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Born the youngest of ten children, raised in Southwest Detroit and a resident of Nashville since 2005, Jack White is one of the most prolific and renowned artists of the past fifteen years.

When the White Stripes started in 1997 no one, least of all Jack, ever expected that a red-and-white two-piece band would take hold in the mainstream world. With the release of 2001’s White Blood Cells the band was thrust on magazine covers and captivating audiences through worldwide touring. “Fell in Love With a Girl” served as the band’s breakthrough hit and its accompanying Michel Gondry Lego clip was chosen by Pitchfork Media as the #1 music video of the 2000’s.

The release of Elephant in 2003 not only cemented the band’s reputation as a force to be reckoned with, but it also offered the hit “Seven Nation Army” which has since become appropriated as a de facto stadium chant for many sports teams the world over.

In 2004 White teamed up with Loretta Lynn to produce and perform on her Van Lear Rose album, an effort that won Grammy’s for Best Country Album and Best Country collaboration with vocals for the single “Portland, Oregon.” To date White has won nine Grammys in seven different categories.

White formed a “new band of old friends” the Raconteurs in 2006 and their debut album Broken Boy Soldiers showed a markedly different side, most notably one where songwriting, vocal and guitar duties were shared. The success of their debut-single “Steady, As She Goes” proved that White’s previous accomplishments were no fluke.

To take it even further, in 2009 White took to his original instrument, the drums, and started the Dead Weather with members of the Kills, Queens of the Stone Age and the Greenhornes. Releasing two albums in two years and unleashing a dark, captivating live show upon curious audiences, the Dead Weather futher-cemented Jack White’s musical versatility and range.

Also in 2009, White opened the doors to his very own record label, Third Man Records, where he has produced over 120 records in less than three years. Spanning artists as varied as Jerry Lee Lewis, the Smoke Fairies, Wanda Jackson, Black Milk and Stephen Colbert, the label has quickly developed a reputation as a leader in the vinyl record industry.

In January 2012 White announced the upcoming release of his debut album Blunderbuss which will be accompanied by extensive touring across the world.

Snotty Nose Rez Kids tore into the music scene with unmistakeable talent and an unforgettable name. Showing off their lyrical prowess and natural storytelling ability, Yung Trybez and Young D jumpstarted the band with two back-to-back albums in 2017. Their follow up album, 2019’s TRAPLINE, really launched their career with hit “Boujee Natives,” and multiple awards including their first Juno nomination. The band took their high voltage live show on the road and clocked 100 shows in 6 different countries. Their pandemic album, LIFE AFTER, saw greater industry recognition with multiple music magazine cover stories, and strong streaming platform support including Billboard advertisements in Toronto’s Yonge-Dundas Square, playlist cover images, and an Amazon Twitch Channel Takeover. Taking the album on the road, the band toured 80 shows in support of the album across North America. They received their second Juno nomination and performed during the live broadcast. They were invited by The Toronto Raptors to play a half time show, and to the Vancouver Canucks to play in-between periods. Their 2022 project, I’M GOOD, HBU? elevated their career to new heights, and saw them receive their fourth Polaris Prize Shortlist, a win for top music video of the year at the Prism Prize Awards for their Beatles-inspired, DAMN RIGHT, and landed them 3 Western Canadian Music Awards, bringing their tally to 13 wins so far. SNRK have gone on to dominate in Hip-Hop music, most recently achieving their biggest milestone, signing to Sony Music. SNRK are blazing their own path, weaving together a musical fabric of hard-hitting lyricism, revealing stories about the struggles they and their people have encountered, empowering protest songs for the front lines, and a humor that keeps even the heaviest of topics something you can vibe to.

Montreal indie rockers Half Moon Run (Devon Portielje, Conner Molander, and Dylan Phillips) are best known for their acrobatic, cerebral arrangements and feral three-part harmonies.

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

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