Photo by Phill Sinders

Verse 1
Live another lovely day
lookout now to the sun come down
on you...

See myself from years before
leave that person sitting at the
the door...

But now I, turn around and I walk away
And I, make plans for another day
leave a world behind that door 
that never could have kept me there
but you...

Chorus

You and me now... we carried the wind above the trees
We were something and everything just trying to believe
that we could... live on forever, die for each other
but see...
It's still everything to me
It's still everything to me
you're there with me, can't you see
It's still everything to me...

Verse 2
Now I'm... never sure if I'm good enough
never know if I'll measure up
to you...

But we are who we are and that's okay
or at least that's the way I see it
anyway...

And now I, turn around and fade away
miss plans from the good old days
strain to see the world behind a door
that could have kept me there
but you...

Chorus x2

v4.00

It's Everything

Words and music written by Bartley Charles Mastin
Performance by Bartley Charles Mastin
Copyright 2004 All Rights Reserved

Katie Blue

Introduction in English:

Last year, my wife and me bought a cottage on the Baltic Sea. It was to be something like our retirement home for the next thirty years. 
Unfortunately, this vision has so far been thwarted by our increasingly resentful neighbours. Consideration is a foreign word for them. They let their children play loud basketball as long as they want; they grill foul-smelling meat as long as they want and they party as long as they want. 
If you ask them nicely to be quiet, you will be dismissed with slogans like "We don't give a shit", "Move away if you don't like it" or "We'll do what we like".
In my helplessness and speechlessness over this dissocial stubbornness, I came across an old Beatles song called "Not a Second Time". Of course, it was composed by John Lennon in 1963 in a completely different context.
But its lyrics fit just as well with my desperate and so far largely unheard plea for more neighbourly consideration. - In particular, the lines: "You're giving me the same old line/ I'm wondering why/You hurt me then/ you're back again/No, no, no, not a second time“ sum up our current plight with these self-centred neighbours.
And as always with covers, my aim is not to get as close as possible to the original, but to transform it into a Karlit-O-Kay sound design.
The picture cover for the song is by German artist Markus Schuke.

Einleitung auf Deutsch:

Letztes Jahr kauften meine Frau und ich an der Ostsee ein Häuschen. Es sollte so etwas wie unser Alters- und Ruhesitz für die nächsten dreißig Jahre werden. 
Leider wurde diese Vision bisher von unseren zunehmend renitenten Nachbarn durchkreuzt. Rücksichtnahme ist für sie ein Fremdwort. Sie lassen ihre Kinder lautstark Basketball spielen, solange die wollen; sie grillen übelriechendes Fleisch, so lange sie wollen und sie machen Party, so lange sie wollen. 
Bittet man sie freundlich um Ruhe, wird man mit Sprüchen wie "Ist uns doch scheißegal", "Ziehen Sie doch weg, wenn es Ihnen nicht paßt" oder "Wir machen, was uns passt" abgefertigt.
In meiner Ohnmacht und Sprachlosigkeit ob dieser dissozialen Dickfelligkeit stieß ich auf einen alten Song der Beatles namens "Not a Second time". Der ist natürlich damals 1963 von John Lennon in einem ganz anderen Zusammenhang komponiert worden.
Seine Textzeilen passen aber ebenso gut zu meinem verzweifelten und bisher weitgehend unerhört gebliebenen Bitten um mehr nachbarschaftliche Rücksichtnahme. – Insbesondere die Zeilen „You're giving me the same old line/ I'm wondering why/You hurt me then/ you're back again/No, no, no, not a second time“ bringen unsere derzeitige Not mit diesen egozentrischen Nachbarn auf den Punkt, 
Und wie stets bei Covern geht es mir nicht darum, dem Original möglichst nahe zu kommen, sondern dieses in ein Karlit-O-Kay- Sounddesign zu transformieren.
Das Bild-Cover zu dem Song stammt von dem deutschen Künstler Markus Schuke.

Not a Second Time

Not A Second Time (Lennon/Mccartney)

How great to have Georg Boehm and Pinner joining me on our fusion original Jump In.  Georg's Bari sax presents the theme and Pinner starts laying down some great guitar right away.  Love what they bring to the party every time.

Follow each of these great players and friends and check out more of their music and our music together:

https://soundcloud.com/georg-boehme
https://soundcloud.com/pinner
https://soundcloud.com/jamie-rhind/sets/grooving-with-georg-boehme
https://soundcloud.com/jamie-rhind/sets/smokin-with-stephan-stephan

Thanks to all the Soundcloud musicians and listeners for your generous time listening, for your comments, for your shares and for your inspiration - Jamie

Jump In - Georg Boehme / Stephan Lipinski / Jamie Rhind

Momentum

a journey into deep mind and soul...full of emotion and feelings
let this groove reach your heart and spirit

Fat Crunchy Banging Dings

Music: Little Man Project & Janne Hennie
Lyrics & vocal:  Janne Hennie
Instruments & Mix:  Little Man Project

Lyrics:

I always played by the rules
Was so sure, I would never loose
But I lost..
Really thought in love and life
Everything would turn out just fine for me
I was wrong..

Just give me time
A bottle of wine
And I´ll be just fine..

I was naive, so believed that all I gave 
would  somehow come back to me
It wasn't true..
Thought I was leading my ship
With a steady hand
But I crashed on land
The ship was wrecked..

Just give me time
A bottle of wine
And I'll be just fine..

Just give me time
A bottle of wine
And I´ll be just fine...

I have failed, I have learned
So after all this have been good for me
I know better now..
Experience is good to have
Even though it can hurt so bad
Time will heal..

Just give me time
A bottle of wine
And I'll be just fine!

I´ll Be Just Fine  W/ Little Man Project

"Tightrope" [09.02.24] (SRV)
J Dulva and Counting Coup     (c) 2024 Cenote Music

Tightrope [09.02.24]

have a great day

Kelen Helvetia - Helvete

HOLD ME  by Ataraxia Music , an Independent Artists, created a HORROR story, what results from WAR, what always will result from WAR. Isn't it time we level up in conscious and end all WAR? 

FREE DOWNLOAD  for a limited time
https://hypeddit.com/4926hc

Orlando, FL. Friday, October 25, 2024, Ataraxia Music releases “HOLD ME.” The new song is available today on Spotify, Apple Music, iTunes, Amazon, Deezer, Tidal, and many more. In addition, “HOLD ME  (OFFICIAL MUSIC VIDEO) is available on YouTube.

Listen to Ataraxia Music on: 
Spotify https://spoti.fi/3y3C6sn
Apple Music https://apple.co/3yLIJzI
*Amazon Music https://music.amazon.com/artists/B08W
Ataraxia Music Website https://ataraxiamusic.com

Because I won't sacrifice what I call my ARTISTIC FREEDOM, I LOSE FOLLOWERS ❤️ (SAD). I know the rules, you're supposed to stick to one genre. I don't do that sort of thing. Hell, I can't even stick to one genre within a song. For example, my ADD brain can't listen to a house song for more than 30 seconds without getting bored (so sorry, house fans!), so I'm certainly not going to write a 5 minute song with the same rhythm , boom-chi, boom-chi... all the way through. I don't do that sort of thing.
 
One SONG is not like the other songs I write. Combining genres, not completely fulling any, to some, this is a jumbled mess. To others who get it (and very few they are), each song is like a permission slip handed to me to explore topics of importance that are interesting to me.  

Many times, I don't start with a concept in mind,  but allow the music to tell me what it's all  aboutt which becomes perfectly clear to me as the DRAFT evolves to a certain point where I identify what it is I want to say with this piece of music.

I don't know if you know my music, but I wrote songs about the 1st atomic bomb explosion "TRINITY" in the US, but there was no bomb sound in the music. Here, in HOLD ME, there's a bomb and a "boom," not loud, just meaningful. Female vocal samples are also used in the song similar to how I used them in "I'm Losing Myself," but "I'm Losing Myself" doesn't actually contain a verse. 

NOW, this song, HOLD ME, is NOT NEW to me. I worked on the song in Feb 22 when I had to stop producing for family reasons. It was actually charted for March 2022, but I didn't get around to mixing the song until December 2023. I thought about remixing it again since but decided to provide it AS IS because I don't want to change a thing.

Lately, I've been LIKING videos and I find out after, the music was created with AI. When I find out, I'm so disappointed that I'm liking what the computer thinks is great electronic music. Then I think, maybe AI should have made it better... NO Artificial Intelligence is use in the creation of my music and, as far as I'm concerned, AI will never enter "MY" music or I can't call my music "mine."

For a limited time, there is a link above for a FREE DOWNLOAD of the song.
When you pre-save my song by connecting with me, you are helping me find new listeners in Spotify 

Thank you for listening to my music.
John Voneiff
Ataraxia Music

HOLD ME - PIC FROM ADOBE

Song:
HOLD ME
Artist:
Ataraxia Music
Album:
Single
Composer
John Voneiff, Ataraxia Music (BMI)
© Copyright 2024

#newrelease  
#edmartist 
​#ElectronicMusic​​​ 
#edmartistnewrelease
#bestelectronicmusic 
#newelectronica 
#music 
#edm 
#newelectronicmusic
#AtaraxiaMusic
#holdme 
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#independent
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#serum 
#gameofthrones

Hold Me

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Not A Second Time (Lennon/Mccartney)

Karlit-O-Kay (K-O-K)