Communicate EP out now!
Dialekt Radio premiers every Friday at 7pm PST on Sirius XM Chill (Channel 53). Soundcloud premiers at 12pm every Sunday.

Tujamo & Kelvyn Colt - Taking You Home (OUT NOW)
http://umg.lnk.to/TakingYouHome


Spotify: bit.ly/SP-TUJ
Apple Music: bit.ly/AM-TUJ

TUJAMO is light years ahead of the crowd. His timeless collaborations with the likes of Steve Aoki, Dimitri Vegas & Like Mike, Kid Ink, Taio Cruz, Salvatore Ganacci & Laidback Luke amongst others have given him a global sound that inspires hundreds of producers around the world. He has racked up 500+ million streams on Spotify and 4.1+ million listeners per month, has reached the Beatport #1 spot 14 times, scored 33 Beatport Top10 tracks, and gained the #1 spot of Beatstats’ “Top Electro House Artists” all-time chart. TUJAMO has remixed Justin Bieber, David Guetta, Tiesto, Major Lazer, Skrillex & Diplo, Nicki Minaj, Robin Schulz, Lil Wayne, Hugel and has created some of the most memorable tracks in dance music like Boneless with Steve Aoki and Chris Lake (with 500,000 sales that mammoth track reached Gold in the US and Australia, and Gold and Platinum in Canada), Drop That Low (When I Dip), Booty Bounce, Who and Riverside (Reloaded). When he’s not releasing anthems, you’ll find TUJAMO touring the planet behind the decks of the world’s premier clubs and festivals including Tomorrowland, Ushuaia Ibiza, Green Valley Brazil, Pasha Ibiza, Untold Festival, Webster Hall New York, Lollapalooza, Cavo Paradiso Mykonos, Zouk Singapore, Bootshaus Cologne and many many more. Playing so many gigs a year, TUJAMO has cultivated a ubiquitous sound, edging his way higher and higher into the DJ Mag Top 100 DJs list (up 3 spots to #43 in 2019). With 200+ days on tour, more than 10,000 minutes on stage, and 6 and a half circumnavigations of the globe a year TUJAMO has manifested his own unique signature sound, gaining an ever growing fan base all around the world.

Simon Patterson is The One.
21 consecutive Beatport number ones with massive singles such as 'Dissolve', 'Now I Can Breath Again', 'Apex’, ‘The One’, ‘Shadows’ (with Astrix), ‘Brush Strokes’, ‘Northern Lights’, ‘Here and Now’, ‘Latika’, ‘Thump’, ‘Smack’, ‘F-16’, ‘Bulldozer’, ‘Mood Swing’ - Simon Patterson’s production back catalogue is an astonishing list of hit after hit record. All records that retain absolute credibility in both the underground as well as the overground.
Simon Pattersonis the master craftsman of melancholic melody and the premier purveyor of razor sharp beats.
Simon’s Open Up brand is firmly established as the market leader for high quality underground trance, tech and psy. His OU radio show is the hottest showcase of music from the tech and psy scene as well as being the first place to hear the fresh sounds emerging from Simon’s studio.
His sell out OU live shows continue to bring a unique and futuristic visual / audio experience to the hottest dance floors worldwide and he recently completed two residency runs on BBC Radio 1 confirming Simon’s popularity and position in the UK as being as prominent as it is worldwide.
Simon Patterson headlines the coolest festivals and clubs the world over. His tour schedule is relentless. He is a key player at all major Insomniac events including Dreamstate, EDC, Beyond Wonderland and regularly appears at ASOT, Creamfields, Tomorrowland, BAT, Evolution, Mayday, Luminosity and countless other leading electronic events.
Simon Patterson is pioneering a new sound and clubbing experience that fuses cutting edge audio with an insane custom visual experience (developed by genius visual producers Rebel Overlay).
Touring extensively in the US Simon now resides in Miami in order to meet the demand for his sound in the states. The EDM bubble has burst and the armies of kids who grew up on bland and monotony are now craving something with more depth and soul.
Along with Astrix, John Askew, Freedom Fighters, Sean Tyas, Will Atkinson and Blazer - Simon is one of the VII elite, a new record label and brand pushing the boundaries of cutting edge tech and psy.
Simon Patterson is also now signed to Insomniac Recordings / Interscope in the US. Watch this space for the biggest hits of his career to date.
With each new dawn, new sounds, new ideas and new visions are born. And today Simon Patterson spearheads a new wave of sounds taking futuristic electronic stimulation to a new level as he fuses an innovation blend of music, technology and visual art.
Open Up.

Maria Callas was born Maria Anna Sophia Cecilia Kalogeropoulou in New York on 2 December 1923 to Greek immigrant parents Evangelia and George Kalogeropoulos. In 1937 Evangelia separated from her husband and returned with her two daughters Maria and Jackie to Greece, where she intended to give them the musical education she could not afford in America. Maria began her vocal studies with the soprano Maria Trivella and the following year she became a pupil of Elvira de Hidalgo, who concentrated on coloratura training. The young Mary Kalogeropoulou, as she was then known, made her stage debut at the age of 15 as Santuzza in a student production of Cavalleria rusticana, and in June 1940 she joined the National Theatre company in Athens, and her first engagement was to sing songs in Shakespeare's Merchant of Venice at the Royal Theatre.

On 21 January 1941 she made her professional operatic debut as Beatrice in Boccaccio, and on 27 August 1942 she sang her first Tosca (in Greek) at the open-air Park Summer Theatre. There was a further run of performances of Tosca in September at which the opera was sung in Italian, and these afforded Maria her first real taste of stardom. During the following three years with the company she also sang in Tiefland, Ho Protomastoraas, Cavalleria rusticana, Fidelio and Der Bettelstudent.

As soon as the Second World War had finished, Maria decided to return to the USA to further her career, and in September 1945 she sailed for New York to be reunited with her father. Now calling herself Maria Callas (adopting the surname that her father had devised back in 1929) she failed to achieve anything until Giovanni Zenatello, who was in the USA to find singers for the 1947 Verona Opera Festival, engaged her to sing in La Gioconda.

Callas arrived in Verona on 28 June, and on that same evening she met Giovanni Battista Meneghini, a middle-aged wealthy Italian industrialist and opera lover, who immediately began to take an interest in the gauche and inexperienced girl. On 2 August she made her Italian debut in the Arena at Verona in La Gioconda, conducted by Tullio Serafin. The performances were successful enough but Callas made no special impression and the expected offers of further work did not materialise. But Serafin knew that she had potential and he engaged her to sing Isolde in Italian at La Fenice in Venice in December, and this led to further engagements in Italy, mainly in heavy dramatic roles like Turandot and Aida.

On 19 January 1949, having just sung her first Brünnhilde in Die Walküre eleven days earlier, Callas, at the insistance of Serafin, replaced the indisposed Margherita Carosio as Elvira in I puritani at La Fenice, and her performance stunned the operatic world. This was the turning point in Callas's career and the start of her involvement in the rehabilitation of the Italian bel canto repertoire. On 21 April 1949 Callas married Meneghini in Verona and sailed that night for Argentina to sing at the Teatro Colon in Buenos Aires. Helped by Meneghini as both husband and manager, Callas developed her career in Italy and abroad during the next two years. On 7 December 1951 she opened the season at La Scala, Milan, in I vespri siciliani to enormous acclaim, and for the next seven years La Scala was the scene of her greatest triumphs in a wide range of roles.

On 29 July 1952 Callas signed a recording contract with EMI, the first fruit of which was Lucia di Lammermoor, recorded in Florence in February 1953. Later in the year Callas began a series of complete opera recordings with the forces of La Scala, starting with I puritani and Cavalleria rusticana conducted by Serafin. These were followed by the now legendary Tosca conducted by Victor de Sabata. In 1954 Callas reduced her weight by 30 kilos and her appearance changed dramatically.

During the summer she recorded a further four complete operas at La Scala and made her first two recital discs in London. Over the following three years she consolidated her position as one of the leading divas of the operatic world, and continued to record prolifically for EMI.

In September 1957 Elsa Maxwell, the American society hostess, introduced the Meneghinis to the Greek shipping magnate Aristotle Onassis at a party in Venice. In January 1958 Callas was harshly criticised in the media for withdrawing after the first act of a gala performance of Norma in Rome. Later that year she decided not to appear again at La Scala after quarrelling with the director, and she was fired from the Metropolitan in New York after failing to agree on performances for the following season. In July 1959 Onassis invited Callas and her husband for a cruise on his yacht, the Christina; by the end of the cruise Callas and Onassis were lovers and the Meneghini marriage was over. During the next few years Callas curtailed her stage appearances and devoted herself to the international high life with Onassis, until by 1962 she was performing only at a few concerts.

In January 1964 Franco Zeffirelli persuaded Callas to return to opera at Covent Garden in a memorable new production of Tosca. In May she appeared in Paris in Norma, directed by Zeffirelli, in a spectacular staging that was to be her last new production. During the early part of 1965 she sang further performances of Tosca in Paris and New York, and then five performances of Norma in Paris, but she was unable to finish the last one due to ill health. She was advised on medical grounds to withdraw from her next performances of Tosca at Covent Garden but she decided to sing just once; she chose the Royal Gala on 5 July, which turned out to be her final appearance on the operatic stage.

In 1966 Callas relinquished her American citizenship and took Greek nationality, thereby technically annulling her marriage to Meneghini; she expected Onassis to marry her but instead, two years later, he married Jacqueline Kennedy. Callas was devastated. In the summer of 1969 she played Medea in a non-operatic film of the play by Euripides, directed by Pier Paolo Pasolini, and in 1971-2 she gave a series of Master Classes at the Juilliard School of Music in New York. There she met up again with her old colleague, the tenor Giuseppe di Stefano, who persuaded her to undertake an extensive international recital tour with him. The tour, a personal triumph but an artistic failure, began in Hamburg in October 1973 and continued into 1974. The final concert with di Stefano took place in Sapporo, Japan, on 11 November 1974; this was Callas' last public performance.

Onassis tried to rekindle his relationship with Callas, but she refused to have him back while he remained married to Jacqueline. On 15 March 1975 Onassis died after an operation; Callas was by then a virtual recluse. Alone in her Paris apartment, she died from natural causes on 16 September 1977.

DJ, producer and live instrumentalist, Timmy Trumpet is undoubtedly the most explosive name in the electronic music scene. An award-winning, multi-platinum selling recording artist, Timmy’s discography boasts of over 3 billion streams on Spotify alone, and includes collabs with artists like Armin Van Buuren, DV&LM, Alok and many more. His breakout single “Freaks” has clocked over 1 billion streams globally, becoming the highest selling single of all time on Ministry of Sound Australia. 

Famous for his high-octane live sets, Timmy Trumpet’s Tomorrowland performances sit among the most viewed on the world-famous festival’s YouTube channel. His distinctive approach to DJing has attracted some major names in entertainment, leading to a Lollapalooza Mainstage performance alongside Oscar-winner Jared Leto and Thirty Seconds to Mars, as well as a featured appearance on Jimmy Kimmel Live.

FOR DJ BOOKING ENQUIRES:
teddy@d-formation.net
Send Your demos to:
demos@beatfreakgroup.com

D-FORMATION is Dimas Carbajo, the owner and main exponent of BEATFREAK GROUP, a business alliance which is proud to include, among many others, the first Spanish record label of underground electronic music , BEATFREAK RECORDINGS, which has been conveying this national music style to the entire planet since 1997.

With over 25 years in his career path, both in worldwide booths and music studios in his role as a producer, D-FORMATION is one of the most respected electronic music artists across the world. Proof of that is his album 'MADRID' for YOSHITOSHI, (Deep Dish's label), which was launched in one of the most prestigious compilation series of the industry, being the only Spanish artist featured in it so far.

When he was barely 17 years old, he was awarded the first prize of the Spanish DMC DJ championship for two consecutive times (see file) and as from that time onwards his work was indefatigable not only as a megamixer for numerous Spanish multinational music companies, but also travelling around the entire country with his DMC gigs.

When he was only 23 years, one of his ever greatest projects came about and that was founding his first record label, MD RECORDS, which revolutionized the then electronic music market and positioned itself as the best Spanish label with the best electronic music for many years.

In 2003, driven by the professional need of giving a change not only to his career, but also to his own music style, the great artistic evolution came into being and with which he continues to work these days: D-FORMATION.

As from that moment onwards, his rise as a DJ and producer was and continues to be unstoppable, achieving and securing the recognition and support of the great majority of the underground industry from Tech and Progressive House to Trance itself. And all that was due to those melodic tinges, intrinsic and inherent to his tracks, which delighted and made wonders with artists such as Tiësto, Armin Van Buuren, Danny Tenaglia, John Digweed, Hernan Cattaneo or Deep Dish, which also enabled him to work for important record labels like Sony Music, Virgin Records, EMI, Beatfreak, Tusom, Toolroom, Yoshitoshi, Frequenza, Nervous, Twisted, CR2, Stereo Productions, Monique Musique or Baroque.

Numerous prizes as a DJ and as a producer granted by the industry vouch for all those years of his professional career, although it is noteworthy his #39 position in the Top 100 DJs of the prestigious DJMAG magazine, the highest ranking that a Spanish DJ has ever achieved (see file).

Nowadays he combines his work at the studio with an almost permanent tour across the best festivals and events in the entire world such as Space, Amnesia, Privilege or Pacha in Ibiza, Ageha and Womb (Tokyo), Zouk Club (Singapore), Pacha Cielo (New York), Stereo (Montreal) Sirena (Brazil), Ministry Of Sound (London), Paradiso (Amsterdam), Queen (Paris), Pacha Sharm (Egypt), Space (Miami), Avalon (Los Angeles), Space of Sound or Fabrik (Madrid), SOS Club, Cindirella Club, Absolut Club, Feelnet Club (China), Evil Club (Seoul) or Stadium Club (Jakarta), at which he has shared the booth with as renowned artists as Marco Carola, Carl Cox, John Digweed, Loco Dice, Hernan Cattaneo, Steve Lawler, Dubfire, Nic Fanchulli, Chus & Ceballos, Dave Clarke, Layo & Bushwacka, Sharam, Victor Calderone, Technasia, Michel De Hey, Booka Shade or Umek.

In 2014 Beatport has regarded and included D-FORMATION as one of the most important artists of the last decade, along with great names who has also made history such as Deadmau5, Eric Prydz, Sasha, John Digweed, Nathan Fake, Guy Gerber or Dave Seaman (see file).

How to contact D-Formation :

Management: management@d-formation.net
Remixes: management@d-formation.net 
Bookings: bookings@d-formation.net

Italy announces a formidable return to the opera stage with the young Italian tenor, Vittorio Grigolo. His exceptional vocal and dramatic talents have been widely praised by the world's press. Vittorio's 2010 debut at London's Royal Opera House Covent Garden as Des Grieux in Manon was described as" the most sensational debut to be heard at Covent Garden for some time. He's got everything the role demands - a voice that flows, terrific looks, an instinctive sense of theatre". The Guardian 

Born in Arezzo, Tuscany and raised in Rome, Vittorio was only four when he discovered his passion for music; a few years later he was made a soloist in the Sistine Chapel choir. Having made his debut as the Shepherd in Tosca at the age of thirteen, he began his vocal training in earnest, and at twenty-three became the youngest tenor ever to perform at La Scala, Milan. Within a few years, he was appearing around the world under the batons of Riccardo Chailly, Lorin Maazel, Zubin Mehta, Riccardo Muti, Myung-Whun Chung, Daniel Oren and Antonio Pappano. 

He has a repertoire that includes some 24 operas from amongst others, Mozart, Donizetti, Verdi, Puccini, Gounod, Massenet, Offenbach, Bernstein and the sacred works of Rossini. As one of the leading tenors of his generation, he now performs in the world's most prestigious opera houses including La Scala, Milan, The Royal Opera House, Covent Garden, The Metropolitan Opera, New York, Washington National Opera, Deutsche Oper, Berlin, Opernhaus Zurich, Palau de Les Arts Valencia, and Chorégies D'Orange to name just a few. 

Recent operatic appearances include the lead roles in Faust, Roméo et Juliette, Manon, Don Carlo and Les Contes d'Hoffmann, along with La Bohème, Lucrezia Borgia, La Traviata, Gianni Schicchi, Lucia di Lammermoor, Il Corsaro, and Rigoletto. 

He brings the same energy to his live concert performances as he does to his operatic roles and not long ago he was invited to sing before an audience of over 40,000 at an event organized in Chicago as a tribute to the late Luciano Pavarotti. In 2010 Vittorio collaborated with Zubin Mehta and the Israel Philharmonic Orchestra in a special gala concert performance of Rigoletto in Tel Aviv and at the beginning of 2011 he gave a tour of "sold out" concerts in Germany and Switzerland performing arias from his last album "The Italian Tenor". 

With a gold and platinum-selling solo album, a Grammy-nominated recording of Bernstein's West Side Story and his last album "The Italian Tenor" (Sony Classical) reaching the number one position in the US Billboard Classical Album chart, Vittorio is already established as a successful recording artist.
His second album on Sony Classical “Arrivederci” will be released in Fall 2011 and will include his personal selection of the most beloved Italian songs and opera arias ever written for the tenor voice - songs with which the great tenors have thrilled generations of music lovers.
In addition, Vittorio has successfully moved across into television media with both his 2008 performance of Alfredo in La Traviata, broadcast live from Zurich's main train station and Andrea Andermann's 2010 highly acclaimed, worldwide live broadcast of Rigoletto from Mantua where Vittorio performed the leading tenor role of The Duke of Mantua alongside Plácido Domingo's portrayal of Rigoletto.
Vittorio has been honored with awards that include the "European Border Breakers award" for his first solo "pOpera" album "In the Hands of love" (Polydor) and France's 2010 Diapason" Decouverte de L'Année" (Discovery of the Year) award in recognition of his latest album "The Italian Tenor". Vittorio also won the "Best Tenor “category in L’Opera Magazine’s 2011 Opera awards, for his performance as "Des Grieux" in Manon at London's Royal Opera House (2010).
This year also saw Vittorio's successful role debut as Roméo in La Scala’s production of Roméo & Juliette and he will also be performing the title role in Faust at London's Royal Opera House in September, followed by his debut appearance at The Los Angeles Opera in November, under the baton of Plácido Domingo.

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