Sirpa Jokinen - synthesizer
Santeri Kaipiainen - synthesizer, piano
J. Koho - objects, electronics
Vesa Lehko - saxophone, percussion
Timo Pyhälä - bass
Juha Rautio - electric guitar, composition

Recorded by Vesa Lehko. Live at Rahina, Helsinki. 26.9.2025


Anything can happen (every 10th second) - a piece for Helsinki Improvisers Orchestra

Probably the worst one man industrial band from Escondido.

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

LIVE IMPROVISATION!
My guitar plays virtual instruments.

We have completed our "Time Trilogy"... 1 album and 2 EPs now available on CD! https://zuunzug.bandcamp.com/merch/time-trilogy-3-cd

hit music only experimental sums dos make sans

I'm open for collaborations, feel free to contact if you have something in mind.

Pantoclast is a music project by Marco Maccioni, an italian born musician based in Berlin with indie alternative and electro backgrounds focusing on Noise-drones,Shoegaze, Ethnic World , Kraut music and  Dub Techno trying to follow and develope a formula between Lavosier´s Conservation of mass  and the interaction-attraction-repulsion of  Matter and Sounds-Music.
Pantoclast is a name taken from a mental disease disturb  that joins the greek words Panto-all, and Clastia-destroy : "Morbid impulse to break any object you can find in the surrounding environment; may occur in the states of schizophrenic manic excitement or histerism".

I started out in the Polish cassette underground in 1998. I've been recording tapes with simple folk/punk/blues/psychedelic songs, inspired by Syd Barrett, Velvet Underground, Monster Magnet, Woody Guthrie, Sawyer Brown, and Captain Beefheart. Those are the influences I remember today. I was using a pseudonym back then, Adam Sandosa, taken from the first Amon Duul LP, "Psychedelic Underground". I never stopped making art, so here we are in the future.

Anything can happen (every 10th second) - a piece for Helsinki Improvisers Orchestra

Experimental SUMMER Hits