That reminds me...  Emotionally indisputable ...  I love it!!! ❤️Love, 🕊️Peace, 🙏Respect

Missed this one - fine composition - good placement of minor chords and fine technical recording

Excellent song, beautiful music, great lyrics and vocals!

Lovely ballade-type song/story-telling...

SHINE ON

Progressive funk rock by the Dragonsail Puppets

Looking Long

I am proud to present the newest work of The Reservoir Dogs, which is based on Ken Minty‘s Song „Dark River“.
Credits:
Ken Minty @kcm069: composition, vocals, lyrics, Ovation Blues Rhythm Guitar, Resonator Steel guitar
Andrea „Foresto“ Martini @user-959329289 played a mean rhythm and solo guitar
Tot. @tot-beat: Made it Happen by providing his wonderful Drums and Beats
N.o.b.S. @nobsmeyer: Rickenbacker 4003 Bass ( it‘s loud, but that is by purpose ... it’s a Ric !!! ), wah wah guitars, keyboards, production

Dark River
KCM  29May09
dark river is the end of the road
the current is strong and the water is cold
many have drowned trying to reach the other shore
it’s too far to swim, but too close to ignore

well, dark river, is all that remains
dark river, take me home again

a man pays his way in dust and grime
washes it away with cheap red wine
fourty years on he comes to know
that he don’t wanna stay but he can no longer go

well, dark river, is all that remains
dark river, take me home again

some men work ‘til they hit the wall
they sweat and swear to the final call
some might think they have something more
but they all end up on dark river’s shore

well, dark river, is all that remains
dark river, take me home again

Dark River

The Reservoir Dogs - Dark River

(Written by Terry Reeves)
Terry Reeves:  Lead Vocals / Guitar
Hans Albers:  All additional instruments, Arrangement and Production

When Brian first played me “If The Stars Are The Dreams Of Spacemen“, I was absolutely stunned by its brilliance.  Of course, having grown up with his songwriting, I was already a huge fan of everything he wrote but did think there was something extra special about the song.  Knowing him as a brother, I saw just how revealing it was about his often uneasy relationship with the world and his place in the scheme of things.  The closing line, “Who am I?” said it all for me.  It was a song to which I often returned, particularly after he was gone.

Eventually, I arrived at the idea of writing something that in some way linked to his original composition but told the story from my own perspective.  Not wanting to ride on his coat tails in any way, I felt very uneasy about doing this, so decided it was something I would do purely for myself.  It took many long months to come up with something I thought would be a worthy companion piece but the more I wrote, the more the idea took on a strength and shape of it’s own until I had fashioned it exactly as I wanted it to be.

It took quite some time to summon up the courage to play it to Gary, thinking if he thought it was any good, I might take it further.  When he said that he thought that it was one of the best songs I’d ever written (something I really didn’t expect) and that I should send it to Hans, it had an overwhelmingly emotional effect on me, particularly since I was very doubtful about playing it to anyone else at all.

Hans always has a way of emotionally inhabiting the songs I write and the arrangement he produced was exactly what I felt the song needed.  There’s no doubt in my mind that if he and Bri had ever played together, they’d have created musical dreams that would spread throughout the universe.

Today, the 22 August 2021, marks the ninth anniversary of Bri’s death and I can only hope that this song does him justice.  We miss him more than ever.  (Terry Reeves)

*Manu (https://soundcloud.com/man-on-a-grill) put together a wonderful version of Bri’s original song a few years back.  If you’d like to hear it, you can do so here:
https://soundcloud.com/man-on-a-grill/rocky-mountain-wmoag-the-inconsistent-jukebox-if-stars-are-the-dreams-of-spacemen  


How can I write a song about the stellar writer?
Breathing music in space, helping bands to be tighter
A Bishop’s marriage of schemes inside your wigwam 
As the cluster of stars reflects only you as it can 

CHORUS 
If the stars are the Dreams of spacemen
Floating around by imagination 
Adjusting scope to seat the nightmares 
A magnetic field of dreams 
With musical chairs

A spaceman in search of the perfect mate
Floating through Galaxies more dreams of love can’t wait
Loving tears never seen behind a facial shield 
As the Milky Way melts revealing what Kepler’s laws might yield 

CHORUS 

I could never write the songs of stars
With your heart so full of love from here to Mars
The spaceship framed inside a past that lingers
Touching gravity with your skill of voice and fingers

CHORUS 

Isolations ending showing fusions of greatness 
Will never explain your skill of silence and lateness 
Knowing love as you do 
Making love a sad fool
I will never fully know who you are

CHORUS

STARS THAT LINGER (FOR BRI): CRIPPLE CLUB & HANS ALBERS

Vocals: Tonybluestone
Compostion, Instruments and Arrangements: Karlit-O-Kay
Original Composition: "A Prayer of Hope" by Karlit-O-Kay: https://soundcloud.com/user-867592383/a-prayer-of-hope

Tonybluestone sings "A Prayer of Hope"

Love You Till The End Of Time - Paploviante & Lillithe
Bass, Funky Guitar, Drum / Paploviante
https://soundcloud.com/paul-racle
Lillithe adding: Vocals, Organ, Blues Harmonica, Electric Piano, Wah Wah Guitar and Southern Lead Guitar,
Vocals : Alley
www.ghosthack.de
Alley Lyrics:
Closer to the way I see you now
And I never want to see you frown
When im asking you to come with me
Just to see what we can see
Im tight in my chest
I'm holding my breath
I just won’t last
With the weight of the world
Caught in the whirlpool
Riptide of my soul
Just say you won't let go
Let it go
Closer to our loving mind
Heart beating two at a time
Promise that I'll make you mine
Love you till the end of time

Love You Till The End Of Time - Paploviante & Lillithe

featuring @4catsncoffee on violin
:
You can throw away your past, but the devil gently finds ways to bring it back...  Devil's Timepiece is a guitar-based alternative folk tune with southern gothic echoes. The fourth tune off the d'ville EP >soundcloud.com/jh0st/sets/dville

Devil's Timepiece
:
Traces of smoke
Lingering soft hope
Words spit like flames
under the up-town train
Together alone
through the heat summer storm

Yes it is…
faded away
No it ain't…
the way it should stay

Church bells of peace
The devil's timepiece
Once in a while
love speaks, to the right one
'Til then I pray at the station
Penn the hymn to the speeding train

Yes it is…
No place to stay.

I saw the city lights
turn dusty moon 

I saw the blue gas-light
split the summer sky

(Yes it is…)
Last place I'll stay
No it ain't…
the only doorway

Oh, gentle violence
Time will rewind it

Oh, blame the summer wind
Sound the sirens

Who will write this down?

Buy on Bandcamp

devil's timepiece [ft. 4catsncoffee]

Once I wrote a description here !!!

Ok let's say I started adding layers to the great music https://soundcloud.com/progrockdan1 sent to me.

Letra (translated lyrics below)

Se arrastró bajo los muros,
llorando.
Se filtró por las ranuras,
buscándome.
Y miró entre las fisuras,
deseando:
mucho claro, nada oscuro,
llamándome…
 
Mas el centinela mágico
de quijadas relucientes,
descarnado por los dientes
de mil y un gusanos cárnicos,
por la acción más degenérica
de venenos de odio y muerte,
este ser, cerebro inerte,
la detuvo, niña histérica…
 
Pero huyó,
vio sentada su promesa de llamarme.
Y escapó,
Vio prendido su deseo de amarme.
Sensación
de saber que era la presa, fuego y carne,
y en la intensa luz de vida vino a hallarme;
y me encontró.
-------------------------------------------
She crawled under the walls,
crying.
She filtered through the grooves,
searching for me.
And she looked inside the fissures,
wishing:
much clarity, no darkness,
calling me…

But the magic sentry
of shining jawbones,
eaten to the bone by the teeth
of thousand and one meat worms,
For the most degenerated action
of poisons of hatred and death,
this being, inert brain,
detained her, hysterical girl …

But she fled,
found assured her promise of calling me.
And she escaped,
found on fire her willing to love me.
Sensation
of knowing that she was the prey, fire and flesh,
and in the intense light of life she came to find me;
and she did.

Ella huyó - She fled (with ProgRockDan1)

7/15 from the collection, Everything Except Oblivion (soundcloud.com/jenniferroe/sets/everything-except-oblivion)

This is one of fifteen vignettes written, translated, and produced by sound artist Raul (Raðulfr Maganhar, @raoulfr) and voiced by Jennifer Roe (@jenniferroe) from the project, Everything Except Oblivion. "It's not poetry, it's not music," says Mainer, whose "thinkmeters" are cut and crystalized from his daily experiences. Each "slice" paints and processes a memory—the good and the bad, the light and the dark—in a sort of sonic journal. "Each one has their story and characters, but I hope that whoever listens will make it their own," says Mainer, who likens these soundscapes to meditation sessions for mortals. Against a backdrop of mystical music, a narrator points the way to nirvana . . . but with words and sounds that are earthly and human.

Cover art: "Epiphany Sisters." Sculpture, photo, and design by Jennifer Roe (Instagram: @jkbroe, SoundCloud @jenniferroe)

7: With Ripped Pockets (Raðulfr Maganhar ft. Jennifer Roe, voice)

Pipisechka

Plenty of cake

JE N’AI PAS DE MESSAGE
JE N’AI RIEN À VOUS DIRE
PAS DE MAUVAIS PRÉSAGE
NI DE RÊVE D’EMPIRE

MOI J’ÉCOUTE LE COUCOU
LE SOIR AU FOND DES BOIS
JE DANSE AVEC LES FOUS 
ET LES SINGES AUX ABOIS

ET JE FAIS LE MÉNAGE 
JE PLACE EN L’AVENIR
DES ESPOIRS PLUS SAGES
ET DES CRÉTINS MOINS PIRE

ET J’ÉCOUTE LE COUCOU
L’ALOUETTE PARFOIS
BREF CE QUI VAUT LE COUP
QUI ÉTAIT UNE FOIS

DANS CE MONDE  DE SAUVAGES
DE SUCEURS DE VAMPIRES
OUI SOUVENT J’AI LA RAGE
LES TRIPES QUI CHAVIRENT

ET J’ÉCOUTE LE COUCOU 
LE SOIR AU FOND DES BOIS
JE GRONDE AVEC LES LOUPS
ET LES TIGRES AUX ABOIS

JE N’AI PAS DE MESSAGE 
PAS GRAND-CHOSE À VOUS DIRE
ALORS JE PLIE BAGAGE
ET TEL UN VIEUX SATYRE 

MOI J’ÉCOUTE LE COUCOU
ET LA QUEUE AUX ABOIS
MOI JE TIRE MON COUP
AVEC LA FÉE DES BOIS

LE COUCOU  (Lyrics)

Part 84 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA VOL. 5  is now available on Bandcamp: https://belialpelegrim.bandcamp.com/album/taffeta-vol-5

TAFFETA VOL. 4 
belialpelegrim.bandcamp.com/album/taffeta-vol-4

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | 84

Part of the Ancient Hourglass EP. You can currently find it on Bandcamp and Spotify... there are free codes available so help yourself :)

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Ancient Hourglass

Irrevocable Sadness/Jumbled Up

Music, lyrics, vocal & ac. guitar : Grave
Other instruments & mix : PJ Project

Rise Like A Lion W/ Grave

Cosmic Keanu

[ Album ]
https://negativeheadphone.bandcamp.com

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ/about

Free Album

Knock Out!

(Don't follow me here, best on my main page ;)

Deutscher Singer-Songwriter über fünfzig Jahre alt. Seit fast vierzig Jahren schreibe und singe ich Lieder. Mein Hauptinstrument ist die akustische Gitarre, aber ich mag auch Perkussionsinstrumente (Cajon, Maracas, Gurio). Ich liebe es, melancholische und poetische Balladen zu komponieren. Aber manchmal schreibe ich auch (schwarze) humorvolle Songs, Jazzstyle und -Rocksongs. Meine Hauptsprache ist Deutsch. Aber in Zukunft will ich mehr Songs auf Englisch und vereinzelt auch Französisch schreiben.
In meinen Kompositionen bin ich inspiriert von Leonard Cohen, John Lennon, Jacques Brel, Van Morrison und Bob Dylan. Auf meinen Platten spiele und singe ich alles alleine. Meine Vision für die Zukunft ist es, Musiker aus verschiedenen Kulturen zu finden, die gerne ihre Tracks mit mir teilen wollen.
Mein persönliches Mantra ist ein Satz, der von Paul Mccartney auf dem Beatles-Album "Abbey Road auf dem Track "In the end" vor fast Fünfzig Jahren geschrieben wurde:

Die Liebe, die Du bekommst ist gleich der Liebe, die Du gibst.

German singer-songwriter over fifty years old. For almost forty years I have been writing and singing songs. My main instrument is the acoustic guitar, but I also like percussion instruments (Cajon, Maracas, Gurio). I love composing melancholic and poetic ballads. But sometimes I also write (black) humorous songs, jazz style and rock songs. My main language is German. But in the future I want to write more songs in English and occasionally also in French.
In my compositions I am inspired by Leonard Cohen, John Lennon, Jacques Brel, Van Morrison and Bob Dylan. On my records I play and sing all by myself. My vision for the future is to find musicians from different cultures who would like to share their tracks with me.
My personal mantra is a sentence written by Paul Mccartney on the Beatles album "Abbey Road on the track "In the end" almost fifty years ago:

The love you take is equal to the love you make.

Tonybluestone sings "A Prayer of Hope"

Karlit-O-Kay (K-O-K)

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