Invisible Man - The Beginning

Madcap has done an outstanding job here re-fixing this track from Nookie.. Check it out!

Drum&BassArena Summer Selection 2013 is out now:

iTunes: smarturl.it/ss13itunes
2CD (Amazon, HMV etc..): smarturl.it/ss13splash


Nookie - A Drum, A Bass & A Piano (Madcap Refix)

The Extreme Collection, Vol.1

Fantasy (Fantasy Remix)

Bandcamp:
https://subcoderecords.bandcamp.com

Lavery - Dusty Vibe

Sound Control

Sound Control (Edit)

Conquering Lion - Inah Sound - Dubplate 3

Ray Keith masterpiece.
Fairly sure this the original dubplate/promo version I heard played first time around in '95, starting with the guitar... the version on youtube listed as the official release has additional Japan samples in the intro. Can anyone shed any light?

Did a painstaking cut/paste sample-based VIP of this last year on my phone :D https://soundcloud.com/selectabwoy/the-terrorist-sing-time-selectabwoy-vip-reconstruction-eclectic-mix-3?in=selectabwoy/sets/mixes-for-the-sample-spotters

https://soundcloud.com/selectabwoy/sets/old-skool-tunes-not-on-youtube

Record Box 5: Jungle

The Terrorist - Sing Time [Dread 1995]

AVAILABLE NOW - https://dalstonchillies.com/product/spcy001-dalston-chillies-records-volume-1-standard-edition

For the first release on Dalston Chillies we bring you a couple of remixes from the King of the Jungle series by DJ Dextrous.

The A side, Time To Move (Ben Kei Remix) was made back in 2012 as a special for one night only, it caused a stir and ended up seeing play from the likes of Fracture, Om Unit and Machinedrum, who even put it in his Radio 1 Essential Mix. 

The B side, Rapid (Dwarde remix) takes the vocals and arpegiated riff from the original and twists them expertly with a serious drum workout. Rapid was the original B side to Time To Move so it was the obvious choice for the flip.

Dalston Chillies Records Volume 1

DJ Dextrous & H Pee - Time To Move (Ben Kei Remix)

Noise Factory - Future II (The Remix) - 3rd Party (1993)

Old Skool DnB

Armagedon - Nina's Rinse

The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Some tales themselves trace their roots back to ancient and medieval Arabic, Egyptian, Indian, Persian, Greek, Jewish, and Mesopotamian[3] folklore and literature. In particular, many tales were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hezār Afsān (Persian: هزار افسان, lit. A Thousand Tales), which in turn relied partly on Indian elements
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