Lend Me Your Radio - May 20

EPSILONIA_BSF_20200514

New Experimenta

MBNT

other4.4.4

6. Jan Garbarek - Evening Land

Werner Moebius & Hans Joachim Roedelius -Lindabrunn Recollage-TRACK 2

                              

The Ottomans at Jessy Cohen

The show was part of Tectonics Festival in Tel Aviv and took place in Tmuna Theater

Pierre Berthet at Tectonics 2017 - Show

Frieder Butzmann - Tectonics 2018

Synth. Roland SH 101 + live electronics.
Spring 2019.
More on Djane Ki > https://dj-ki.tumblr.com

Hedone

The Sacrificial Code

Kali Malone - Litanic Cloth Wrung (from "The Sacrificial Code" iDEAL 2xLP/3xCD)

Conexoes Musicais (Musical Connections) is music festival organized by the Centro da Cultura Judaica (Jewish Cultural Center) of Sao Paulo with Israeli and Brazilian musicians. The first contact between the musicians happens just a few days before each concert, leading them to develop a strong interaction to  unique performance. As well as other activities of the Centro da Cultura Judaica, the festival tries to make a reflection about the Israeli and Brazilian cultures in their complexity and propose different possibilities of dialogues.  Conexoes 01 – 3rd May at 21h:  Eyal Talmudi (sax and clarinet), Soukast (duo of percussion and drums), Guizado (trumpet) Deivid Peleje (tube), Tiquinho (trombone)

Conexoes Musicais 1

PRE-ORDER VINYL & CD: https://noton.greedbag.com/buy/two-120/

N-046 - ALVA NOTO & RYUICHI SAKAMOTO - TWO (LIVE AT SYDNEY OPERA HOUSE)

RELEASE DATE: NOVEMBER  15TH, 2019

Alva Noto & Ryuichi Sakamoto - THE REVENANT THEME (LIVE)

:zoviet*france: - Misteltan (Live Winter Solstice 2019)

Recorded live at Advent Calendar Live, North Terrace, Newcastle upon Tyne, 21 December 2019.
https://www.facebook.com/events/2393766100884963/

Advent Calendar Live was a fundraising event for the Age UK and Shelter charities; donate here:
https://donate.ageuk.org.uk/public/donate2.aspx?content=general
https://england.shelter.org.uk/donate

zf20200109AAC

Released as a free download 9 January 2020

© 2019 copyright control

Misteltan (Live Winter Solstice 2019)

Short breezy track taken from our recent performance at Soundscapism, hosted by @Kamil-Kowalczyk, Nov 10th 2019

Factory Ghosts

If There Is No Where by Felicia Atkinson

<3 Acidlab Miami / SH101 / Space Echo Re201 <3
#download gate via Hype Music, 
happy #quarantine

drawing by Roogomes

DoWnLoAd

Billie Eilish - Bad Guy (Benedikt Frey Reconstruction)

THESIS 18 is a vinyl & digital release available from THESIS PROJECT. It can be found on Bandcamp or at thesisproject.us

https://thesisproject.bandcamp.com/

THESIS 18 (SAMPLE)Black Brunswicker, Lucy Gooch & zaké

Full LP available at blankforms.org/publications/

Unbegrenzt is the third in an ongoing series of archival records of the unheard music of Swedish composer Catherine Christer Hennix, co-released by Blank Forms Editions and Empty Editions. It follows Selected Early Keyboard Works and Selections from 100 Models of Hegikan Roku (named the #1 archival release of 2019 by The Wire), in addition to a two-volume collection of Hennix’s writing titled Poësy Matters and Other Matters.

Recorded in February of 1974 and featuring Catherine Christer Hennix (recitation, percussion, and electronics) and Hans Isgren (bowed gong), Hennix’s realization of Karlheinz Stockhausen’s “Unbegrenzt” (German for “unlimited”) from Aus den Sieben Tagen is an elaboration both rigorous and radically different from the canonical 1969 recording issued by Shandar. The collection of 15 text pieces written in Paris during May of 1968, Aus den Sieben Tagen, denies its performers notated direction and instead provides poetic cues that hinge upon Stockhausen’s conception of “intuitive music,” a Eurocentric perspective on improvisation antithetical to the vernacular forms Hennix had engaged with as a young drummer performing in Stockholm jazz clubs with musicians like Bill Barron, Cam Brown, Hans Isgren, Lalle Svenson, Allan Vajda, Bo Wärmell, and many others. While both Hennix and Isgren saw the formal prospect of Aus den Sieben Tagen as a productive development of and beyond La Monte Young’s event scores, she here steadfastly counters his rationalization of intuition with the Principle of Sufficient Reason. (Cf. Brouwer’s Lattice.) Eschewing the busy, conservatory-addled lapses into idiomatic citation of Stockhausen’s 1969 recording, Hennix’s alternative realization of the “Unbegrenzt” score’s instructions to “play a sound with the certainty that you have an infinite amount of time and space” is based on her concept of Infinitary Compositions, the trademark of her ensemble The Deontic Miracle which, at one time, considered adding Stockhausen, La Monte Young and Terry Jennings scores to its repertoire. Taking a mature, minimal iteration of Stockhausen’s compositional method of “moment-forming” to heart, her version’s dark, controlled feedback and amplified bowed gong subtly shift through an immanent sequence of formative moments, step by step. Its bubbling computer noise, percussion, and repeated ominous transient sounds of temple blocks over the bowed gong terminate with the integrated recitation of exotic text fragments from Hevajra Tantra which faithfully take Stockhausen’s score into deeper vistas of the unconscious and a more devastating opening to the unlimited time and space of a dreaming mind.

Audio restoration and mastering by Stephan Mathieu, with an essay by Bill Dietz.

Catherine Christer Hennix: Unbegrenzt (excerpt)

Taken from the album 'Death is perfection, everything else is relative' released as LP and Digital.

France Jobin 'p (excerpt)' (EMEGO 276)

Side A from 'Sleep Until It's Over', available now on cassette tape and digital.
https://endurance010010.bandcamp.com/album/sleep-until-its-over

Dream

Artistes : @radiomentale-1, @icube
EP : I-Land 2020
Label : @irradianthologram
Sortie : 22/5/20

I-Land

Tsugi Premiere : Radiomentale - Sinking (I:Cube Remix)

Hali Palombo
GRAND DETOUR
32:06

GRAND DETOUR is a slow-scan television broadcast and soundscape. Named after an unincorporated census-designated place in Illinois, GRAND DETOUR depicts 32 desolate Midwestern scenes. Empty malls, weathered parking structures, shuttered toll booths and other cast-offs are revealed line-by-line via slow scan television, an increasingly obsolete method of image transmission via radio signal. The SSTV frequencies weave in and out of field recordings taken at the corresponding locations broadcasted, resulting in unnerving, hollow soundscapes punctuated by jarring bursts of data. Slow-scan television is a method of radio communication slowly growing obsolete - a suitable medium by which to portray the Midwestern decay in GRAND DETOUR.

http://theradius.us/episode91

Radius Episode 91 is the first episode of DECADE. Radius DECADE series invites commissioned artists to examine slowness, calling attention to radio’s relationship to time. 

http://theradius.us/decade

Radius

GRAND DETOUR

Donate

Episode 91: Hali Palombo

Schleswig-Holstein is a thin land bridge between the mighty hull of the North German lowlands and the long pointed head of the Jutland peninsula, with the gentle Baltic Sea on one side, and the rough North Sea on the other. Numerous lakes, deciduous forests and wide corridors have shaped this region since its formation during the last ice age. The varied landscape, covered with fertile clay and littered with countless large and small granite blocks, is the legacy of the glaciers.

Fascinated by the cultural and geographical history of his homeland, Phil Struck recorded sonic impressions after hikes, wanderings, daydreams, historical readings and childhood memories. Schleswig-Holstein Aufnahmen is the distillation of these diaristic recordings, made between 2017 and 2019, using a sampler, synthesizer, and worn flea market records. Much like the cyclical musings of W.G. Sebald, or Cluster’s pastoral electronic miniatures, these works are intrinsically tied to the landscape of which they were born. The wobble and crackle of the samples is evocative of the craggy scenery of the lowlands, and also describes the patinated atmosphere of memory, found in the work of Vladislav Delay, Pole, Caretaker, Philip Jeck, Ken Jacobs, and Bill Morrison. The painting adorning the album cover was done by Struck’s great grandfather who was also seduced by this meandering windswept land.

Limited edition of 100 LPs with risograph printed artwork.

Tracklist:

A1 Horizonte (Intro) (2:12) 
A2 Baizubai (5:41) 
A3 Speckenbeck (2:05) 
A4 Grube (7:00) 
A5 Feuermachen (2:52) 
A6 Weiher (3:30)  

B1 Sommertage (6:45) 
B2 Wogen (11:24) 
B3 Jens (3:49)

Buy Limited Edition LP: https://www.seance-centre.com/shop/phil-struck-schleswig-holstein-aufnahmen

Buy Digital: https://philstruck.bandcamp.com/album/schleswig-holstein-aufnahmen

Phil Struck - Baizubai (21SC)

THE GOAL IS NOTHING THE MOVEMENT IS EVERYTHING

Quelza - Segment 1

@emmadeejayy and I recorded a collab ep dropping tomorrow on bandcamp 🐸

In solidarity with the protestors fighting for justice against systemic racism and police brutality, all sales revenues during bandcamp day will go to the NAACP Legal Defense Fund.
Artwork by Yves Ciroc.

https://vtss.bandcamp.com

EMMA DJ + VTSS - Goa Dance

This track entitled "None of the Two Things" is by visual artist, experimental musician, and poet Félicia Atkinson. Félicia’s work deals with topics of deep listening, cut ups, silence, noise, and language and is a combination of improvisation and superimposed composition, as an abstract woven material, where the voice meets electronics, acoustic instruments, and electric distortions.

If There Is No Where by Felicia Atkinson

RIBOCA