Instrumentations: Clarinet, Oboe, E. bass, Accordion and Cello with Electronics
October 2023 | BETRIEBSSTÖRUNG | Cologne, Germany

Performers: Ensemble S201 
Tamon Yashima, Oboe/Elektronik
Heni Hyunjung Kim, Klarinetten
Filip Erakovic, Akkordeon
Robert Alan Wheatley, Cello
E. Bass, Emanuel Wittersheim

The Distorted Interpretation of the Conceptual Sensibility of Gestalt [Rev.2023]

Benjamin J. Penwell writes music and lives in Chicago. He is a PhD candidate in Composition & Music Technology at Northwestern University, and holds degrees from Boston University (M.Mus, Composition & Music Theory) and University of Oregon (B.Mus, Composition).  //  His music explores texture & timbre, drone & sustain, quiet & silence, noise & consonance, beating & acoustic phenomena, and tuning & microtonality. He likes fermatas.  //  He is interested in extreme metal, ambient and drone music, harsh noise, and early music.  //  He likes guitar pedals & digital sound processing, distortion & power chords, reverb & delay, synthesis & sound design, and recording & audio editing.

Composer 
www.philipphenkel.de
www.neumerz.org

The Distorted Interpretation of the Conceptual Sensibility of Gestalt [Rev.2023]

Hunjoo Jung