Mein Lieber Freund also, vielen dank erst für die momenten, dann, geilschön in der mische und ja, RESPEKT  ...... war für ein paar minuten weit weit weg ... (Y) DANKE , GRÜSSE und bis bald für mehr ;)

IT'S THE SAME PLACE OUT IN THE JUNGLE

Floating with the Clouds (storm)

To Be Alone

Esta es la banda sonora de "La fuga del Potro"

"La Fuga del Poto" es una guion que nunca se escribio...

Trailer: https://youtu.be/gzMfhIJZ7yo

Banda sonora La fuga del Potro

Banda sonora la fuga del potro

Keith needed to get some stuff out and needed to wail away on his guitar, singing his heart out. I rode his coattails through the concrete. 

King of the Concrete Jungle
Lyrics:

King of the concrete jungle
As far as he could see
Across the road and down the street
As far as the distant tree


Paved with puddles and historical dirt
A field of broken tiles
The Lord of darkened corners
Can see for miles and miles
 

(CHORUS)
NOW ALL AROUND IS CONCRETE
AND GREYNESS WINS THE GREEN
THE KING OF THE CONCRETE JUNGLE
WEEPS FOR YOU AND ME…YOU…AND ME


 Singing from his lamppost
A branch without a tree
The sweetest notes you would ever hear
But no honey for this bee

 
Mouth open to the heavens
Warm sunshine from deep within
Blue skies he used to soar in
Clear waves he used to swim

 (CHORUS)

(INST BREAK)

(CHORUS)

note from Keith:
"This was inspired by a lone blackbird, singing his heart out from the top of a lamppost. (The branch without a tree)  I remember that behind 'his' lamppost there used to stand a beautiful Maple tree...long chopped down to make way for more car-parking space. There's not a single tree left standing down our road now...not one"

Note 2:Terry likes the social/political application to life in the 21st c. , always ready to see a moral to all of Keith's tales. ;)
 
Wigmore: synths, percussion, production
Allen: guitars, bass, lyrics, vocals

King of the Concrete Jungle

“Atlantic to Adriatic” is an album built on connection — across distance, time, and sound. A collaboration spanning oceans, the record transforms each track into a shared space where field recordings, classical instrumentation, and synthesizers intertwine to evoke memory, place, and movement. Every piece emerges from the intersection of our two worlds — Venice and Boston — bridging geography and time to create something timeless.

▶️ Buy High-Quality Digital Album: https://edoardogastaldi-music.bandcamp.com/album/atlantic-to-adriatic
▶️ Listen on other Platforms: https://sirilrecords.ffm.to/atlantictoadriatic

🔗 Connect with Jay Brewer: ‪www.sirilrecords.com/jay-brewer
🔗 Connect with Edoardo Gastaldi: ‪www.sirilrecords.com/edoardo-gastaldi

Credits below.

Artists: Edoardo Gastaldi, Jay Brewer
Genres: Ambient, Drone, Soundtrack, Space Ambient, Guitar and Piano Instrumental
Original Picture: Edoardo Gastaldi
Cover Art: Edoardo Gastaldi, Davide Fasiello
Mastering: Jay Brewer
Record Label: Siril Records
Release Date: 14/03/2025

© 2025 Siril Records
℗ 2025 Siril Records

Our Life in Reverse (Epilogue)

Same Circles

Guitar, Lyrics and Vocals by Robert Grigg
Track by Combstead

Love Light - Combstead & Robert Grigg

Hey…. Hope you’re all well. Thanks for dropping by. These days, maybe like you, I can easily get upset about what is happening in the world… and like most of us, I have occasional moments of anger and despair, frustration and feeling at a loss. So I often seek solace in gardening and in nature. When I smile these days… it is not necessarily a happy smile. It is a knowing smile that I can share with the world.… So here’s a little banjo song with a smile. Mark

Out In The World

Introduction in English:

Sometimes I wonder if there is some kind of ‘safe place’ in this world. Everywhere I look: Wars, climate disasters, starvation and poverty. Not to mention the increasing everyday violence at home, in the neighbourhood and on the streets.
As early as 1962, John Lennon described in the song ‘There's a Place’ (perhaps also under the impression of the Cuban Missile Crisis at the time with the acute threat of a third world war) that sometimes the only thing left to do is to retreat to an inner safe place when the outside world (as is now increasingly the case again) is increasingly on the brink of an abyss.
In this respect, this song is highly topical, although I would like to add that the search for the inner safe place should only ever be temporary, in order to regain strength there (for example through one's own musical creativity) in order to make a greater contribution to the preservation of the earth and human coexistence in the outer world.
I am sure that John Lennon meant this kind of fluid balance between gathering oneself inwardly and being lovingly in the world.       

Introduction in German:

Manchmal frage ich mich, ob es auf dieser Welt eine Art "Sicherer Ort" gibt. Wo ich hinschaue: Kriege, Klimakatastrophen, Hungern und Armut. Ganz zu schweigen von der zunehmenden alltäglichen Gewalt zu Hause, in der Nachbarschaft und auf den Strassen.
John Lennon hat (vielleicht auch unter dem Eindruck der damaligen Kuba-Krise mit akuter Dritte Weltkriegsgefahr) in dem Song "There's a Place" schon 1962 beschrieben, dass einem manchmal nur der Rückzug an einen inneren sicheren Ort verbleibt, wenn die äußere Welt (wie jetzt zusehends wieder) zusehends an einem Abgrund steht.
Insofern ist dieser Song brandaktuell, wobei ich hinzufügen möchte, dass das Aufsuchen des inneren sicheren Ortes immer wieder nur vorübergehend erfolgen sollte, um dort (etwa über eigenes musikalisches Schaffen) wieder Kraft zu sammeln, um in der äußeren Welt verstärkt einen eigenen Beitrag zum Erhalt der Erde und des menschlichen Miteinanders zu leisten.
Ich bin mir sicher, dass John Lennon diese Art von Fließgleichgewicht zwischen sich innerlich sammeln und liebevoll in der Welt sein gemeint hat.              


There`s a place (Lennon/Mccartney)

It's a long drive to Kentucky  
And the signs you can read above you say
"Wrong way home"

You try to focus on the greenery
While the green, mean mile markers scream
"Turn a-round"
"Turn a-round"

In the slow-ass traffic patterns
Oh, the road work doesn't matter
on I-sixty four
            
I can see you now in the construction zones
While yelling to the traffic cones
"We both know"
"We both know"

That this thing here between us
We gotta keep it whole as the asphalt erodes
That this thing here between us
Doesn't need to involve all these goddamn roads
Goddamn roads
Goddamn roads

You may be in West Virginia
But you still have to avoid the drivers of
O--hi-o

This road goes on for miles
And you don't want what's at the end of that
Long white line
Long white line

So park it, dear
Get your head clear and turn around
I need you here
Put that thing high gear and gain some ground               
I'll pay the ticket babe     
Just give those green mile markers one last wave
‘Cause we know!

That this thing here between us
We gotta keep it whole as the asphalt erodes
That this thing here between us
Doesn't need to involve all these goddamn roads
Yes, this thing here between us
We gotta keep it whole as the asphalt erodes
Darling, this thing here between us
Doesn't need to involve all these goddamn roads
Goddamn roads
Goddamn roads

It's a long drive to Kentucky 
And the signs you can read above you say
"Wrong way home"

Green Mile Markers

"Things happening at the same moment as an expression of the same time content” learn to Pull from the unconscious, guide it with conscious for endless creative possibilities always unique, totally new. 💯👊🏾🫵🏾

Synchronicity

 Fear is the greatest hindrance to the creative process!!! Just do it... and let it show you what it wants to be. ❤️‍🔥🤩❤️‍🔥

I'm not afraid

A cheerful music, in a kind of alien style, with electronic music and Arturia, Moog synthesizers, little guitar support. Maybe you can even dance to it......

Alien Disco

Streaming

Cosmos

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

(Don't follow me here, best on my main page ;)

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

There`s a place (Lennon/Mccartney)

Karlit-O-Kay (K-O-K)

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