As always, very thoughtful and melancholic. Perfectly arranged between voice and instruments.

beautiful work - sensitive songwriting. lovely.

nice tune, very peaceful and calm....love it, very artistic too

the opening spacious ambiance set the stage. The lo-fi beats were a distant memory, guitar offering support and melodic phrase - all a fitting context for mourning, Karl. Now add your gentle vocal tones, full of inner turmoil and passion, and this takes us to the very place that has grabbed your heart , mind and spirit.

Nicely played and sung.  Full of emotion and heart

Like all other said already: a great heartfelt piece!

Chilled vibes

Alison Theme [ Orchestral ]

When we die and our personalities are going to be uploaded into the cloud, we'll have an electronic life, no longer limited by our mortal coils.

My Electronic Life

Get the lossless version on Bandcamp: telquelsounds.bandcamp.com/album/decaying-lull

Decaying Lull

Echoing Moments

City Escape

Oleander - Fleursonseaux
All rights reserved - © Copyright

Oleander

I gave A.I. an ancient text from the Nag Hammadi gospels, known as The Thunder, Perfect Mind, which is sung by the Divine Feminine,  and I must admit to being mightily impressed with what it came back with. I just had fun with harmonising extra vocals and choirs; and big thanks to @APi_ZZ for making the cover. 

[The Nag Hammadi gospels are so called because they were buried by Gnostic Christians in the 1st century in a cave in Nag Hammadi, Egypt, in order to avoid the bonfires of the patriarchal Roman church censors who compiled the New Testament as we know it today.]

[Intro]
In the beginning
Was the word

[Verse 1]
I am the first
Before time
Something stirs
Deep inside
Water moves
Without wind

[Chorus]
She who was
She who is
Hidden light
Sacred fire
I remember
What you've forgotten

[Verse 2]  
Darkness knew me
Light feared me
Split in two
Made complete
Body breaks
Spirit soars
Can't divide

[Chorus]
She who was
She who is
Hidden light
Sacred fire
I remember
What you've forgotten

[Bridge]
Neither male
Nor female
Both and none
Mystery breathes
Through my bones
Ancient truth
In new skin

[Verse 3]
They wrote books
To hide me
But I rise
Through the cracks
Dust to light
Flesh to song
Can't contain

[Final Chorus]
She who was
She who is
She who comes
Hidden light
Sacred fire
Burning bright
I remember
I remember
Everything

[Outro]
In the beginning
In the end
She

Cold Sodium

Introduction in English:

People often tell me that when they are with a loved one who is about to die, they feel particularly close to them. 
Sometimes, in such moments, the history of their relationship flashes before their eyes. 
Some report reaching a deeper peace with the person in question shortly before their death. Often, the dying say things they have never been able to say in their lifetime. For example, a father who, shortly before his death, is able to tell his daughter for the first and only time that he has always loved her.
Many of those left behind tell me that they did not want to let the dying person go, but that they somehow realized that they had to let go of their loved one so that they could pass away as peacefully as possible; that they could not “die with them,” but had to continue living alone. 
And it is not uncommon for those who are approaching death to tell their accompanying relatives that they should continue to live well and in peace.
All of these stories inspired me to write the song “Mourir (Dying).” And as always, for such fundamental existential experiences, I choose the language that best expresses these radical moments of transition: French.


Lyrics (for those, who don`t speak French)

Dying

I watched over your bed 
Sat here with you night after night

Your breathing is very laboured
And it's been a long time
Since I spoke to you

The cancer has destroyed you 
You lie there, powerless and limp

You've lost the fight 
No, you won't be reborn

The thread of your life is increasibly breaking

Your gaze is so empty
Come on, please look at me again 

One last time
Don't go yet
Come on, turn around one last time.

Your heart is beating so weakly
So stay awake a little longer

I'm really letting you go
But let us look at each other once more
A farewell glance before you pass over

It's already too late
I'm saying a prayer for you.

So go in peace
Without pain

Forever my great Love

Französischer Text

Mourir

J'ai veillé à ton chevet
Je suis restée avec toi nuit après nuit
Ta respiration est tres difficile
Et cela fait tres longtemps
que je t'ai parlé

Le cancer t'a emporté
tu es là, sans force et sans vigueur
Tu as perdu la bataille 
non, tu ne renaîtras pas
Le fil de ta vie se rompt de plus en plus

Ton regard est si vide
Viens regarder encore une fois
Une dernière fois
Ne pars pas encore
Tourne-toi encore une fois

Ton cœur ne bat plus que très faiblement
Mais reste encore un peu éveillé

Je vais vraiment te laisser partir
Mais regarde-moi encore une dernière fois
Un regard d'adieu avant la transition

Il est déjà trop tard
je fais une prière pour toi

alors va en paix, libre de toute douleur
Pour toujours mon grand amour

Mourir (Dying)

Echoes of Elysium

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/mariposa-de-alas-blancas-version-instrumental
Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/mariposa-de-alas-blancas-version-original-ver-texto
Para escuchar la versión con Dazz Deva  https://soundcloud.com/juan-fco-bueno/mariposas-de-alas-blancas-voz-dazz-deva
Para escuchar la versión
MARIPOSA DE ALAS BLANCAS

Entraste en mi vida por sorpresa
con un beso que encendió mi rostro:
me convertí de pronto en tu presa
que acabaron de abatir tus ojos.

Buscaste el apoyo de mi brazo
como si lo hubieras hecho siempre:
compréndelo, pero en esos años,
no eras la moneda más corriente.

Estribillo

Mariposa de alas blancas
que vas sembrando en tu vuelo
la ternura y el consuelo
que a tu corazón le faltan
sin que apenas te des cuenta:
que Dios te otorgue la suerte
y el cariño suficiente
para cuando estés de vuelta.

Mariposa de alas blancas
que confiada recorres
el jardín lleno de flores
sin pensar en que una trampa
puede anidar tras su aroma:
desconfía de tu sombra
y de quien mucho te nombra
cuando vuelas viento en popa.

----------

Te advierto, y no quiero ser profeta,
que muchos no entenderán tu afecto:
tu corazón te ha de dar problemas
en un mundo tan cruel e infecto.

Escucha a este lobo solitario
porque necesita de tu aliento:
quiero matar ante ti el presagio
de que estoy cantando en el desierto.

BUTTERFLY WITH WHITE WINGS (For Aurora)

You came into my life by surprise
with a kiss that lit my face:
I suddenly became your prey
that have just cast your eyes.

You sought the support of my arm
as if you've always done it:
understand it, but in those years,
you were not the most common currency.

Chorus

White winged butterfly
what are you sowing on your flight
tenderness and consolation
that your heart is missing
without you hardly noticing:
may God grant you luck
and enough love
for when you're back.

White winged butterfly
how confidently you walk
the garden full of flowers
without thinking that a trap
can nest behind its scent:
distrust your shadow
and of whom many names you
when you fly smooth sailing.

----------

I warn you, and I don't want to be a prophet,
that many will not understand your affection:
your heart will give you problems
In a world so cruel and infected

Listen to this lone wolf
because it needs your encouragement:
I want to kill the omen before you
that I'm singing in the desert.

Chorus

Mariposa de alas blancas

Beef Horisons And The Glosseries

https://soundcloud.com/pop-house-production

Big Shout out to Pop House Productions for being very proffesional and unapologetically straightforward on his craft. It took us almost two weeks of emails to get this right and i really appreciate the effort and energy you put into this. Salute and Respect! 

“Darkside” is a brooding, cinematic anthem from CYFR 360, produced by Pop House Productions. Built on heavy-hitting 808s, haunting melodies, and razor-sharp drum patterns, the track takes listeners into CYFR’s shadow realm—a place where ambition, paranoia, and power collide.

Lyrically, CYFR 360 balances slick wordplay with raw energy, addressing rivals, fakes, and the pressure of staying ahead in a competitive scene. The song leans into his darker persona, embracing the chaos while showing unshakable control. With its atmospheric production and commanding flow, “Darkside” feels both futuristic and primal—an unapologetic statement of dominance.

Whether you hear it as a diss, a warning, or a declaration of strength, “Darkside” cements CYFR 360’s place as a force that thrives in the shadows and shines when the stakes are highest.

DARK - SIDE ( REMASTER )

I cry your mercy—pity—love!—aye, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen—without a blot!
O! let me have thee whole,—all—all—be mine!
That shape, that fairness, that sweet minor zest
Of love, your kiss,—those hands, those eyes divine,
That warm, white, lucent, million-pleasured breast,
Yourself—your soul—in pity give me all,
Withhold no atom’s atom or I die
Or living on perhaps, your wretched thrall,
Forget, in the mist of idle misery,
Life’s purposes,—the palate of my mind
Losing its gust, and my ambition blind!

John Keats

"I cry your mercy-pity-love! -aye, love!"

Mimosa

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Mourir (Dying)

Karlit-O-Kay (K-O-K)

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