On existe

Fantaisies series

Tracks uploaded anywhere between 2015 and June 2020, mostly around May and June 2020.

In these tracks there is either very little rhythmic patterns in the traditional sense, or those that are present are mutating too much. Only professionals can dance on this stuff.

HK_Fantaisies_tracks_05

> all short tracks
> mostly 1 year old, meaning uploaded around July 2019
> varies a lot, the oldest is 5 years old, the newest is 3 months (April 2020)

HK_Superdance_tracks_02

Luik Records & Sioux Festival présentent Everyone Is Guilty + The Hills Mover.

Everyone is Guilty, c’est Mirco Gasparrini, que l’on trouve aussi derrière Blue Velvet et Monster. Dans chacun de ses projets, Mirco s’immerge, s’imprègne. Everyone is Guilty est le carnet de route de son voyage – intérieur comme physique –, dans la country alternative mystique du Denver sound, le folk aride des Appalaches, le blues hanté du Gun Club. Ses fables extatiques, loin de passer pour des exercices de style, témoignent au contraire du talent de songwriting de Mirco qui, s’appropriant les gestes et les codes d’une culture où il n’est jamais qu’en visite, va en fin de compte se confronter à lui-même, à ses craintes, ses obsessions et ses aspirations à la lumière.

The Hills Mover, escapade acoustique de Grégoire Fray, prend racine dans sa mythologie personnelle déjà évoquée avec son projet post-industriel Thot et se développe au grés de chansons à l’architecture sonore minimaliste. À peine un semestre après son premier EP "Dead Notes (Mai 2015), il revient avec "Winter Shades". 3 titres qui traitent de rupture amoureuse, de problèmes de santé et de ses questionnements sur la mise en oeuvre (ou non) d’actes radicaux destinés à sauver le monde. Une guitare acoustique sèche, des vagues synthétiques lointaines, une clarinette qui serpente et des voix aériennes: c’est tout ce dont il a besoin.

http://www.siouxfestival.be/
http://www.youtube.com/luikrecords

Tickets

Luik Records & Sioux Festival s'emparent de l'église (oubliée) rue Neuvice le 10 septembre prochain.

Demo - one take - cover of Red House painters classic "Mistress" (on the Rollercoaster LP)

Mistress (Red House Painters cover)

1er album Sin Armor, sortie le 8 avril 2016
Promo: dali.zourabichvili@gmail.com

Instruments (A ---> Z) : boites à rythmes, clarinette, guitare électrique, acoustique et baryton, harpe, piano, programmations, Rhodes, scie musicale, synthétiseurs, trompette, violoncelle, voix.

Enregistré par Benoit Bel @ Mikrokosm Studio, Thibault Marchal, Rach Three, Vincent Tordjman et Benoit de Villeneuve.
Mixé par Benoit de Villeneuve.
Masterisé par Remi Salvador @ Climax Mastering.
Photo "Fefa en el mar" par Emilie Hallard. 

Further North

quarante

Forest

Wolf

Consensus

Hobbits hopes

Can you feel my malice?

In this EP, I tried to combine simple acid patterns derived from x0xb0x and mc-202 with rhythmic piling squeezed out of PO-12 from teenage engineering. 
I am inspired by Analord, Dave Monolith (MNLTH), Ceephax acid crew, DMX crew and many other artists. 
Perhaps this EP will continue into a certain "pocket" series, but for now, other interesting things are coming that I will release soon, so please do not beat me, but rather support me by following or buying. Thank you for your attention and enjoy listening :)

Sibirsky Snickers - Sour October

Astrosuka - Alquimia V

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S.H.I.Z.U.K.A.
Performance
CKK077
March 2020

Mix/Artwork by SHIZUKA
Master by Christophe Biache

S.H.I.Z.U.KA. - 15 - Gwarosa

»KAMILHAN; il y a péril en la demeure« is the conclusion of a 5-part cycle of works by artist Grischa Lichtenberger which was initiated with the album »LA DEMEURE; il y a péril en la demeure« in 2015 and continued with the triple EP release »Spielraum, Allgegenwart, Strahlung« in 2016.
In addition to the concept of „demeure“, ones residence as a symbol for the joy and artistic possibilities one can find in isolation, Lichtenberger places a further emphasis on the expression of the voice, represented by the word „Kamilhan“. „Kamilhan“ is a non-existent word, an expression that Ernst Bloch once mentioned in an anecdote about his childhood. Fascinated by its sound but without knowing its meaning, it remained vivid in his memory in its purely „material“ form.
Lichtenberger also refers to this childish perception of language. Words that we do not know, but repeat in our thoughts until they become insignificant. Lyrics in a foreign language that we do not understand and still sing along and imitate. With computer-generated voices, Lichtenberger tries to reproduce these experiences. In his tracks we hear syllables and phrases that are similar to words and that seem familiar to us, but whose meaning remains a secret.
As on the previous album, the tracks on »KAMILHAN« are constantly torn apart and reassembled. Borrowings from hip-hop and even pop are unmistakable, desired, and yet delusive. Rhythms that are repeatedly broken in order to re-organize themselves into new temporal patterns. Melodies that are pierced by precisely these intricate rhythms. Voices that lack any empathy due to their artificiality.
Lichtenberger himself describes these tracks as „crooked ballads“, which, by deliberately following classic pop song structures, try to sell us the absurd as the normal, and in turn smuggle some hope of recognition into the absurd.
»KAMILHAN; il y a péril en la demeure« will be released on May 08, 2020 on CD and as a limited double vinyl edition including a handmade and signed silkscreen print.