My name is

Full album → https://bit.ly/3qv3Lhj
Artist:Laima Adelaide 
Title: Parallel Space
Remixes:Moody Waters  & Francois Dillinger
Format: CD
Catalogue: DRSS177
Mastered: Juta 
Artwork:Natalia Volkova

Tracklist:
01.Figure (Intro)
02.Body
03.Focus
04.Above Black
05.Landscape
06.Lost in my Mind
07.Drive
08.Still
09.Remembrance (Outro)
10.Lost in my Mind (Francois Dillinger Remix)
11.Focus (Moody Waters Remix)

All CD orders include two Diffuse Reality stickers and digital downloads of the full release.
www.diffusereality.net

Laima Adelaide with remixes from Moody Waters  & Francois Dillinger

Xanexx - Grenzsituation EP available at Hexa records 
https://hexarecords.bandcamp.com/
Label : Hexa records 
Format : digital
Country : south korea
Released : released November 1, 2017 
Genre : Electronic
Style : Ambient, Techno

6..Xanexx - AM

Yuuki Sakai - Di Go EP - [ Hidden Recordings ]

For its seventh release, Obscura - the thriving label of Italian trio Agents Of Time - returns to the compilation format to welcome exciting new talents and core label acts. 

‘East Coast’, the Agents Of Time track which opens the release, is at once tough and atmospheric, with delicate pads suspended above the rugged, syncopated rhythm. London Modular Alliance complete the A-side with an organic jam of bleeps, bass and crisp percussion. Next, Australian Jensen Interceptor contributes a fresh cut of rapid-fire electro which leads neatly into the sci-fi tones of ‘Welcome To My World’ by newcomer Golden Virgo. 

Following a full EP on Obscura earlier this year, Hiver is back with the elastic bassline and dreamy arpeggios of ‘Stasys’. Orbe, a remixer on Hiver’s EP, impresses with ‘Never Comes’, a similarly restrained and endlessly detailed journey through the depths. 

The final side is split between Laguna and Kris Wadsworth. The former tunnels further into the hypnotic side of Obscura’s sound whilst Wadsworth’s crunchy, Detroit techno ends the release on a high. With ‘From Sound To Silence 2’, Agents Of Time have compiled eight, stand-out tracks to explore the full range of their dancefloor sensibilities. 

Buy & Download: https://www.obscuramusic.com/releases/obsm007/from-sound-to-silence-2

Buy or Download

[OBSM007] D1. Laguna - Adriatic

akkamiau​ - InTerjeCtions (EP)  DETUND LTD 49
1 | Krabat 2 | Choices 3 | Kraak 4 | 4CM

support artist:
https://detund.bandcamp.com/album/interjections-ep

The piece deals with human sounds, spoken language and its emotional charge, and with a subjective sound environment, in a way of internal sound ecology. Conceptual Act Theory suggests that language plays a role in emotion because language supports the conceptual knowledge used to make meaning of sensations from the body and the world in a given context. The viewpoints I built on consider the language a basis for music and the music as the language of emotions. Human musical ability is proposed to play a key phylogenetic role in the evolution of language, and the similarity of hierarchical structure in music and language has led to considerable speculation about their shared mechanisms. In order to understand our own emotions hidden in our speech, I consider animals sounds as inspirational source in a search for the essence of human sound.

I interviewed people about the issues connected to the topic of reproduction. Recordings of our talks were meditating over topics such as choice of giving birth, parenthood, family trauma, abortion, or transhumanism, and served as the source material for manipulating the speech into abstract sonic grains, by distillation of its emotional essence in the process called sound granulation. The long interviews on the emotionally loaded topics revealed personal opinions and relations to the issues. In series of improvisations I was granulating the parts of the speech, searching within grains for hidden meanings, as they were coming forward. This process created samples, later used in the final composition as vocals. The instrumental part is composed in a similar way, documenting the urge to create music as the soundtrack of the psychical state. Recorded improvisations on hardware synthesizers are the source material to form the timeline of the composition. I approach sound as therapeutical personal tool, which allows me to translate internal feelings into the abstract message, open to audience interpretation. I have few intentions within the structure of the composition, for example using low frequencies of the percussions in 4 channel set up to "lock" the body into the trance by repetitive and ritualistic drumming. Sounds in mids keep the narratives, highs will set the mind free to float over the transposed feelings. This take on dispersing inner stress and excessive emotions comes from personal experience as a dancer and also from the practice of various forms of exercises, such as taichi or tensegrity. It is known that dance and singing releases hormones which makes us feel good, and I also believe that evoking the traumatic experiences, by bringing them vividly into the center of our attention, while physically working on "vibrating" this energy into embodied harmonized state of being, actually dissolves old traumas. Inspired by the effects proven in buddhistic chanting, I named this creations "vibrational mantras". 

released November 27, 2019

music by Akkamiau
akkamiau.weebly.com

mastering by Joe Farr
www.joefarrmastering.com

animation by Anastasiia Holumbovska
www.instagram.com/golumbovska

Akkamiau - KRABAT (InTerjeCtions EP)

released October 31, 2019

Produced by Xanexx
Mastered by Neel at EnissLab, Rome
Artwork by Pano

https://scopavik.bandcamp.com/album/colliding-particle-incl-evigt-m-rker-pharaoh-yogg-remixes

Xanexx - Scatter(808mix) - 01 MST 4416

Coming in late February 2021 my second album on my
recently formed Before & After Silence Recordings. 

Six completely new pieces of deep Ambient music clocking in 
at 76 minutes 

CD & digital will be available from 
https://beforeaftersilencerecordings.bandcamp.com/releases

Celestial Observations Teaser (Before & After Silence Recordings)

Crescent London returns with a second Various Artists called "Meanders" focusing this time on slower BPMs, ambient textures and deeper atmospheres. With an effort to include “natural” sounds, the piece evolves in between records infused with textured sound design, field recordings, and reassuring warm bass from a broad line-up of the finest artists that deep techno has to offer in 2021.

Early support from: Eric Cloutier, Laurent Garnier, Nørbak, Ben Sims, Marcel Dettmann, Kaiser, Charlotte de Witte...

Follow us:
soundcloud.com/crescent-london
www.instagram.com/crescent.london/
www.facebook.com/crescent.music.ldn/
credits
released February 18, 2021

Mastering: Mattias Fridell

My name is

YEOJIINK