Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

Creatures of the Night / Permanent Vacation / Running Back / Fabric / Correspondant / Live at Robert Johnson / Internasjonal / Love on the Rocks / Cin Cin 

EUROPE / WORLD:
consti@sweatlodgeagency.com

- MEXICO
marco@borninmexico.tv

Ramiro Drisdale - Glade EP 
https://orcd.co/glade

Lost Desert & Lee Burridge - November Snowflakes
https://orcd.co/novembersnowflakes

All Day I Dream explores beautiful, emotional and melancholic shades of House and Techno through its label's releases, events and artists.

All Day I Dream events began on a Brooklyn rooftop back in 2011 and have since become an international sensation. Around the world, crowds continue to be drawn to the experience and to become a part of it's community. Spurred on by the music of Lee Burridge and his unique roster of artists, each brings his or her own emotive musical vision to the daytime party. Sounds that are all too rare in the current electronic music scene.

Each year the events continue to spread out across the world. From Los Angeles to London. Melbourne to Moscow, Berlin to Beirut to Brazil and back to their spiritual home base of New York City. They continue to flourish due, in part, to a core ideal. To create something truly magical. The passion to create magic manifests itself  both in those organizing as well as those attending the events.  

All Day I Dream also continually forges it's own unique ambience through a combination of the musical journeys taken by it's listeners as well as noteworthy venue choices. Each location transformed with the event's bespoke production design. Structural art, hanging gardens, colourful fabrics, fairy lights and lanterns. All melded together to fashion an unparalleled, irresitable atmosphere.

HUNGOVER with JOHN SUMMIT out 15.12.2023

https://laylo.com/mathame_/RsSaE


Contact : Guillaume@h2049.com

TIME AFTER TIME is a Brooklyn-based producer.
Born in the U.S. and raised in Israel, his musical journey is a fusion of two cultures, shaping a deep, emotional sound that connects across borders and languages.

TIME AFTER TIME takes listeners on a journey through organic textures, ethnic rhythms, and timeless soundscapes that awaken the heart.

Recently signed to Café De Anatolia, his debut release “Fată Mea” blends Romanian vocalist Costel Biju with deep, soulful beats—capturing his vision of music as a bridge between cultures around the world.

Beyond his productions, TIME AFTER TIME is the founder of FriendZone NYC, one of New York’s most respected underground movements, and the force behind Savage NYC, a creative platform uniting artists, dreamers, and communities under one rhythm.

With every set and every release, TIME AFTER TIME invites the world to slow down, feel deeper, and remember that every lesson, every emotion, and every beat returns… time after time. 🐪🤎

CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE 

BIOGRAPHY
Daniele Boncordo’s gift to the world is to make music that works well in a small club, at a huge event, or in your living room. He is one of those artists who doesn’t sit still, but constantly progresses into unknown territory, creating new sounds, and inspiring others along the way.
Based in London since 2014, Daniele Boncordo has been making electronic dance music for many years. In fact, he has been making music for so long that many of our more seasoned ravers will agree with the fact that he definitely knows what he is doing when it comes to making hard-hitting and amazing Minimal Techno music.
To say the least, hearing Minimal Techno live is one of the most amazing but also overwhelming experiences in the dance world. The amount of bass paired with the quick tempo makes it literally impossible not to dance like a lunatic.
Since Daniele Boncordo switched his moniker from ‘Overtrash’, in the space of only 6 months he obtained releases on important Minimal labels such as DC10 Records, Hungry Koala Records, Drugstore Records and many more. His is a world without rules or boundaries, one where regular formulas are sidestepped in favor of carving out a unique sonic footprint, which is what Spiritual Techno is.

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