Es ist 2022, wir stecken in Lockdown no° 3 dieser scheinbar nie enden wollenden Pandemie; seit Jahresanfang nur graue Wolken und Nieselregen – die Sonne kam nur gefühlte 5 mal zum Vorschein. Schöner Corona-Winter also.
Ich habe um den Jahreswechsel ein paar Lieder aneinander gereiht, die mir in diesem Moment viel Zuversicht und gute Laune gegeben haben. 
Dieses Set möchte ich nun mit euch teilen, auf dass es euch den Weg hin zum Frühling ebnet. 
Damit die Sonne wieder scheint, draußen und in euren Herzen!

frühling is coming

hello, its me. 
Todays mix is a dark and very slow downtempo mix.

I hope you like it!

Soundcloud: https://soundcloud.com/finnkir

artwork by Moritz Maier -> www.studio12.world/people/moritz-maier/

studioFM 22 - Kirberg

Billie Eilish is one of my current favorite pop starlets - this goosebumps whispering voice and them daamn nasty beats - holy!!

So I decided to get back on my bad boi 4 life shit, put some scruffy brass on the heavy 808s, mix this with bumpy juiciness and audiophile flavour and sent it to the great Nathan Hall to master it till the crispiness hit the tweeter.
And here we go: my personal little edit of the masterpiece „Bad Guy“ from Billie Eilish. Have a wonderful ride and enjoy the honey!

Cover Art by: Sakuri
Mastering: @nathanhallmusic
Vocals: Billie Eilish
Mix: Sakuri

Free Download

Billie Eilish - Bad Guy (Sakuri Edit)

Sadly one of my podcasts got deleted on Soundcloud. 
Since it was one of my favourite sets, I'm gonna share it with you on my page.
Hope u enjoy listening as much as I do!
Best, Iggi xx

p.s. sorry for random picture lol

a slowed down incident

Akasha is the third offering of the Kuya Sessions. Cura led us on a shamanic journey of body-centered awareness. Our journey continued in Samadhi, unifying individual and universal consciousness. We are now prepared to enter the exquisitely ethereal realm of Akasha. The gentle welcoming melody in “Path of Illumination” relaxes us in preparation for our journey. Vocalist Meagan Chandler sings four of the ninety-nine names of Allah as Poranguí sings four names of god in different African traditions. This invocation, joining male and female and diverse cultural traditions, serves as a prayer for protection as we gradually remove the veil and dissolve into the cosmic memory of divine consciousness. We are becoming formless, egoless, as we float in the liminal space between life and death. The cosmos slows down. Vulnerable and open to the benevolent pulse of the universe, we are drawn into the inner sanctum of the akashic womb. 

In “Eternal Horizons” a soothing female voice, accompanied by cello and piano, sings a sailor’s folk song, guiding us deeper into the sea of love and loss, encouraging us to surrender more, to shed that which no longer serves. We know that we must let go in order to move on, that we must metaphorically die in order to be reborn, the eternal return. As we sail towards the event horizon and pass the point of no return, we are greeted by a gentle male voice that embraces us in compassion as it slowly delivers us to a brand new world, where we are bathed in peace, love, and understanding. 

It is time to come home to the “Heart of the Mother,” where we can integrate our cosmic journey in the warm arms of our beloved Pachamama. From our experience of ethereal awareness, we have come to truly know in the deepest depths of souls that everything is being held as is meant to be, that we are safe and whole, that we are protected by the supreme love of energetic forces that lie beyond the beyond. We see that our own capacity for love, as fragile as our earthly bodies and yet as infinite as the akashic realm of which it is a part, makes an essential contribution to the unfolding divine plan.

Embedded within the sonic signature of the world’s oldest musical lineages and enhanced with field recordings and samples from across the globe, Kuya Sessions: Akasha is best experienced in its Journey Mix format, where the boundaries between the three movements are as ephemeral as the voyage itself. In preparation for embarking on this ritualistic path, one is invited to create an environment for inner-exploration with the help of a quiet and dark room, headphones, an eye mask, and an intention of healing and discovery. 

Akasha draws upon a grounding array of ancient instruments, field recordings, Celtic runes, and therapeutic musical stylings while showcasing Poranguí and Liquid Bloom’s magical, multi-dimensional sound. Distilled from the intention of providing listeners a path toward healing and a safe space from which to embark on that odyssey, Kuya Sessions: Akasha will continue to reveal itself with each subsequent visit for all who desire its therapeutic guidance. 

The Kuya Sessions were created by Poranguí and Liquid Bloom for Kuya, in support of paradigm-shifting medicine and therapeutics to help people transform their lives into lives they love. Akasha offers seekers a soundtrack for their journeys toward rebalancing, and is now lovingly shared with listeners everywhere on behalf of Kuya and the artists.


Album Credits:

Produced, Composed, Engineered, & Mixed by Poranguí & Amani Friend (Liquid Bloom) 

Guest Artists: 
Meagan Chandler (Female Vocals)
Andrew Tumason (Piano)
Michael Kott (Cello, Tracks 2 and 4)

Mastering: Gregor Zemljic 
Artwork: El Tripador
Liner Notes: Edhi Shanken

© Sol Creation Records 2022

Kuya Sessions Akasha - Journey Mix

An amazing night of Cacao, Performance Art, Ecstatic Dance, and Sound Healing at Holos, Costa Rica, managed by Beyond Dance

Temple Step And Madhu Honey Temple Of Ecstatis, Holos, Costa Rica 25_11_22

This song speaks from my heart to yours 

self recorded demo 
touch up by Elias Gerster (thank you!)

Being held

Finding Steadyness in the ever changing.

Lyrics & Guitar: Ananda Vogt
Production: Truth & Holy Records
Mix & Mater: Ruben Degendorfer

Running - INJOY

Irgendwo da draußen - ist eine Idee von Liebe
Irgendwo da draußen - lauern mächtige Triebe
Irgendwo da draußen - fühlt sich an, als hätt' ich Angst
Dieses Irgendwo da draußen - sagt mir ständig, dass ich nur verlieren kann
Denn dieses irgendwo da draußen - ist irgendwie ein Ort irgendwo in mir
Und 's is' nich' einer sondern tausend! die mich definiern als wär' ich selbst nicht hier...
Doch was ich spür ist Wut, ist Verletzung, 'ne Flut an Tränen, ein Schrei...
Nach ein bisschen Geborgenheit.
Nach Kontakt - mit - dir - ungeach - tet - der vielen Unterschiede zwischen uns...
Und ich glaube an 'ne Welt, die sich spüren mag
Die ihr Leid nicht wegdrückt weil's seit tausend Jahrn' so war.
Die sich öffnet für die Liebe, für den Ausdruck, für die Buntheit, für die Unterschiedlichkeit, die uns wiederum vereint.
Für das eigne Hinterfragen dieser sogenannten Gaben
Die nicht gottgegeben sind, sondern die wir erhalten haben
Von den Generations vor uns von Society
Ah ich wünsche mir so sehr, dass es so bleibt wie - nie.

Cover-Foto: Saskia Schramm
Composition, Mix & Master: Sakuri

GRENZGÄNGERIN out 02.02.24

GRENZGÄNGERIN

Sehnsucht

Grenzgängerin

@sistar-zuzu & @sakuri-dance serving as Slayin' GodAss & Sugalicious PrincAss. 

https://linktr.ee/zuzu.creatrix
https://linktr.ee/sakuri.dance 

The set luckily has been recorded by beautiful souls Josh & Ricardo and played by the two creatures mentioned above at Café Wonderland at Kiezburn '24 Saturday night after the burn of the effigy.
People who have been there know. We know. What a freakin magic! 
The whole set was improvised except for the beginning. Party Rock Anthem was planned. 

We're so awesomely thankful for these moments and you guys in the crowd were just heatin us up and we were cookin that magic together in the light of that bloody full moon of the solstice! 
Wide open portals for the spectral blend of badAss bassin House music.

See you slayin around very soon pretty and nasty creatures of the night!

💞💞

(And because I also got asked so much: the lipstick was by Focallure.)

Slayin' GodAss & Sugalicious PrincAss @ Café Wonderland, Kiezburn '24

writing and singing songs from experiencing life challanges, healing my inner child, gifts of insights & love.

first EP out dez 23. 

more to come. 