifallim", photo by Ruizzoidman

Letra / lyrics:

Miedo al cambio,  /  Fear of the change,
incómodo trabajo;  /  uncomfortable work;
molesto planteamiento:  /  annoying approach:
no me gusta lo inesperado.  /  I don’t like the unexpected.
  
A lo mejor es que no estoy acostumbrado  /  It is probably that I am not used
a ver las cosas cambiadas de sitio.  /  to see the things moved from place.
Ver a la gente irse al otro lado  /  Watching people going to the other side
es duro si piensas que todo  /  is hard if you think that everything
será siempre lo mismo.  /  will be always the same.

Ay, lo mismo ...  /  Ay, the same thing ...
ah, lo mismo ...  /  ah, the same thing ...
ay, lo mismo a mí...  /  ay, the same to me...
  
No he sabido reaccionar,  /  I didn’t know how to react,
atrapado en mi infantil ilusión   /  trapped in my infantile illusion
de que nada cambia,  /  where nothing changes,
ah, tengo que darme cuenta de lo que pasa,  /  ah, I must realize of what happens,
ay, tengo que salir de esta caja.  /  ah, I have to go out of this box.

a lo mejor es que no estoy acostumbrado  /  It is probably that I am not used
a las sorpresas de la vida,  /  to the surprises of life,
a nuevos planes que no había planeado,  /  to new plans I had not planned,
no me acostumbro a considerar  /  I don’t get used to consider
una opción distinta.  /  a different option.

Ay, distinta ...  /  Ay, different ...
ay, distinta ...  /  ay, different ...
ah, distinta a mí,  /  ah, different from me,
a mi pensamiento,   /  from my thought,
a mi forma de ser,   /  from my way of being,
a mi manera de verlo...  /  from the way I see it...

©1995 E-RUIZZO – ®2014 FRANCÉS RECORDS ;)

Miedo al cambio (Acostumbrado)

I Am an Old Man in a Room
(c) J. Murdock McInnes Vasey

[intro]

I am an old man in a room
And the room is pretty nice
It is quiet and a bit gloomy
But I have plenty of lamps
It is warm enough in winter
And cool in summer too
I have a real nice sweater
And I always wear blue

It has a bathroom round the corner
and a mattress on the floor
A closet for my stuff
I don't need very much more

I keep it pretty clean
Cleaner than my jeans
I have my little broom
and a vacuum with a battery
I will use it real soon

[instrumental]

There are bugs stuck in my ceiling
I sometimes see them while I'm writing
and I wonder what they're thinking
I think that they are laughing

At night I hear mice
They scratch inside the walls
I have seen them, they look nice
But they poop and eat my rice

[bridge]

I'm an old man in a room
And though the room is pretty nice
Just sitting here alone
It's bound to have a price

I have time to write some songs
But I don't have very long
Maybe I should go out
But I always act all wrong


I'm an old man in a room
And though the room is pretty nice
Just sitting here alone
It's bound to have a price

It's bound to have a price

It's bound to have a price


[outro]

I Am an Old Man in a Room

Our 7th track together. Another wonderful experience working with the supremely talented UK producer, Spiralizer. A great Alan Parson's vibe to the mix. As always, the devil is in the details. BTW, the Pope has this track on his ipod.

Produced by Spiralizer
@spiralizer

Pelegrim/Spiralizer collaborations: https://soundcloud.com/belial-pelegrim/sets/pelegrim-spiralizer-cobalt

Photograph: Detail of the ceiling in the Basilica of Santa Maria in Ara Coeli, Rome Italy

Ultramontaine (In The Holy City) | Belial Pelegrim & Spiralizer

sheL be right  - [soundboard tinkerers - original]

music and vocals - soundboard tinkerers
produced by soundboard tinkerers oct 2019

 'sheL be right' is a well used Australian saying that is like a blind faith that everything will be alright; sometimes it works out - sometimes it turns bad;)
and
she is always right

sheL be right  

hey hey                       
she talks so fast hey hey hey
taking my my breath away
saying it all all th way
shipping it far far away
all those words so near my face
disappears without a trace
slipping it all all away
slip slip far away
light seers thru th eyes
shapes slip slip slip away
thoughts drift here an gone
opening up up up th way
so all that is that is in time
is also out so far away
slipping it all all away
slip slip slip slip so far away
comes another day - another easy day yeah
a walk in th park - stars up in th night
sheL be right . . . alright  yeah  

hope is a wonderful thing  . . . eyes tight
listen up for talks hey hey yeah
all at once for five a day
saying it all all th way
sending it far far away
thru the eyes jus for fun
sliding off th nose yeah
getting it witha teetha
opening up up the way
step in th real dream
sheL be right alright!
sheL be right right right
sheL be right alright!
comes another day - another easy day yeah
a walk in th park - stars up in th night
sheL be right . . . sheL be right alright yeah

hey hey             

she talks so fast hey hey
taking my my breath away
saying it all all th way
shipping it far far away
all those words so near my face
disappears without a trace
slipping it all all away
slip slip far away
hey what you did not want to know
gets hard-er an hard-er to catch
hey what you did not want to know
is what you really need to know
comes another day - another easy day yeah
a walk in th park - stars up in th night
sheL be right . . . sheL be right alright yeah


lyrics – johns of soundboard tinkerers sept 2019

sheL be right  - [soundboard tinkerers - original]

Fortunately, there are many good mothers and increasingly also good fathers in the world. However, there are exceptions to this rule. In the case of fathers, these exceptions have been seen for some time and violent fathers in particular are sanctioned more quickly and the affected children are better protected from them. 
Violent mothers are still a big taboo topic. This may have something to do with the fact that they usually express their violence more covertly and subtly than violent fathers. 
The following song is based on numerous experiences of children who have become victims of maternal violence. Representative for this is a story told by a 12-year-old boy who fled from his violent mother to his father (both parents had been separated for a long time).   

Mother Violence

Glassy eyes, frightened look
Pale face, far removed from happiness

Early adult, was never a child
Was mother's slave, repressed whirlwind

His own will was broken, forbidden to resist
Every no from him was punished 
Futile pleading

Subtle, hidden and cold
Mother Violence

Neighbors all look the other way
Just hands off the dirt

Remember, moms are just sweet
Violence never comes from mothers, the fathers are the swines
Step up to the lying club, come in, let the doubt be, don't want to be Outside, otherwise you will become the swine

Locked up in the cellar, deportation arrest.
At night on the street, so scared to death

Top-Secret blows, was always to blame
Always mental torture, day-to-day turmoil

One day he broke out from home, fled to his good father
Seemed liberated, but next morning a hangover came 

Subtle, hidden and cold
Mother Violence

Outwardly quite sweet and nice, she pulled her spider's web 
Around his exile
Youth Welfare fell for her, saw only her saint`s shine

The blind choir sang: 
Only fathers can be perpetrators, mothers are so weak and small. 

Subtle, hidden and cold
Mother Violence
Subtle, hidden and cold
Mother Violence
Subtle, hidden and cold,
Mother Violence

Mother Violence

Sensit Otium
Music: Paploviante 2019
Vocals: www.Ghosthack.de
Artwork Paploviante with Swift Publisher 5

Sensit Otium

Cold Blood by White Mash

https://www.facebook.com/jwhitemash

Cold Blood

(Don't follow me here, best on my main page ;)

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Mother Violence

Karlit-O-Kay (K-O-K)

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